Viktor Krivulin

Source: Wikipedia, the free encyclopedia.
BornViktor Borisovich Krivulin
(1944-07-09)9 July 1944
Saint-Petersburg
, Russia
OccupationPoet, essayist
NationalityRussian

Viktor Borisovich Krivulin (Russian: Виктор Борисович Кривулин; 9 July 1944 – 17 March 2001) was a Russian poet, novelist and essayist.

Biography

Krivulin graduated from the faculty of philology from

editor of short living leaflets of sanitary education while heading some important institutions of Russian uncensored literature of 1970s, such as «37» and «Severnaya Pochta» samizdat magazines among others.[1] Later Krivulin was involved with other samizdat journals Obvodnyi Kanal and Chasy, the journal of the Leningrad alternative culture club «Klub-81».[2]

In 1978 Krivulin became the first winner of Andrei Bely independent literary prize and then for more than ten years he participated in running this award.[1]

After the collapse of the

Galina Starovoitova murdered in November 1998.[2]

Work

let it be someone good
who would come to us and say:
it is not scary to live... life — in short —
is not a road but a station
the place where we bummed
between women between columns
half dead music
in loudspeaker
stuck

Trans. Tatiana Bonch-Osmolovskaya

Krivulin's poetic output reflects some features of the

postmodern current that has been variously labelled as neomodernism and metarealism.[3][4] For many years, his poetry circulated exclusively in samizdat (Leningrad journals such as Chasy [The Clock], «37» and Obvodnyi kanal), as well as the émigré journals Grani ("Facets"), Tret’ia volna ("The Third Wave"), Vestnik RKhD ("Herald of the Russian Christian Movement") and Kontinent.[3]

Krivulin's first poetry collection was published in 1981 in Paris and was followed with the two volumes of selected poems released in 1988.[1] His first official Soviet publication appeared only in 1985 in the pages of the club's anthology, Krug.[2] Krivulin's first book in the Soviet Union was published in 1990.[1]

Personal life

Krivulin was married several times. His first wife was the

street photographer whose works were discovered by her relatives in the family attic and made public. They were breaking up and getting back together several times until Masha's death in 2000.[5][6]

Collections in Russian

  • 1981: Stikhi (Poems), Paris: Rhythm.
  • 1988: Stikhi (Poems), Paris, Leningrad: Beseda
  • 1990: Obraschenie (Appeal), Leningrad: Sovetsky Pisatel
  • 1993: Konzert po Zayavkam (Concert on request), Saint-Petersburg: Publishing house of the Fund of Russian Poetry
  • 1994: Predgranichie: Teksty 1993-94 (Frontier: Texts of 1993–94), Saint-Petersburg: Borey Art
  • 1998: Requiem, Moscow: ARGO-RISK.
  • 1998: Kupanie v iordani (Bathing in the Jordan River), Saint-Petersburg, Pushkin Fund
  • 2001: Stikhi yubileinogo goda (Poems of the jubilee year), Moscow: OGI
  • 2001: Stikhi posle stikhov (Poems after poems), Saint-Petersburg: Peterburgsky pisatel

See also

References

  1. ^ a b c d e "Viktor Krivulin Biography - Biography of Viktor Krivulin". Poem Hunter. Retrieved 2023-06-23.
  2. ^ a b c "Victor Krivulin". The Independent. 2001-03-28. Retrieved 2023-06-23.
  3. ^ a b "Viktor Krivulin". www.litencyc.com. Retrieved 2023-06-23.
  4. ^ "Russian Postmodernism: An Oxymoron? | POSTMODERN CULTURE". www.pomoculture.org. Retrieved 2023-06-23.
  5. ^ "Маша Ивашинцова". mashaivashintsova.com. Retrieved 2023-06-23.
  6. ^ "'Russian Vivian Maier' Discovered After 30,000 Photos Found in Attic". PetaPixel. 2018-03-12. Retrieved 2023-06-23.

Sources

  • Johnson, Kent (1992). Third Wave: The New Russian Poetry, The University of Michigan Press

External links

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