Architecture of Singapore

Source: Wikipedia, the free encyclopedia.

The Esplanade during the blue hour
Lai Chun Yuan opera house in Chinatown.
Golden Mile Complex

The architecture of Singapore displays a range of influences and styles from different places and periods. These range from the eclectic styles and hybrid forms of the colonial period to the tendency of more contemporary architecture to incorporate trends from around the world. In both aesthetic and technological terms, Singapore architecture may be divided into the more traditional pre-World War II colonial period, and the largely modern post-war and post-colonial period.

Traditional architecture in Singapore includes vernacular

palladian and renaissance
styles.

Modern architecture in Singapore began with the transitional

Brutalist style of architecture was also popular in the 1970s. These styles coincided with the great urban renewal and building boom periods in Singapore history, and consequently these are the most common architectural styles seen on the island. Some of the more architecturally significant works of this period include Pearl Bank Apartments by Tan Cheng Siong, and the People's Park Complex and Golden Mile Complex
by Design Partnership.

deconstructivist modes made an appearance in the 1980s, though the style was relatively muted in its expression. Another architectural trend has been the rediscovery of Singapore's architectural heritage, leading to an active conservation programme as well as a booming industry in the restoration of historic buildings, often adapting them to new uses. A recent example is the National Museum of Singapore
.

An important area of local innovation has involved seeking to develop a form of modern architecture appropriate to Singapore's tropical climate. This climatically sensitive approach to architecture traces its roots back to the vernacular Malay houses and through to experiments by British colonial architects and early local nationalist architects to devise an authentically local architecture using modern construction methods. In the 1980s and especially from the late 1990s, this has led to a proliferation of what might be called 'modern tropical' architecture, or neo-tropical architecture.[

[2]

From the late 1990s, like many other global cities and aspiring global cities, the Singapore government consciously launched a drive to develop 'iconic' landmarks in the city to strengthen the Singapore brand identity as well as to attract foreign tourists, skilled immigrants, investments and buzz. Several such landmark projects have since been developed, sometimes through open or closed

Esplanade - Theatres on the Bay arts centre,[3][failed verification] the Supreme Court of Singapore, the new National Library, Singapore, the Marina Bay Sands Integrated Resort and the Singapore Flyer
.

Pre-colonial architecture

Malay houses on stilts, Kampong Bahru in Singapore, c. 1888.

Prior to the British establishment of a settlement in 1819, architecture followed the pattern of the surrounding region. Vernacular architecture was primarily village (or 'kampong') houses built in the Malay tradition. Malay kampong houses were built on stilts and raised above the ground (or water, depending on their location). The house was erected around a skeletal structure of tropical hardwood posts and beams, usually chengal. Medium hardwoods, like meranti, were used as floor boards, roof rafters and door and window frames. The roof itself was made of layers of palm frond thatch, while the walls were either made of woven bamboo strips or meranti planks. The basic form of the house was simple, but additional rooms could be added according to the requirements and wealth of the family. Likewise, the architectural ornament, in the form of carved wood fascia boards, screens and panels, could be quite elaborate.

Apart from this domestic rural architecture, there is evidence that more substantial buildings may have been built on the island. A nearby example of similar classical Hindu-Buddhist Malay architecture is

Candi Muara Takus in the Riau province of Sumatra. Like the Singapore example, it also featured the use of sandstone as well as terraces. Stone foundations on Fort Canning Hill were discovered by the British soon after they arrived. Although they have since been destroyed and removed, the officials who discovered them speculated they were part of Hindu or Buddhist temples and/or a royal palace. The superstructure
of these buildings would have been timber (as suggested by holes found in the foundations). However, these had long since disappeared by the time the foundations were discovered in 1819. Apart from some archaeological fragments, like jewellery, porcelain, coins and an inscribed stone, there few material artefacts from the pre-colonial period, and no buildings or even ruins remaining today.

Colonial period

Victoria Theatre and Concert Hall

The city of Singapore was planned by Sir

Bukit Larangan
or Fort Canning Hill, once called Government Hill), other Europeans of the period however preferred European style buildings of brick and stucco.

