Wikipedia:Articles for creation/2008-01-20

If you want to make changes and try again, copy and paste your article into a new submission and make your changes there.
Fred Woodward’s staple, magazine graphic design work has earned this southern gentleman a reputation in the business that he only could have dreamed about, as a stand out art student at Mississippi State University. Woodward was born in 1953 in the small, Mississippi town of Noxapater (population 500). Though clueless of the term “graphic design,” he passion for music led to his interest in the field. If Woodward would purchase a new record, he would find himself consumed in the album cover art; It was Crosby, Stills, Nash, and Young’s album, Déjà Vu, that shot Woodward into a world wind of fascination with the visuals of “rock and roll.” During his college years, where Woodward attended Mississippi State University, he found himself struggling to find a path that appease both his interest and his parents approval. After switching his major from journalism to physical education, and then to political science it seemed like Woodward could not seem to settle on anything. It wasn’t until his junior year of college that he was introduced to graphic design by a friend with the passion for the field, but a major in landscape architecture. Watching his friend, Woodward’s mind began linking his childhood interest with a potential future in something he could actually see himself doing, the only set back was that Mississippi State did not offer a graphic design degree. One day before registration, Woodward was in packed U-haul, bound for Memphis. The closest school offering his sought degree was Memphis State, and Woodward was determined to take a chance on the one path in which he found actual passion. During the meeting with his registration advisor, the woman reported turned to Woodward and said, “My advice to you is to turn around and go back to Mississippi.” Luckily for Woodward and those who have enjoyed over twenty years of his hard work, he stayed in Memphis. Memphis State would prove challenge, yet exciting. Woodward’s first class was a senior-level typographical course that introduced him to design. Though the course was meant to overwhelm Woodward into dropping out of the university, it had quite a different effect. Woodward quickly found himself consumed in his work. Spending twenty-four hours at a time working on projects, Woodward would only break for vital reasons. Woodward knew this would be his career and his work begun sending the same message. With only two classes toward his major under his belt, Woodward took his first graphic design job. It was at Jack Atkinson’s design studio in Memphis that Woodward was finally able to sink his teeth into some real work experience. Woodward used this as a valued learning opportunity as well as a stepping stone, as the job only paid forty dollars a week, and his dream was to work for a much edger company. In 1980, upon graduation, Woodward was again on the move. Dallas was the next step on his road to success, and it was there were he landed his first big magazine job. Woodward worked on the staff of D Magazine, a publication that covers everything from art to politics in the Dallas/Fort Worth region. Staying in the Dallas area for his next endeavor, Woodward took a job with a Dallas Times-Herald’s Sunday supplement, Westward Magazine. The Westward was an interesting time for Woodward. He finally had a job where he could use all of his tools, as the staff consisted of only Woodward and two editors. What trouble Woodward, was the lack of attention that the magazine were getting, which in turn meant the lack of attention he was getting. Woodward, being the savvy, innovator that he was, entered the Art Directors Club competition, in 1982, as a means of getting his name and work out among his peers. He work was extremely well received and this would mark the turning point of his career. The name “Fred Woodward” would now mean something to those in the art and graphic design world, and for the first time Woodward was showing confidence and trust in his abilities as a designer. By 1983, Woodward had expanded his borders bound Dallas, and took a at Texas Monthly. The out react of the magazine far surpassed that of his previous works, and this would be a chance to broadcast his talents to a significantly higher number of readers. Woodward also had much greater tools to work with. At Texas Monthly, Woodward had some of the nations best illustrators and photographers. Like a kid in a candy story, Woodward used all of his new advantages to their potential and began to earn nation recognition of his own. Woodward enjoyed his job and the success at Texas Monthly, but other offers began to come in and after only four years, Fred Woodward got the job offer he had been waiting ten years for. The world proclaimed “bible of rock and roll,” Rolling Stone Magazine, had extended their hand and, in 1987, Woodward happily accepted the offer. Rolling Stone was the top of the mountain, and though some would curl up in the presence of its greatness, Woodward stood bold and dared to make changes. The magazine had strayed away from the little details that used to be ingrained in its rich history. A more modernized structure had overtaken the pages and Woodward, a long time fan of the publication, vowed to restore Rolling Stone to its former greatness with the philosophy of Henry Wolf, a man Woodward considered an inspiration, which was “innovation grounded in tradition.” Woodward’s first duty was to reimplement the Oxford rule framing all editorial, which had been scrapped to make way for the magazines new look. “It turned out to be incredibly liberating,” Woodward said. “I felt that whatever I did, if I did it inside that border, it was Rolling Stone.” Woodward spent twenty-one years perfecting an art and creating a masterpiece with Rolling Stone. Woodward was able to see a dream actualized, working in a company in which he had such high esteem, working with the great Crosby, Stills, and Nash, who’s album cover helped inspire him so many years before, and working to change the face of design in magazine. In 2001, Fred Woodward left Rolling Stone and took the job or design director at GQ, where his plan left him with only two questions, “How simply could I make it and it still be interesting? How far could I strip it down?” Woodward’s simple, yet elegant redesign of GQ to the magazine to another level and earned him the Society of Publication Designers’ Magazine of the Year award in only his first year with GQ. His personal flare, and professional eye make all he touches turn to gold. Woodward works as design director at GQ, in New York City, to date, but it is his career as at Rolling Stone that made him famous and earned him induction into the Art Directors Hall of Fame, as the youngest inductee, in 1996. “Fred is truly a visionary in the field of magazine art direction," says Jann Wenner, chairman of Wenner Media and the editor and publisher of Rolling Stone. "He’s a creative force whose energy, skill, and talents continue to amaze and astonish me. After close to ten years, his creative DNA has become an integral part of the Rolling Stone spirit."

