Abbey of Saint-Martin-du-Canigou

Abbey of Saint-Martin-du-Canigou
Abbey of Saint-Martin-du-Canigou
District	Prades
Region	Languedoc-Roussillon
Ecclesiastical or organizational status	Monastery
Status	Active
Location
Location	near Casteil, Prades, Pyrénées-Orientales, Languedoc-Roussillon region,; France
Municipality	Casteil
State	Pyrénées-Orientales
	Shown within France
Geographic coordinates	42°31′41″N 2°24′03″E / 42.528144°N 2.400892°E
Architecture
Type	Abbey church
Style	Romanesque
Groundbreaking	1005
Completed	1009
Designated as NHL	Monument historique (1889)
Website
	http://stmartinducanigou.org/

The abbey of Saint-Martin-du-Canigou (Catalan: Sant Martí del Canigó) is a monastery built in 1009 in the Pyrenees of Northern Catalonia on Canigou mountain in present-day southern France near the Spanish border.

Pau Casals

wrote a composition entitled "Sant Martí del Canigó" for Orchestra.

Location

The monastery is located on the territory of the

département

.

History

The original

Benedictine

monks.

In 1050, Guifred II died at the monastery he had built after having become a monk there 15 years before. In 1051 a messenger set forth to visit religious houses throughout Europe to solicit prayers for Guifred. He brought a parchment, a

Léopold Delisle

with his Rouleaux des Morts du IX au XV Siecle of 1866) have used it to discover differences in culture between northern and southern Europe in a single given year. Some of the discoveries from this important document include that southern culture was more staid and bound by custom while the northern culture more free form and experimental in their writing styles, use of words and grammar.

The monastery was damaged in the

Catalan earthquake of 1428

.

The monastery was secularized in 1782 by Louis XVI. The monastery was abandoned by the monks in 1783-1785 and fell into disrepair.

During Reign of Terror in the years 1793-1794, the abbey was closed, and its contents scattered. The buildings were then transformed into a stone quarry for nearby residents, the capitals of the cloister were looted, as well as sculptures and furniture.

In 1902, the

bishop of Elne and Perpignan, because of his Catalan background, began to restore the ruins radically, work that was completed in 1932. Today it is occupied by the Catholic Community of the Beatitudes

.

Buildings

The abbey consists of two churches in the First Romanesque style; the lower church, dedicated to St. Mary, and the upper, dedicated to St. Martin. This building is indexed in the Base Mérimée, a database of architectural heritage maintained by the French Ministry of Culture, under the reference PA00103981.

The lower church is predominantly black, and vault height rarely exceeds 3 meters. The eastern part (apses and adjacent bay) probably dates back to the consecration of 1009, while the rest of the building dates from the years 1010–1020, in conjunction with work after acquiring the relics of St. Ganders and new consecration of the church.
The upper church was built between the years 1010-1020 (at the same time as the expansion of the lower church). Its construction required the strengthening of the columns of the lower church, which were enclosed in square piles. Similar to the lower church, the Saint-Martin church is composed of three naves separated by monolithic columns and barrel vaulted semicircular (except between the third and fourth bay, where the pair of support is cruciform in shape and arch supports).
The gatehouse is no longer than 19 meters after being damaged in the 1428 earthquake. It was never fully restored.

The rest of the convent buildings date from the early 20th century.

The cloister

Since the restorations of 1900-1920 it is difficult to imagine the original appearance of the cloister. The cloister once had two levels, the first built in the early 11th century and the second to the late 12th century. The lower level, which showed vaulted galleries and semicircular arches was bare of any decoration. Nowadays, there remain only three galleries that have been heavily restored, lacking their original character. The upper level, had marble capitals, which were scattered after the closure of the monastery during the French Revolution. The restoration recovered some, which were incorporated in the new southern gallery.