Woman Holding a Balance

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A Woman Holding a Balance
ArtistJohannes Vermeer
Yearc. 1662–1663
MediumOil on canvas
MovementDutch Golden Age painting
Dimensions42.5 cm × 38 cm (16.7 in × 15 in)
LocationNational Gallery of Art, Washington, D.C.

Woman Holding a Balance (Dutch: Vrouw met weegschaal), also called Woman Testing a Balance, is an oil painting by Dutch Golden Age painter Johannes Vermeer, now in the National Gallery of Art in Washington, DC.

At one time the painting, completed c. 1662–1663, was known as Woman Weighing Gold, but closer evaluation has determined that the balance in her hand is empty. Opinions on the theme and symbolism of the painting differ, with the woman alternatively viewed as a symbol of holiness or earthliness.

Theme

In the painting, Vermeer has depicted, what discreetly appears to be a young pregnant woman holding an empty

jewelry box, the pearls and gold within spilling over. A blue cloth rests in the left foreground, beneath a mirror, and a window to the left — unseen save its golden curtain — provides light. Behind the woman is a painting of the Last Judgment featuring Christ with raised, outstretched hands.[1] The woman may have been modeled on Vermeer's wife, Catharina Vermeer.[2]

According to Robert Huerta in Vermeer and Plato: Painting the Ideal (2005), the image has been variously "interpreted as a

Mary.[4][5] To some critics who perceive her as measuring her valuables, the juxtaposition with the final judgement suggests that the woman should be focusing on the treasures of Heaven rather than those of Earth,[6] with the mirror on the wall reinforcing the vanity of her pursuits.[7] Other historians have suggested that the balance represents her careful harmonization of worldly possessions and spiritual piety. In this interpretation, the mirror on the wall reflects the woman's self-knowledge.[8]

History

Completed in 1662 or 1663, the painting was previously called Woman Weighing Gold before microscopic evaluation confirms that the balance in her hands is empty.

Girl Asleep at a Table (62) and The Officer and the Laughing Girl (approximately 44), but somewhat below The Milkmaid (177).[11]

Painting materials

The first pigment analysis of this painting by Hermann Kühn

lead-tin-yellow. The full pigment analysis according to the latest data is illustrated at Colourlex.[14]

See also

Notes

  1. ^ a b Huerta (2005), p. 54
  2. ^ Walther & Suckale (2002), p. 332.
  3. ^ a b Huerta (2005), p. 85.
  4. ^ Montias (1991), p. 191.
  5. ^ Kenner (2006), p. 56.
  6. ^ Roskill (1989), p. 148.
  7. ^ Carroll & Stewart (2003), p. 61.
  8. ^ Zucker, Steven; Harris, Beth (December 11, 2015). "Johannes Vermeer, Woman Holding a Balance". Smarthistory.
  9. ^ Montias (1991), p. 162.
  10. ^ Montias (1991), p. 182, 256.
  11. ^ Montias (1991), p. 182.
  12. JSTOR 42618099
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  13. .
  14. ^ "Johannes Vermeer, 'Woman Holding a Balance'". ColourLex.

References

Further reading

External links