Three Figures in a Room

Centre Georges Pompidou

, Paris

Three Figures in a Room is a 1964

, whom Bacon first met in 1963. It is the first of Bacon's works to feature Dyer, a model to whom he returned repeatedly in his paintings. The work has been described as Bacon's first secular triptych.

Bacon had been painting triptychs since his in 1944 break-through Three Studies for Figures at the Base of a Crucifixion. Three Figures continues the theme of Bacon studying a single subject from different angles. Although painted on three separate canvases, each image occupies the same space, marked by a brown elliptical floor and yellowish walls which continue across the panels. It defies narrative justification for a single model to appear three times in the same area.

Dyer is depicted in three different positions, all twisted and contorted. Bacon uses large and vigorous brushstrokes to create distinctive splashes of colour. In the left panel, a naked Dyer sits on a toilet facing away from the viewer; he rests on a massive black bed or chair in the centre panel; and he is sitting contorted on a pedestal chair in the right panel. The creased back of the left figure may be inspired by

.

The work was bought by the French state in 1968 and has been part of the collection of the

Centre Georges Pompidou

since 1976.

See also

• List of paintings by Francis Bacon

References

• Three Figures in a Room, Centre Georges Pompidou
• David Sylvester, Francis Bacon à nouveau, éd. André Dimanche, Paris, 2006
• Three Figures in a Room (1964) to Feature in Musée d’Orsay Exhibition
• Reading Between the Lines: Claude Simon and the Visual Arts, Jean H. Duffy p,134-135
• About Modern Art, David Sylvester p. 461-2