Willem Schellinks
Willem Schellinks | |
---|---|
Born | bapt. 7 February 1623, Amsterdam |
Died | 12 October 1678 | (aged 55), Amsterdam
Nationality | Dutch |
Known for | painting, drawing, poetry |
Willem Schellinks (1623–1678) was a Dutch painter, draughtsman and etcher of landscapes and marine scenes and also a poet. Willem Schellinks was one of the most widely traveled Dutch artists of his time. He traveled along the Loire and the Seine in 1646, and between 1661 and 1665 he visited England, France, Italy, Malta, Germany and Switzerland, keeping a record of his travels in multiple landscapes and scenic views as well as a journal.[1] Alternative spellings, Schellinger and Schellinx.
Life
Willem Schellinks was born into a family of artists in Amsterdam. He was the son of a surveyor and the brother of Daniël Schellinks (1627–1701), who was active as an amateur artist. Another brother, Jacob, settled in Southampton, Connecticut Colony and took up whaling. After finishing his studies with Karel Dujardin at the age of about twenty, he traveled to France with Lambert Doomer in 1646.[2][3] After that he undertook another journey in 1661–1665 as the guide of a certain Mr 'Jakob Thierry de Jong', a young gentleman on his Grand Tour.[4]
Schellinks compiled his drawings and notes about this last journey in three volumes, that remained unpublished, but which he kept for friends to read. The painter-engraver
Schellinks' hand-written journal, written some years after his travels 1661–1665 and based on his now lost notes, is preserved in the
Work
Willem Schellinks mainly drew and painted Dutch and Italian views, river and harbor scenes, inns or ancient ruins with resting horsemen and hunting parties. He also painted a number of winter scenes. He borrowed liberally from the style of other artists, particularly of the Italianate masters. It is likely that his works are so rare because many of them have been wrongly attributed to other painters. After Schellinks's death,
An important influence on his work was
Schellinks used his earlier drawings of England as the basis for his paintings of the successful 1667 naval raid by the Dutch on the English fleet at Chatham during the Second Anglo-Dutch War. He depicts the moment when the Dutch triumph by showing an English military contingent arriving too late.[1]
Schellinks often collaborated with other artists for whom he painted either the landscapes or the figures. For instance, in the
References
- ^ a b c d Willem Schellinks at the J. Paul Getty Museum
- ^ Willem Schellinks at Christie's
- ^ Website with a map and Dutch summary with drawings by Doomer and Schellinks
- ^ Willem Schellinks at the Netherlands Institute for Art History (in Dutch)
- ^ (in Dutch) Willem Schellinks biography in: Arnold Houbraken, De groote schouburgh der Nederlantsche konstschilders en schilderessen, 1718 (in Dutch)
- ISBN 0861931351.
- ^ Stijn Alsteens, Reviewed Work: The Atlas Blaeu–van der Hem of the Austrian National Library 6 vols. by Erlend de Groot, Peter van der Krogt, in: Master Drawings, Vol. 48, No. 1, Drawings in the Dutch Republic (Spring 2010), pp. 105-120
- ^ Anne Charlotte Steland-Stief, Jan Asselyn und Willem Schellinks, in: Oud Holland, Vol. 79, No. 2 (1964), pp. 99-110, Published by: Brill (in German)
- ^ Mountain Landscape with River and Wagon at the Getty Museum
- ^ The countryhouse of Nicolaas Pancras, 1650 - 1670 at the Amsterdam Museum (in Dutch)
External links
- Media related to Willem Schellinks at Wikimedia Commons