Anneliese Bulling

Source: Wikipedia, the free encyclopedia.

Anneliese Bulling (April 21, 1900, in Ellwürden, Wesermarch (today known as Lower Saxony) – February 9, 2004, in Philadelphia, Pennsylvania), also known as Anneliese Gutkind, was a German–American art historian specializing in Chinese art and architecture.

Life

Anneliese Bulling came from a wealthy, long-established and well-educated German landowning family. She lived with her father, Henry Bulling (1858–1940), a banker, and her mother, Anna Umbsen (1867–1955).[1] In 1927, she had a short-lived marriage to a farmer that was soon declared invalid.[2] After her failed first marriage, Bulling went off to study Art History and Chinese Studies in Berlin at Friedrich Wilhelm University (now Humboldt University of Berlin) under Erich Haenisch and Brinkmann.[3]

In 1935 she graduated with a degree in Chinese Architecture, and in the same year emigrated to

Erwin Gutkind.[citation needed
]

In 1946 she found work as a research scholar at the

Bulling's research focus was Chinese art history, especially architecture and arts and crafts. She developed a theory that the Chinese characters are the result of prehistoric (Neolithic) astronomical calendar symbols.[citation needed]

In 1956, Bulling and Gutkind married and emigrated to the United States for his professorship at the University of Philadelphia.[1]

In 1964 she joined Dr. Stackler's translation project, translating many Chinese books, and in 1966 she was promoted to Research Associate for Chinese Art and Archaeology at Columbia University in New York.[3]

Her husband died in 1968.

Bulling died in 2004 at the age of 103. She had left the Oldenburg Municipal Museum an extensive collection of letters of correspondence from 1928 to 1946 (around 4,200 letters and postcards), was the inspiration for the 2009 book, From Ellwürden to Hampstead. The letters of the Oldenburg emigrant Anneliese Bulling. A contribution to the history of mentalities of the Oldenburg bourgeoisie in the period of National Socialism by Andreas Vonderach.[1][2]

Publications

Monographs

  • The Chinese Architecture of the Han Period to the End of the T'ang Period. Lyon, 1935
  • The Meaning of China's Most Ancient Kind. Leiden, 1952
  • The Decoration of Mirrors of the Han Period: A Chronology. Ascona: Artibus Asiae, 1960

Essays

  • Neolithic Symbol and the Purpose of Art in China. The Burlington Magazine 82, 1943, pp. 91–101
  • Bulling Gutkind, Annelise (Summer 1972). "Archaeological Excavation in China, 1949-1966" (PDF). UPENN Expedition Magazine. 14 (4). Retrieved May 23, 2014.
  • Bulling, Anneliese (May 1951). "Late Zhou and Han Art at the British Museum". British Museum. 93 (578).

Literature

See also

References

  1. ^ a b c Hartfil, Norbert (May 14, 2009). "Time history with a personal touch, Historian Vonderach written documentation "from Ellwürden to Hampstead"". Nordwest Zeitung (NWZ Online) (in German). Retrieved May 23, 2014.
  2. ^ a b Welp, Jörgen (June 18, 2011). "German-English experiences, Anneliese Bulling". Nordwest Zietung (NWZ Online). Retrieved May 23, 2014.
  3. ^ a b c "Archaeological Excavation in China 1946-1966" (PDF). UPENN Expedition Magazine. 14 (4). Summer 1972. Retrieved May 23, 2014.