User:Knaf22/Laudatio Turiae

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Intro

“Laudatio Turiae ("In praise of Turia") is a tombstone engraved with a carved epitaph that is a husband's eulogy of his wife. It was made in the late 1st century BC. It portrays the love of a husband for his loyal wife.”

Laudatio Turiae ("In praise of Turia") is a woman’s epitaph written by her husband. Created in the late 1st century BC, it depicts a husband’s love for his loyal wife.

Tombstone

The frequently moving eulogy inscribed on the stone is addressed from a husband to his deceased wife, lauding her virtues, self-sacrificing love, and unflinching loyalty toward him when she was still alive. The stone itself is broken, and parts have been found scattered around the city of Rome, although some sections remain lost. At 180 lines, the "Laudatio Turiae" is currently the longest surviving personal inscription from Classical Rome.

Discovered in (date), Laudatio Turiae is (physical specs., composition) and at 180 lines, is currently the longest surviving personal inscription from, Classical Rome (Citation). Portions of the stone have been found around Rome and some sections remain lost. The epitaph was describes an unknown Roman man’s appreciation for his virtuous, self-sacrificing, loyal wife and how loyal she was in life.

Inscription

The inscription gives a unique insight into the late 1st century Roman world during the rise of

Marcus Lepidus
, who refused to reinstate the husband despite Caesar's order to do so. The husband praises his wife's willingness to endure verbal and physical abuse from Lepidus on his behalf as she attempted to plead the husband's case publicly.

The inscription gives a unique insight into the late 1st century Roman world during the rise of

Marcus Lepidus
, who refused to reinstate the husband (reinstate what?) despite Caesar's order to do so. The husband praises his wife's willingness to endure verbal and physical abuse from Lepidus on his behalf as she attempted to plead the husband's case publicly.

History

This inscription is traditionally known as the "Laudatio Turiae," "The Praise of Turia," because its subject was generally identified with Curia, the wife of Quintus Lucretius Vespillo, consul in 19 BC, on the basis of comparison with the histories of Valerius Maximus (6, 7, 2) and Appian (Bell.civ. 4, 44), which report that Turia saved her husband in much the same way described in the inscription. William Warde Fowler stated, "...there is a very strong probability that her name was Turia, and that he was the certain Q. Lucretius Vespillo..."

However, the extant remains of the Laudatio Turiae are missing the fragmented piece that contains the identities of both the husband and wife, so they are not actually named on the extant inscription. As a result, the identification with Turia is no longer generally accepted.


This inscription is traditionally known as the "Laudatio Turiae," (and or?) "The Praise of Turia," because its subject was generally identified with Curia, the wife of Quintus Lucretius Vespillo, who was consul in 19 BC. Due to the comparison with the histories of Valerius Maximus (6, 7, 2)(?) and Appian (Bell.civ. 4, 44) which report that Turia saved her husband similarly to the way the inscription describes. William Warde Fowler stated, "...there is a very strong probability that her name was Turia, and that he was the certain Q. Lucretius Vespillo..."(citation, grammar)

The missing fragments of the Laudatio Turiae contain the identities of both the husband and wife and as a result, the identification with Turia is no longer generally accepted. (Reasoning?, citation)

Location

The Laudatio Turiae is currently housed in the Museo Nazionale Romano at the Terme di Diocleziano (Baths of Diocletian) in Rome.

Sandbox Notes & Considerations

Note to self: Addition of eulogy from funeral. Not only epitaph

It may be helpful to have a description of the tombstone. Dimensions and material composition would be useful for imagining scale. Also, listing the number of portions that have survived (Such as what is identified in the photo).

The Inscription subsection has no sources listed, makes claims about notable figure being referenced. A source would be great as this section reads more as an essay.

“At 180 lines, the "Laudatio Turiae" is currently the longest surviving personal inscription from Classical Rome.” - A source is needed

Bibliography

[1] [2] [3] [4] [5] [6]

References