Singapore's most prominent architect in the early colonial era was George Drumgoole Coleman, who was responsible for many of these early European style buildings, few of which survived.[4] Those that did include the old Parliament house and Caldwell House at CHIJMES.

In the 19th century, two

evolved in Singapore. While their origins can be traced elsewhere, these building types underwent significant local adaptation and modification before spreading regionally. As a result, they are Singapore's earliest known architectural innovations and exports. These hybrid building typologies were the shophouse and the black and white bungalow.

Shophouse

Shophouses in Singapore
Shophouses in Singapore

The old style shophouses are shops with one or more stories of living accommodation above it. These shophouses typically have a so-called

Raffles Town Plan (1822) for Singapore with the stipulation that "all houses constructed of brick or tiles have a common type of front each having an arcade of a certain depth, open to all sides as a continuous and open passage on each side of the street".[5]

Black and white bungalow

The black and white bungalows were once the residences of the wealthy, colonial government officials or members of the British army. These buildings typically have whitewashed walls, and black painted wood or detailing.[6][7]

Traditional places of worship

Thian Hock Keng Temple

Another prominent category of buildings in the colonial period were places of worship. As a multi-religious port-city, with migrants from all over the world, a variety of different immigrant communities lived and worked in Singapore. These groups often banded together to raise funds to erect their own places of worship, including a variety of syncretic Chinese temples, Hindu temples, Sikh temples, Jewish synagogues, Catholic, Protestant and Orthodox Christian Churches as well as Sunni and Shia mosques.

Apart from being devoted to the various sects and denominations within each religious tradition, these buildings were often built to serve ethnic groups and sub-groups. For examples, while most Muslims in Singapore were and are Malay, some mosques were built in the South Indian style to serve Tamil Muslims. Likewise, several churches were built in a distinctly Chinese style, serving ethnic Chinese congregations.

Several of the oldest and most important places of worship in Singapore have been designated

, amongst others.

Civic and commercial buildings

Old Supreme Court Building

Another important group of historic buildings were those built by the colonial government. These were often built in one or another European architectural style, which was in fashion at the time, such as the

old Parliament House old Hill Street Police Station, Central Fire Station, old Raffles Institution buildings, Changi Prison
, old NCO club and numerous other schools, post offices, military camps and police stations around the island.

Raffles Hotel

Major commercial buildings, often erected by European businesses as well as mission schools and other civic groups, also adopted these styles, such as the

conservation
efforts of Singapore's built heritage since the 1980s.

Art Deco architecture

Cathay Building

Singapore has a wealth of

Ford Factory (by Emile Brizay), or the Cathay Building (by Frank Brewer) and the Asia Insurance Building
(by Ng Keng Siang). Features of this style in the local context included a penchant for inscribing the date of the erection of the building prominently on its facade, the use of projecting horizontal fins as sun shading devices over windows and the use of flagpoles. Quite apart from the aesthetics of this style, the Art Deco period also marked the introduction of modern construction technologies like reinforced concrete in Singapore.

Post-colonial modern architecture

OCBC Centre

Following the Neoclassical and Art Deco phases, Singaporean architecture moved in a decidedly modernist direction after the war. Post-war austerity encouraged the use of clean, stark and simple modernist forms and surfaces devoid of ornament. Modernist architecture was also preferred for the many 'cookie-cutter' or standardised design public buildings being built at the time, such as schools, clinics, factories and especially public housing.

Public housing

Tiong Bahru SIT-built blocks

Public housing architecture in Singapore dates back to the 1930s with the Singapore Improvement Trust (SIT), a colonial government agency, embarked on a building programme to address a shortage of affordable housing in Singapore. Initially, the SIT focussed on housing middle and lower-middle class Asians. The most prominent example of their pre-war efforts was the Tiong Bahru estate, where many low-rise, four-storey Art Deco style apartment blocks, shops, markets and other amenities were built on the city fringe. This programme continued after the war, with the Art Deco style exchanged for a simple modern aesthetic. Although the estate was popular and praised for spacious and green communal areas as well as attractively designed blocks, the rate of construction was slow in relation to the scale of the housing shortage in Singapore.

