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41°33′54″N 96°32′54″W / 41.5650544°N 96.5484314°W / 41.5650544; -96.5484314 → Estimated spot of Home
41°33′22″N 96°32′28″W / 41.5561544°N 96.5410114°W / 41.5561544; -96.5410114 → Post Office

OCLC 988617557 (all editions)

120-acre (0.1875 sq mi)

OCLC 10131949584 (all editions)

OCLC 8598293702
(article).

https://pubs.lib.uiowa.edu/annals-of-iowa/article/13220/galley/121686/download/

Project MUSE 752005

(subscription required)

ProQuest 283496136, 283488063, 283488063

English,, Carleton (March 10, 2023). "Big Bank Stocks Look Like Buys After Selloff" (print ed.). Vol. 103, no. 11. p. 12.{{cite news}}: CS1 maint: extra punctuation (link)

{{cite book |last1=Lebanon |first1=Guy |last2=Bruckstein |first2=Alfred M.

Brown, Marisa. Jazzmatazz, Vol. 1 at
AllMusic
. Retrieved date=April 3, 2021.

Brown, Marisa (2008). "Jazzmatazz. Vol. 1". AllMusic.

Online: AllMusic Album ID: mw0000098545 (AllMusic). RhythmOne. Retrieved April 3, 2021.
Hardbound: Print: Woodstra, Chris; John;
OCLC 154751936 (all editions)
.

AllMusic (AllMusic Album ID: mw0000098545). RhythmOne https://www.allmusic.com/album/mw0000098545. Retrieved April 3, 2021. {{cite web}}: Missing or empty |title= (help)

Billboard (May 8, 1993). Vol. 105, no. 19.
ISSN 0006-2510. Retrieved September 25, 2023 – via World Radio History (worldradiohistory.com); David E. Frackelton Gleason (born 1946), Cleveland{{cite book}}: CS1 maint: postscript (link
)

Nelson, Havelock. "The Rap Column" – "Guru Dazzles With New Jazzmatazz" (PDF) (Nelson interviews Guru). p. 21. {{cite magazine}}: Cite magazine requires |magazine= (help)
Flick, Larry (ed.). "Single Reviews" – "New and Noteworthy: Guru and Donald Byrd: Loungin'" (PDF). p. 62. {{cite magazine}}: Cite magazine requires |magazine= (help)

ISSN 0458-3035

Wasserman, Herbert (1922–2001) (2000). A Different Drummer: What Makes Me Tic, a Memoir. Writers Club Press. p. 134 – via
OCLC 52229234 (all editions)
.

"Tony Bennett and 'When My Love is Gone'". p. 131.
"Fifty-Eighth Street, While I Remember". p. 134.

TimesMachine
(permalink).

Who's Who in the World, 1997. "Windsor, William Earl" (14th ed.).
OCLC 01133198 (all editions)
.

TimesMachine
(permalink).

Simons, Dave (2004). Studio Stories: How the Great New York Records Were Made : From Miles to Madonna, Sinatra to the Ramones.
OCLC 57543979 (all editions)
.

Via Google Books. (limited preview).
Via Google Books. (limited preview).
Via Internet Archive. (ARChive of Contemporary Music).

OCLC 156975394 (all editions)

OCLC 17677072 (all editions)
.

https://books.google.com/books?id=7AoEAAAAMBAJ&pg=PA81&dq=%22%22A+%26+R+Recording%22%22

New York Times (The); Goldman, Ari L. (August 23, 1985). "U.S. Clerics Debating Ethics of Giving Sanctuary to Aliens".

Blog. .
Permalink. Vol. 134 (Late ed.). p. 1 & B18 (digital image 42) (col. 1) – via
TimesMachine
.

(permalink – via

TimesMachine

Billboard (December 15, 1984). "Audio Track: New York" → "The Aura Sonic Ltd". Vol. 96, no. 50. p. 41 – via Google Books. {{cite magazine}}: Cite magazine requires |magazine= (help)

40 years, 10 months and 10 days

{{cite journal}}: Empty citation (help)

ProQuest 848657905
(US Newsstream database).
"The elder Mr. Rust, according to family oral tradition, declined a friend's suggestion that he name Victor's twin sister Decca. Often described as the father of contemporary discography, Mr. Rust embarked in the 1940s on a rigorous, deeply personal project that continued long afterward as he haunted archives and hunted down artists to reconstitute long-vanished recording sessions on paper. For decades, Jazz Records — known to jazz mavens simply as "J.R." — has been the de facto standard reference work in the field, furnishing meticulous information on session dates, personnel and much else for tens of thousands of recordings."

Blog editions:

</ref>

ISSN 0011-1422
.

OCLC 24468213 (all editions)
.

Via Internet Archive.
Via Google Books (limited preview).

Gibbs, Craig Martin (December 18, 2012). Black Recording Artists, 1877–1926: An Annotated Discography. McFarland & Company, Inc. p. 105 – via
OCLC 818293616 (all editions)
.

Via Google Books (limited preview).

OCLC 3630048 (all editions)
.

Morgenstern, Dan; Bradley, Jack (1975). Count Basie and His Bands. New York Jazz Museum (publisher).
OCLC 3540251 (all editions)
.

OCLC 1358163 (all editions)
.
Note: One year, eleven months, three weeks, and three days after the exhibition opening, Schocket married Morgenstern.

OCLC 3842152 (all editions)

Martin, David Stone. Cover illustration.
Morgenstern, Dan. "The Saxophone in Jazz, an Outline History".

Music America Magazine (April 1977). "New York Jazz Museum". 1 (6). Boulder, Colorado: Amordian Press Inc.: 38 – via
OCLC 2750697 (all editions)
.

Washington International Arts Letter (1974). Millsaps, Daniel Webster, III (1919–1984) (ed.). "Private Foundations & Business Corporations Active in Arts / Humanities / Education" → "Ford Fdn" (a $140,000 grant → equivalent to $960,900 in 2023). The Arts Patronage Series. Vol. 2. Washington, D.C. p. 76 – via
OCLC 1602135 (all editions)
.

Record Research; Kunstadt, Leonard Richard (1925–1996) (August 1972). "New York Jazz Museum Opens, Friday, June 16, 1972" (117): 1, 5. Retrieved September 22, 2022 – via Internet Archive. {{cite journal}}: Cite journal requires |journal= (help)CS1 maint: numeric names: authors list (link
)

Primary source → Fischer, Howard E. (2003) [2004]. Jazz Exposé: The New York Jazz Museum and the Power Struggle That Destroyed It. Nashville: Sundog, Ltd. – via
OCLC 57394563
.

Fischer, Howard E. (August 13, 2021). "The New York Jazz Museum: 1972–1977". All About Jazz. Retrieved September 22, 2022.

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