Annea Lockwood

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Annea Lockwood
Christchurch, New Zealand
Occupation(s)Composer, academic musician

Annea Lockwood (born July 29, 1939, in Christchurch, New Zealand) is a New Zealand-born American composer and academic musician. She taught electronic music at Vassar College.[1] Her range is vast and often includes microtonal, electro-acoustic soundscapes and vocal music, as well as recordings of natural found sounds. She has also recorded Fluxus-inspired pieces involving burning or drowning pianos.

Early life and education

Lockwood studied composition and completed a

Hochschule für Musik Köln. She also studied in the Netherlands. Lockwood settled in London in 1964.[3]

Career and style

During the late 1960s and early 1970s, Lockwood performed and composed around Europe. Her compositions featured non-conventional instruments such as glass tubing used in The Glass Concert (1967). This was published in Source: Music of the Avant Garde then recorded and released by Tangent Records.[3] Her series Piano Transplants utilized burning, drowning, or planting pianos in locations across the United Kingdom and United States.[4] In the 1970s, Lockwood began to compose music that could be classified as performance art pieces, as the essence of the compositional ideas made the audience and environment agents in one piece. She collaborated with various choreographers, sound poets, and visual artists.[4]

In 1973, Lockwood relocated to New York City after being offered a faculty role at Hunter College. She worked with environmental sounds, capturing them and building developed compositions around an environmental inspiration, as in A Sound Map of the Hudson River (1982)[5] and World Rhythms (1975). She also built on the archetypes and conversations with significant people, as in Conversations with the Ancestors (1979), composed on conversations with four women in their 80s; and Delta Run (1982) based on a conversation with sculptor Walter Wincha. Three Short Stories and Apotheosis (1985) used what Lockwood named the Soundball, which was a foam-covered ball made of six small speakers and a radio receiver. The impetus for this unusual piece of equipment was to "put sound into the hands of the dancers."[6] She also works with the sounds of water.[7]

In the 1990s, her pieces were written for acoustic-electric instruments and incorporated

Lascaux Cave as part of the performance.[8]
In 2002, she began working on A Sound Map of the Danube River, which gathered sounds recorded from a variety of sites on the surface of, within, and around the river.

Lockwood's work has been presented at festivals around the world. Her piece Piano Burning has been replicated multiple times, including as the closing track of the 2019 album

clipping. She has received the Henry Cowell Award (2007)[9] and was featured in the short documentary Annea Lockwood / a Film About Listening (2021) and live documentary 32 Sounds (2022), both directed by Sam Green.[10][11] Her recordings are currently distributed by Lovely, XI, ?What Next?/OO Discs, Rattle Records (NZ), Harmonia Mundi, Earth Ear, CRI
, and Finnadar/Atlantic.

Lockwood is an emeritus professor at Vassar College, where she has worked since 1982. Former students include Jonathan Elliott.[12]

Discography

Reviews and articles

References

  1. ^ Office of Communications. "Annea Lockwood and Friends at Vassar College, April 6". neighbors.vassar.edu. Retrieved 30 December 2014.
  2. ^ Michele (January 31, 2002). Lockwood, Annea [Anna] (Ferguson). London, UK: Oxford University Press. Retrieved April 7, 2017.
  3. ^ a b "Annea Lockwood". Lovely.com. Retrieved 22 November 2014.
  4. ^ a b Rodgers, Tara. Pink Noises. Duke University Press, 2010, p. 114.
  5. ^ Annea Lockwood (November 11, 2003). "Annea Lockwood Beside the Hudson River". NewMusicBox (Interview). Interviewed by Frank J. Oteri (published January 1, 2004).
  6. ^ Lovely.com. "Annae Lockwood". Lovely.com. Retrieved 30 December 2014.
  7. ^ "Annea Lockwood". Ias.umn.edu. Archived from the original on 21 February 2014. Retrieved 22 November 2014.
  8. ^ "Thousand Year Dreaming / Floating World, Liner notes". Pogus Productions 21045. Retrieved 22 November 2014.
  9. ^ "AMACHER, DUNN, AND LOCKWOOD RECEIVE SECOND HENRY COWELL AWARD" (PDF). Amc.net. Archived from the original (PDF) on 13 July 2010. Retrieved 22 November 2014.
  10. ^ "Watch Annea Lockwood / A Film About Listening Online | Vimeo on Demand". 8 June 2021.
  11. ^ Zoladz, Lindsay (27 March 2022). "'32 Sounds,' a Film Performed Live, Probes the Power of Listening". The New York Times.
  12. ^ "Three Young Composers - Vassar, the Alumnae/i Quarterly". vq.vassar.edu. Retrieved 2018-02-27.

External links

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