Uki-e

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Taking the Evening Cool by Ryōgoku Bridge (1745), Okumura Masanobu
This early example of an uki-e print uses Western-style perspective for the interior, but more traditional Japanese technique for the exterior.
Act Four (Shindamme) from the series Uki-e Chūshingura (c. 1820s), Utagawa Kuninao
Collection the Cincinnati Art Museum

Uki-e (浮絵, "floating picture", implying "perspective picture") refers to a genre of ukiyo-e pictures that employs western conventions of linear perspective. Although they never constituted more than a minor genre, pictures in perspective were drawn and printed by Japanese artists from their introduction in the late 1730s through to the mid-nineteenth century.[1]

Around 1739,

Guardi
. Toyoharu was also the first to adapt these techniques to Japanese subjects.

The interior of Kabuki theaters was a common subject in Uki-e prints. Interior scenes tend to be favored as it is easier to accurately apply one point perspective to architecture than to landscape.[1]

See also

Citations

  1. ^ a b c Hockley, p. 79

References

  • Bayou, Hélène (2004). Réunion des musées nationaux (ed.). Images du Monde flottant: Peintures et estampes japonaises XVIIe-XVIIIe siècles (in French). .
  • Hockley, Allen (2006). Public Spectacles, Personal Pleasures: four centuries of Japanese prints from a Cincinnati collection. Cincinnati: Cincinnati Art Museum. .
  • Seiichi, Iwao; Teizō Iyanaga (2002). Dictionnaire historique du Japon, Volume 2 (in French). Maisonneuve & Larose.

External links

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