When We Were Kings

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When We Were Kings
Directed byLeon Gast
Produced by
Starring
Cinematography
Albert Maysles
Roderick Young
Edited byLeon Gast
Taylor Hackford
Jeffrey Levy-Hinte
Keith Robinson
Production
company
Distributed byGramercy Pictures
Release dates
January 1996 (1996-01) (Sundance)
October 25, 1996 (1996-10-25)
Running time
89 minutes
CountryUnited States
LanguageEnglish
Box office$2,789,985[1]

When We Were Kings is a 1996 American

B.B. King, and promoter Don King, in the lead-up to the fight and accompanying Zaire 74 music festival, alongside interview footage of Norman Mailer, George Plimpton, Spike Lee and Thomas Hauser
from the 1990s.

The film took Gast 22 years to edit and finance,

Subject matter

Norman Mailer, George Plimpton, Spike Lee, Malik Bowens, and Thomas Hauser were interviewed for the film in the 1990s. These interviews describe the historical importance of the fight, the questionable ethics of locating the fight in Zaire and accepting funding from the brutal dictator Mobutu Sese Seko, the fight itself, and, particularly, the interviewee's impressions of Ali. The interviews are accompanied by many news clips and photos to summarize Ali and Foreman's careers leading up to the Rumble.

During the buildup to the fight, Ali is shown trash-talking Foreman and talking about his beliefs regarding

Africans and African-Americans in more private settings. He speaks of the inherent dignity of the native Africans and his hopes for African-Americans in the future. His relationship of mutual love with the people of Zaire is contrasted with Foreman's awkward and unsuccessful efforts to build his own popularity. Promoter Don King
is seen working on his first big promotion.

Performers such as

B.B. King, and The Spinners are seen performing at Zaire 74, the "black Woodstock" soul music festival that was supposed to accompany the fight, but ended up preceding it by a month because Foreman was injured in training and the fight was delayed (the festival is more fully documented in the 2008 film Soul Power).[5]

The film culminates with footage of much of the fight itself, interspersed with analysis of Ali's repeated use of the "right-hand lead" in the early rounds (a rarely used punch in professional boxing because it opens the boxer up for easy counterattacks, which Ali surmised would make it the punch for which Foreman was the least prepared) and his famous "rope-a-dope" strategy. This technique entailed Ali taking heavy blows from Foreman over several rounds while using his quick reflexes and the ropes to lessen their impact, which wore out Foreman. Ali knocked out Foreman in the eighth round, regaining the championship taken from him seven years earlier for his refusal to be drafted into the United States Army during the Vietnam War.

A soundtrack album for the film was released in 1997. It features live festival performances, in addition to new music by

The Fugees, in a collaboration with A Tribe Called Quest, Busta Rhymes, and John Forté
.

Awards and recognition

When We Were Kings is regarded as one of the best boxing documentaries ever made. It maintains a 98% positive rating at

NAACP Image Award for Outstanding News, Talk or Information - Special
in 1998, but lost to Dinner with Oprah: A Lifetime Exclusive - Toni Morrison.

The film won the 1996

Belgian Syndicate of Cinema Critics
.

See also

References

  1. ^ When We Were Kings at Box Office Mojo
  2. ^ "When We Were Kings". Entertainment Weekly.
  3. ^ a b Rotten Tomatoes page: "When We Were Kings"
  4. ^ a b "NY Times: When We Were Kings". Movies & TV Dept. The New York Times. 2009. Archived from the original on 2009-01-27. Retrieved 2008-11-21.
  5. ^ Fawcett, Thomas (2009-03-20). "SXSW Film: Daily Reviews and Interviews". Austin Chronicle.
  6. ^ "When We Were Kings". rogerebert.com.
  7. ^ Guthmann, Edward (2011-01-10). "When Ali Was Young, Pretty and Powerful". The San Francisco Chronicle.

External links