Sources

www.aiga.org/content.cfm/medalist-fredwoodward

men.style.com/gq/features/landing?id=content_2527

www.elupton.com/index.php?id=3

Jaysonbills (talk) 00:53, 20 January 2008 (UTC) Articles for creation/2008-01-20[reply]

If you want to make changes and try again, copy and paste your article into a new submission and make your changes there.
Marcel Bwanga is from Douala, Cameroon. He began his musical career in the early 80's, singing & writing original songs for musical artists in Cameroon, Central Africa. At the age of 15, he was recognized for his brilliance & talents & was invited to tour with Nigerian singer Nico Mbarga & his band.

Marcel & Nico toured the African continent together. At 16, Marcel went to Europe where he continued performing & writing songs for other artists. Marcel's most popular song was "Ndolo L'Amour" & was made famous by Cameroonian artist Pierre De Moussy. Marcel's first solo album was released in 1984. Since then he has released 4 other albums.

Marcel promoted african music,produced shows for a lot of african musicians like dina bell,guy lobe,charlotte mbango, hoigen ekwalla, grace decca, georges seba, douleur, petit pays, tom youms, maele, bessoso, ndedi dibango, kabamane, cesera evora, aurlius mabele, the legendary jamaican jimmy cliff, and much moore...l Marcel lived between spain and france promoting his own music and band, relocating to Los Angeles in 1998.

He then signed with the legendary Prince Eyango of Preya Music. Marcel's first album released in the United States was "Enigme" & was the biggest hit of his career. Marcel Bwanga continues to expand his repertoire & has been highly influenced by the music of the French Islands, jazz & zook. He incorporates the lively & exciting makossa into all of his music. Makossa is a popular Cameroonian style originating from the Douala region.

Marcel Bwanga's infectious rhythms are highly entertaining, creating an intensity that will inspire audiences to get up on their feet. ";

If you want to make changes and try again, copy and paste your article into a new submission and make your changes there.

Sources

Sea Lion is the second album from New Zealand band The Ruby Suns.