After the

new towns
(modelled after the British), were built with seemingly endless stacks of slab blocks housing tens of thousands of peoples in small two and three-bedroom flats.

Skyscrapers

A view of the skyline of Singapore

From the 1970s to late 1980s the city was dominated by

DBS Building, and the CPF Building. Changing international architectural trends also introduced some architectural styles (particularly the postmodernist
style) here.

Among the tallest buildings in Singapore are

Paya Lebar Airbase, buildings were limited to a height of 280 metres, except for Tanjong Pagar area.[citation needed] The tallest residential building in Singapore is the Marina Bay Tower.[10]

Contemporary architecture

In the 21st century, Singapore architecture has embraced international architectural stylistic movements from postmodernism and high-tech architecture. In addition, local variants of Critical regionalism have been developed, taking into account Singapore's unique tropical climate and dense urban fabric.

Distinctive structures

Three towers of Marina Bay Sands, ArtScience Museum on the left

A number of projects were initiated to create distinctive landmark buildings, unique structures, as well as interesting features and attractions in Singapore. Many of these developments can be found in the

Esplanade - Theatres on the Bay
.

Gardens by the Bay

Others include residential complexes, such as Reflections at Keppel Bay and The Interlace, and public projects, such as Southern Ridges.

Critical regionalism

Architects in Singapore during the early 21st century were among the early proponents of

International Style buildings being proliferated across the world by globalism were not appropriate for the local climatic or cultural context. Architects such as Kerry Hill pioneered this form of modern tropical architecture, blending the architectural vernacular of Modernism with naturally-ventilated tropical spaces and Asian cultural references.[citation needed
]

School of the Arts, Singapore 2005–2010

The new generation of Singaporean architects have combined a local form of Critical regionalism with lush skyrise greenery, in line with the Singapore government's ambitions to create a 'City in a Garden', where development sites commonly yield more public green space than the site area itself. Designers including international award-winning WOHA Architects have pioneered developing new types of green skyscrapers.[12]

Historic preservation

The Urban Redevelopment Authority has designated 94 conservation areas that preserve the built heritage of Singapore. These areas protect 7,091 buildings across the city that showcase distinct and historic architecture. Developers must take conservation guidelines into account to retain historic buildings' original structure and elements, ensuring period styles are maintained.[13]

The National Heritage Board has designated more than 70 specific buildings and landmarks as national monuments for their special value, many for their architectural significance.

See also

References

  1. ^ "International Analysis of Singapore". U.S. Energy Information Administration. August 2021.
  2. ^ Auto, Hermes (14 April 2022). "Affordability a key concern as Singapore undergoes energy transition | The Straits Times". www.straitstimes.com.
  3. .
  4. .
  5. .
  6. ^ "Black and White houses in Singapore: A colonial tour of Dempsey Hill, Swiss Cottage and Alexandra Park". Expat Living. 6 May 2013. Archived from the original on 4 October 2015. Retrieved 19 October 2015.
  7. ^ Sonia Kolesnikov-Jessop (11 June 2008). "In Singapore, a House Steeped in Tradition". New York Times.
  8. ^ "The Top 10 Tallest Buildings in Singapore". TheWondrous.com.
  9. ^ Melissa Tan (3 May 2013). "Tanjong Pagar Centre set to be tallest building at 290m". The Straits Times.
  10. ^ John O'Ceallaigh (10 May 2013). "Singapore's tallest skyscraper revealed". The Daily Telegraph. Archived from the original on 21 November 2013.
  11. .
  12. ^ Sisson, Patrick (16 May 2016). "Tower as Trellis: A Plant-Covered High-Rise Reimagines Tropical Buildings". Retrieved 1 March 2017.
  13. ^ "Conservation". www.ura.gov.sg. Retrieved 7 February 2020.

External links