William Cockin
William Cockin (baptised 1736 – 1801) was an English schoolmaster and versatile author.[1]
William Cockin | |
---|---|
Born | 1736 |
Died | 30 May 1801 | (aged 65)
Occupation(s) | Schoolteacher, writer, accountant |
Life
The son of Marmaduke Cockin (1712–1754), he was born at Burton-in-Kendal, Westmorland. His father was a schoolmaster.[1][2]
After time spent as a teacher in schools in London, Cockin was in 1764 appointed writing-master and accountant to
Cockin retired to Kendal. He was a friend of George Romney the painter, and he died at Romney's house in Kendal, on 30 May 1801, aged 65. He was buried at Burton-in-Kendal.[2]
Associations
Among Cockin's friends was the Rev. Thomas Wilson of Clitheroe, and Peter Romney, brother of George, was a correspondent in the later 1760s.[2][3] Other associates were John Dawson, and Rev. John James D.D., of Arthuret.[1]
Works
Cockin's works included:[2]
- A Rational and Practical Treatise of Arithmetic, 1766.
- Occasional Attempts in Verse, privately printed at Kendal.
- Ode to the Genius of the Lakes, 1780.
- The Theory of the Syphon, 1781.
- The Fall of Scepticism and Infidelity predicted, 1788, in the form of a letter to James Beattie.[1]
- The Freedom of Human Action explained, 1791
- The Rural Sabbath, a poem, 1805. This posthumous volume includes a reprint of the Ode to the Lakes, with biographical notes.
Cockin contributed to the
Elocutionist
In 1775 Cockin published The Art of Delivering Written Language; or, An Essay on Reading, dedicated to David Garrick, a work on elocution.[1] In this book Cockin is representative of the 18th-century elocutionary movement, and within elocutionist he is assigned to the "natural school".[5][6] His comment on the prescriptive approach of Thomas Sheridan, a leader of the movement, was that works of elocution might be as much about perceptions of ways of talking as speaking.[7]
Cockin noted in particular the connection between modulation in speech and silent reading.[8] He pointed out that in both speech and singing, pauses are used to frame and for emphasis.[9] He took comical mimicry to be a low form, in terms of artistic prestige. His exposition on the topic is now a standard authority for this attitude to imitation and mimesis.[10]
Guide books
Notes
- ^ doi:10.1093/ref:odnb/5786. (Subscription or UK public library membershiprequired.)
- ^ a b c d e f Stephen, Leslie, ed. (1887). . Dictionary of National Biography. Vol. 11. London: Smith, Elder & Co.
- JSTOR 41614438
- ^ Phil. Trans. (1780), lxx. 157.
- JSTOR 27742940
- ISBN 9780275964207. Retrieved 15 May 2018.
- JSTOR 518493
- JSTOR 10.1525/rh.2010.28.1.67
- JSTOR 3526232
- JSTOR 40646207
- JSTOR 41057329
- JSTOR 24040642
- ^ Woof, Robert; Museum, Grasmere and Wordsworth (1982). The discovery of the Lake District, 1750-1810: a context for Wordsworth: at the Grasmere and Wordsworth Museum, 20 May-31 October, 1982. Trustees of Dove Cottage. p. 23.
- ISBN 9780719066733. Retrieved 15 May 2018.
External links
- Attribution
This article incorporates text from a publication now in the public domain: Stephen, Leslie, ed. (1887). "Cockin, William". Dictionary of National Biography. Vol. 11. London: Smith, Elder & Co.