Track Listing 1. Blue Penguin 2. Oh, Mojave 3. Tane Mahuta 4. There Are Birds 5. It's Mwangi In Front Of Me 6. Remember 7. Ole Rinka 8. This Adventure Tour 9. Kenya Dig It 10. Morning Sun

219.88.84.148 (talk) 03:42, 20 January 2008 (UTC) Articles for creation/2008-01-20[reply]

If you want to make changes and try again, copy and paste your article into a new submission and make your changes there.
TuneDNA From Wikipedia, the free encyclopedia TuneDNA Image:Tunedna logo.jpg Image:Tunedna screenshot.jpg URL http://www.tunedna.net Commercial? Yes Type of site Statistics & Community Registration Free Owner DigiDNA Created by DigiDNA Launched 01.11.2006 Current status Active

TuneDNA is a social networking tool base on the exchange of musical tastes. TuneDNA compares the musical libraries of the different users, allowing them to discover the matching musical tastes between users. The libraries are automatically generated from the users' iTunes or iPod playlists, and sorted according to their rating and/or playcount, and sent to a comprehensive database on the TuneDNA server. Profile proximity is then established between musical "Soulmates", and potentially interesting tracks are them proposed to the respective users. As with other social utility software such as facebook or last.fm, by default profiles can by view by all users. However, higher privacy options can be enabled. Thanks to the integrated SeeqPod player, many songs can be played within the TuneDNA application. SeeqPod is a service that automatically seeks out mp3 files corresponding to the desired tracks, and plays them in direct streaming. It also returns a list of video clips relevant to the song search. Users who do not have an iPod or iTunes can nevertheless create a profile and manually search for artists or titles. The first version of TuneDNA was made public in December 2006, with exclusive mac service. It has evolved significantly from its original version, now allowing for PC use as well. Since September 2007, an online version allows for remote manipulation of one's account.Contents [hide] 1 Features 2 Philosophy 3 Facebook 4 See also 5 References 6 External links

[edit] Features Profiles (Musical DNA) are generated from iTune and iPod libraries. Tracks can also be added manually to a profile by artist or by file name. Profile comparison with other users on the server. Profile matching by musical taste, and possibility to consult musical soulmate profiles. Discover Music: automatic selection of interesting tracks. SeeqPod Player: mp3 search engine allowing for live track streaming on the profiles. Automatic video clip search. Links to amazon, itunes store and deezer.com for online purchase Privacy settings allowing the user to conceal some or all of the information from his/her profile from other users.

[edit] Philosophy

The philosophy underlining the TuneDNA project is based on neutrality and transparency. In order to avoid any form of preferential exposure, there is no general song ranking, in contrast with most other providers. Tracks are only highlighted at individual listener level, and not at the aggregate listener level, so as to preserve a maximum of neutrality in song exchange, while preserving maximal profile contrast. As a feature of its privacy policy, TuneDNA does not sell or distribute any statistical information from its database, either about individual users or about collective song popularity.

[edit] Facebook

TuneDNA is available as a facebook integrated application, with the augmented option of linking facebook friends with the closest musical taste profiles. TuneDNA on Facebook

[edit] See also Pandora Last.fm Deezer.com SeeqPod

[edit] References TuneDNA Press Release Atomic Lemur Blog

[edit] External links TuneDNA Website TuneDNA : What's that DNA Biz ? TuneDNA : Philosophy

Category: Music software 68.94.4.70 (talk) 04:28, 20 January 2008 (UTC) Articles for creation/2008-01-20[reply]

If you want to make changes and try again, copy and paste your article into a new submission and make your changes there.

Jimmy Buff's of 14th Ave. & 9th St. in Newark, NJ is where the hotdog with an Italian twist was first concocted by the founder James "Bluff" Racioppi in 1932. Grandpa got his nickname from his style at the card table. Translation from Italian to English came up with the nickname "BUFF". In the 20s and 30s everyone had a nickname and hence James Racioppi became known as "Jimmy Buff".

The sandwich was first served as a treat by the Racioppi's for close friends and relatives. It went over so big with them it became the center of their menu and ultimately a customer favorite. The fresh onions, peppers, and potatoes combines with a hot dog is what allows the speciality its claim to originality.

