Wheat Field with Cypresses

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A Wheatfield with Cypresses (New York)
ArtistVincent van Gogh
YearJuly 1889
Catalogue
MediumOil on canvas
Dimensions73 cm × 93.4 cm (29 in × 36.8 in)
LocationMetropolitan Museum of Art, New York City
A Wheatfield with Cypresses (London)
ArtistVincent van Gogh
YearSeptember 1889
Catalogue
MediumOil on canvas
Dimensions72.1 cm × 90.9 cm (28.4 in × 35.8 in)
LocationNational Gallery, London
A Wheatfield with Cypresses (Smaller Version)
ArtistVincent van Gogh
YearSeptember 1889
Catalogue
MediumOil on canvas
Dimensions51.5 cm × 65 cm (20.3 in × 26 in)
OwnerPrivate Collection

A Wheatfield with Cypresses is any of three similar 1889 oil paintings by

Saint-Paul-de-Mausole mental asylum at Saint-Rémy near Arles, France, where Van Gogh was voluntarily a patient from May 1889 to May 1890. The works were inspired by the view from the window at the asylum towards the Alpilles
mountains.

Description

The painting depicts golden fields of ripe wheat, a dark fastigiate

olive trees in the middle distance, with hills and mountains visible behind, and white clouds swirling in an azure sky above. The first version (F717) was painted in late June or early July 1889, during a period of frantic painting and shortly after Van Gogh completed The Starry Night, at a time when he was fascinated by the cypress. It is likely to have been painted "en plein air", near the subject, when Van Gogh was able to leave the precincts of the asylum. Van Gogh regarded this work as one of his best summer paintings. In a letter to his brother, Theo, written on 2 July 1889, Vincent described the painting: "I have a canvas of cypresses with some ears of wheat, some poppies, a blue sky like a piece of Scotch plaid; the former painted with a thick impasto like the Monticelli
's, and the wheat field in the sun, which represents the extreme heat, very thick too."

Van Gogh had to take time off painting in order to deal with some severe problems due to mental illness in late July and early August, but was able to resume painting in late August and early September 1889. After making a

emerald green for the bushes and cypresses, and touches of vermilion for the poppies in the foreground and also synthetic ultramarine.[2]
The July "plein air" version was much more heavily worked, and may be considered a study for the more considered September studio painting. He sent the smaller and less accomplished studio version to his mother and sister as a gift.

Vincent sent the larger July and September versions to his brother in Paris later in September 1889. The July version was sold by Theo's widow in 1900 to artist

Emil Bührle in Zurich in 1952. His son, Dieter Bührle, bought the painting in 1993, and subsequently donated it to the Metropolitan Museum of Art in New York, for $57 million using funds donated by publisher, diplomat and philanthropist Walter Annenberg
.

The National Gallery in London holds a similar version painted in Van Gogh's studio in September 1889, bought with the Courtauld Fund in 1923. It is unlined, and was never varnished or waxed.

The third smaller version is held by a private collection (sold at Sotheby's in London in 1970; in the US in 1987).

See also

Footnotes

  1. ^ Vincent Van Gogh's A Cornfield, with Cypresses, John Leighton, Anthony Reeve, Ashok Roy and Raymond White, National Gallery Technical Bulletin, 1987, Volume 11, pp 42–59.
  2. ^ Vincent van Gogh, A Wheatfield with Cypresses, illustrated pigment analysis at ColourLex

References

External links