Altamura Cathedral
Altamura Cathedral (
, in southern Italy.Since 1986 it has been the seat of the
History
The church was built by will of
Historian Domenico Santoro (1688) hypothesized that the church may occupy the location of a Greek or Roman temple dedicated to
An inscription in Latin, located upon the so-called "Angevin door" (Italian: Porta Angioina), says that the church collapsed on January 29, 1316 and that it was rebuilt with the help of skilled constructors from the nearby Bitonto. The first man who correctly translated this inscription was local historian Ottavio Serena, as he stated in his unfinished work Storia di Altamura. Previous historians incorrectly translated the inscription (which was hard to read and written in bad Latin), assigning the inscription referred to a privilege that Altamura benefited, according to which every year Bitonto's mayor used to come to Altamura to take the price list of the foods and to spread it to the whole province.[6]
The current orientation of the church is opposite to the original one, although it is not known if the change dates to
On the place where today is the clock tower, just above the
In 1729, the statues of the
In 1858 (just three days before the Unification of Italy), the clock tower was added (designed by architect Corradino de Judicibus).[12]
Altamura Cathedral has been restored in 2006[13] The works have restored the external walls of the cathedral to their original white color.[14] Another restoration work has been carried out in 2017 for the floor, the lighting system, the three entrance portals and other wooden structures.[15]
Architecture
Exterior
The façade has two tall bell towers with two orders in the right one, and three (including the first in
The façade is completed by a 14th-century portal, included within a
Interior
The church has a nave and two aisles separated by columns and pillars, with matronaea at the sides. The capitals, in Byzantine style, are the last decoration detail visible today of the original Frederick II's building, together with the matronaea and the apse at the left of the portal.
The nave, with a wooden ceiling decorated with gilded stuccoes, ends in a large 18th century
The aisles feature six side chapels each. The first left chapel is home to a polychrome wooden nativity scene from 1587. The fourth left chapel, dedicated to St. Joseph, is in Baroque and includes a polychrome marble altar with the statue of the saint holding Jesus' hand with a baldachin.
The church also houses a canvas by Domenico Morelli depicting St. Paul's Conversion (1876).
Gallery
-
Commemorative plaque about Italian scientist Luca de Samuele Cagnazzi, located inside "Cappellone di San Giuseppe".[18][19]
References
- Monte Sant'Angelo sul Gargano.
- ^ T. Berloco (1985), p. 22, note 13
- ^ T. Berloco (1985), p. 39, note 44
- ^ T. Berloco (1985), p. 116, note 5
- ^ pupillo-immagini, pag. 28
- ^ T. Berloco (1985), p. 182
- ^ pupillo-immagini, pagg. 50-52)
- ^ pupillo-immagini, pagg. 51-52)
- ^ "LE CHIESE | Pro Loco Altamura".
- ^ pupillo-immagini, pag. 27
- ^ pupillo-immagini, pagg. 51-52)
- ^ "PERSONAGGI | Pro Loco Altamura". Archived from the original on 2021-12-31. Retrieved 2018-07-16.
- ^ "La Cattedrale restituita al suo antico splendore". 19 April 2017.
- ^ "CATTEDRALE DI SANTA MARIA ASSUNTA, Altamura (BA)". Archived from the original on 2018-02-18. Retrieved 2018-02-27.
- ^ "La Cattedrale restituita al suo antico splendore". 19 April 2017.
- Angelica Library - Archivio Generalizio Agostiniano, Carte Rocca P/33 (ultimi anni del XVI secolo) (pupillo-immagini, pag. 19)
- ^ The painting was damaged by a flood and then it was hung in the first chapel on the right side of the church of Santa Maria degli Angeli, inside the ex-convent of Capuchin friars. Later on, it was restores thanks to an activity organized by Altamura middle school "Tommaso Fiore". The activity's title was 'Let's adopt a monument' (Italian: Adottiamo un monumento, and its goal was to finance the restoration of a work of art. The painting was then chosen to be exhibited inside the Council Hall of the city of Altamura (cfr. pupillo-immagini, pag. 50)
- ^ Cagnazzi himself talks about the plaque in his autobiography La mia vita (pp. 270-271), adding that the profile was made by sculptor Don Gaetano Lanocca. The plaque and the profile date back to 1842.
- ^ Lamiavita, pp. 270-271.
Sources
- Blanchard, Paul, 1990: Southern Italy from Rome to Calabria: The Blue Guides, 7th edn., p. 345. London: A & C Black
- Berloco, Tommaso (1985). Storie inedite della città di Altamura (in Italian). ATA - Associazione Turistica Altamurana Pro Loco.[permanent dead link]
- Pupillo, Giuseppe (2017). Altamura, immagini e descrizioni storiche (PDF). Matera: Antezza Tipografi. ISBN 9788889313282. Archived from the original(PDF) on 2018-10-21. Retrieved 2018-10-23.
- Luca de Samuele Cagnazzi (1944). Alessandro Cutolo (ed.). La mia vita. Milan: Ulrico Hoepli.