Today, over 75 years later, the Italian Hot Dog and it's nearest relative, the Italian Sausage, are the staple fare at Jimmy's Buff's and take turns outselling each other.

Today we cook our Italian Hot Dogs and Sausages in cholesterol free soybean oil just like Grandpa Buff did in 1932. The tradition lives on.

Sources

http://www.jimmybuff.com/display.php?page=home

70.152.25.76 (talk) 05:44, 20 January 2008 (UTC) Articles for creation/2008-01-20[reply]

If you want to make changes and try again, copy and paste your article into a new submission and make your changes there.

A

According to the author, the full name of the program (Battle Encoder Shirase) is an anime reference relating to the rogue processes that consume all CPU that BES is intended to control.

The last version (1.2.2a) was released on November 22 2007, but there is no mention of Windows Vista compatibility.

Similar Programs

• ThreadMaster command line freeware, working globally by default (although it can also target specific processes)
• Process Lasso. Lowers priority, but can also set CPU limits.
• Process Tamer. Only lowers priority. Contains nag screens.

Sources

• BES homepage
• Discussion of CPU limiting programs

87.202.159.68 (talk) 13:53, 20 January 2008 (UTC) Articles for creation/2008-01-20[reply]

If you want to make changes and try again, copy and paste your article into a new submission and make your changes there.
Herschel Garfein is the composer of the opera Elmer Gantry, written with the librettist, Robert Aldridge.

Sources

http://www.nytimes.com/2008/01/20/arts/music/20gree.html

89.139.201.37 (talk) 14:50, 20 January 2008 (UTC) Articles for creation/2008-01-20[reply]

If you want to make changes and try again, copy and paste your article into a new submission and make your changes there.

Sources

http://developer.apple.com/documentation/AppleApplications/Reference/SafariWebContent/OptimizingforSafarioniPhone/chapter_3_section_4.html

142.217.180.3 (talk) 17:12, 20 January 2008 (UTC) Articles for creation/2008-01-20[reply]

If you want to make changes and try again, copy and paste your article into a new submission and make your changes there.

If you want to make changes and try again, copy and paste your article into a new submission and make your changes there.
lisa Is Tony's Beautiful Girlfriend And He Loves Her So Much. She Means Everything To Him And She's The Best Person In The World. He Cannot Say Enough About Her, Therefore Is Often Desperate For Words To Describe Her Wonderful Way Of Living.

Sources

http://s67.photobucket.com/albums/h291/slim_jim_444/?action=view&current=DSCF3853.flv

72.2.75.15 (talk) 19:31, 20 January 2008 (UTC) Articles for creation/2008-01-20[reply]

If you want to make changes and try again, copy and paste your article into a new submission and make your changes there.
The Tyler Logic. probly not so well known. The Tyler Logic is a type of logic were arguments are ALWAYS following. When you use the tyler logic you must speak argutibly and follow these steps: 1.always speak LOGICLY 2.Always argue your point and 3.NEVER take the other persons answer.

If you want to make changes and try again, copy and paste your article into a new submission and make your changes there.
Egyptian LNG is considered one of the world’s largest producers of this strategic commodity. It aims to produce liquefied natural gas (‘LNG”). Located at Idku, 50km East of Alexandria, Egyptian LNG can accommodate an expansion of up to six trains in total with potentially different ownerships and sources of feedgas. Currently, two trains are up and running, each at a capacity of 3.6 million tones per annum. Egyptian LNG is Egypt's largest liquefied natural gas joint venture comprising of both local shareholders, such as (“EGPC”), (“EGAS”) and foreign shareholders, such as BG Group plc, PETRONAS and Gaz de France (“GDF”), all of which are prominent international players in the industry. For more info. please refere to the site: www.egyptianlng.com

Sources

www.egyptianlng.com

82.201.243.73 (talk) 21:47, 20 January 2008 (UTC) Articles for creation/2008-01-20[reply]