William Seguier

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Portrait of William Seguier (1830) by John Jackson, National Gallery

William Seguier (

National Gallery, London
.

Early life

Seguier was born in the parish of

Huguenot
refugees.

Many of his relatives were involved in the arts on a professional level, from his father David, a picture dealer, to his uncle on the paternal side, the sculptor Peter Seguier.

Career

Initially Seguier worked as an artist; he may have been taught by George Morland and perhaps even William Blake. However, his marriage to Anne Magdalene Clowden (a fellow Huguenot), gave him the independent means to establish a dealership, and he largely gave up painting thereafter. The business, in which his brother also worked, also offered picture-cleaning and restoring services, a useful way of getting to know collectors.

From 1806, when Lord Grosvenor consulted him on the purchase of the Agar collection, Seguier's clientele became ever more aristocratic and well-connected, including such names as Sir George Beaumont, Sir Abraham Hume, Sir Robert Peel and the Duke of Wellington.

Beaumont and Grosvenor were also members of a group of connoisseurs and artists (including

National Gallery
in 1824 he was appointed its Keeper.

The Superintendent was responsible for organizing and hanging the shows at the British Institution, a role that inevitably gave rise to grumbling and worse from artists - at the

President of the Royal Academy — "MR SEGUIER"." When in 1832 two pictures by Richard Parkes Bonington, who had been dead only four years, were included in an "Old Masters" exhibition, Constable (who was twenty-six years older than Bonington) wrote that Seguier was "carrying on a Humbugg".[1] The William Blake scholar Ruthven Todd tells us that at the National Gallery Seguier "established a reputation both for incompetence and for a passion for brown varnish, apparently agreeing with Sir George Beaumont, connoisseur and amateur artist, that a really good picture should have the color of a Cremona violin".[2]

Later life

Seguier held these three positions until his death in 1843; his brother succeeded him at the British Institution. He is buried in Brompton Cemetery, London.

Notes

  1. ^ Egerton, 388-391; quotes 391
  2. ^ Todd, Ruthven, William Blake: the Artist, London:Studio Vista, 1971, p. 94.

References

  • Egerton, Judy, National Gallery Catalogues (new series): The British School, 1998,
  • Laing, Alastair D. "Seguier, William (1772–1843)."
    Oxford Dictionary of National Biography
    . Ed. H. C. G. Matthew and Brian Harrison. Oxford: OUP, 2004.
Honorary titles
Preceded by
Superintendent of the British Institution
1805–1843
Succeeded by
Preceded by
Surveyor of the King's / Queen's Pictures

1820–1843
Succeeded by
Preceded by
Keeper of the
National Gallery

1824–1843
Succeeded by