Barbara Bloom (artist)

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Barbara Bloom
Born1951 (age 72–73)
Los Angeles, California, US
EducationBennington College (BFA)
California Institute of the Arts 1972

Barbara Bloom (born 1951) lives and works in New York City.[1] She is a conceptual artist best known for her multi-media installation works. Bloom is loosely affiliated with a group of artists referred to as The Pictures Generation.[2] For nearly twenty years she lived in Europe, first in Amsterdam then Berlin.[3] Since 1992, she has lived in New York City with her husband, the writer-composer Chris Mann, and their daughter.

Education

Bloom attended Bennington College in Bennington, Vermont, from 1968 to 1969,[4] and in 1972[5] received her BFA from the California Institute of the Arts in Valencia, California where her mentor was John Baldessari.[6]

Work

Bloom is a visual artist whose conceptual practice relies mainly on photography and installation. Beginning in the 1970s, Bloom has created work in a variety of different mediums including photography, installation, film, and books.[7]

In conversation with Susan Tallman, Barbara Bloom has referred to herself as a “novelist who somehow ended up in a ‘visual artist’ queue”.[8] Bloom has often compared herself, and the viewer of her work, to a 'detective'[9] who is confronted with disparate clues and is asked to form some kind of visual narrative. Her work is often about the nature of looking. She engages her viewer, seducing him/her into a beautifully constructed visual world, one that is underlaid by subversive wrenches thrown in.

Bloom has an ongoing interest in the value and meaning we collectively and individually bestow upon objects and images. She has not been concerned with showing single objects or images, rather with highlighting the relationships between them, and the meanings implicit in their placement and combination. The objects are placeholders for thoughts, and when they are situated in proximity to one another, meanings can reverberate and ricochet off of each other.

watermarks, and micro-images all demonstrate an ongoing interest in visualizing the fragile workings of memory, the invisible, the ephemeral, and the absent.[12] These “aesthetic underdogs, sheltered under Bloom’s wing [...] provide yet another lens for looking at how we seek value in objects and why.”[13]

During the last year, I produced and exhibited a work titled The Weather... In this work, hovering in varying heights above the floor are carpets, each a subtle shade of gray-green-blue. The carpets have raised-dot patterns forming texts in Braille... The production of the carpets was a complex one, and it was not easy to find a manufacturer able to accurately produce the intricate patterns of raised dots. Working with Classic Rug Collections in New York, a factory in Thailand was found that could produce the work perfectly.[14] (Bloom on her artistic process of creating The Weather)

Recognition

  • DAAD, Berlin Artist's-in-Residence (1986)[15]
  • Visual Artist's Fellowship in Photography, The National Endowment for the Arts (1986)[16]
  • The 43rd Venice Biennale - Due Mille Prize (1988)[17]
  • John Simon Guggenheim Memorial Foundation Fellowship in Fine Arts (1988)[18]
  • The Louis Comfort Tiffany Foundation Award (1989)[19]
  • The Frederick Weisman Foundation Award (1991)[20]
  • Wexner Center for the Arts Fellowship (1997)[21]
  • Visual Artist's Fellowship in Photography, The National Endowment for the Arts (2006)[22]
  • Getty Research Institute Visiting Scholar (2007)[23]
  • Wynn Newhouse Award (2009)[24]
  • Visual Arts Grant, Foundation of Contemporary Arts (2016)[25]

Exhibitions

Bloom's work has been shown widely including exhibitions at:

She is represented by David Lewis Gallery, New York;[38] Capitain Petzel, Berlin;[39] Galleria Raffaella Cortese, Milano;[40] and Galerie Gisela Capitain, Cologne.[41]

Collections

Barbara Bloom's works are featured in a variety of public collections including:

Australian National Gallery, Canberra; Groninger Museum, The Netherlands; Museum of Contemporary Art, Helsinki, Finland; Yokohama Museum of Art, Yokohama, Japan, the CU Art Museum at the University of Colorado Boulder,[43] among others.[44]

Publications

  • Gold Custody, Mack Books, 2021. With Ben Lerner
  • A Picture, A Thousand Words, David Lewis, New York, 2017[45]
  • Gifts, Ludion, Antwerp, Belgium, 2015[46]
  • The St. Petersburg Paradox, Swiss Institute, New York and Karma, New York, 2014[47]
  • As it were... so to speak: a museum collection in dialogue with Barbara Bloom, The Jewish Museum, New York, 2013[48]
  • Between Artists: John Baldessari and Barbara Bloom, A.R.T. Press, New York, 2011[49]
  • The Collections of Barbara Bloom, Bloom, Dave Hickey, Susan Tallman, Steidl, and International Center of Photography, NY, 2008[50]
  • Flash Cards, The Renaissance Society, Chicago, 2003[51]
  • Broken, Bloom and Miller, J. Abbott, Pentagram Papers, New York, 2001[52]
  • Dinge in der Kunst des XX. Jahrhunderts, Haus der Kunst, München, 2000[53]
  • Revised Evidence: Nabokov’s Inscriptions, Annotations. Glenn Horowitz Bookseller, New York, 1999[54]
  • The Museum As Muse: Artists Reflect, the Museum of Modern Art, New York, 1999[55]
  • Pictures From The Floating World, Sala de Exposiciones Rekalde, D.L, Bilbao, 1998[56]
  • Contemplation: Five Installations: Barbara Bloom, Ann Hamilton With Kathryn Clark, Nam June Paik, Robert Ryman, James Turrell, Des Moines Art Center, Des Moines, Iowa, 1996[57]
  • Consider The Alternatives: 20 Years Of Contemporary Art At Hallwalls, Hallwalls Contemporary Arts Center, Buffalo, New York, 1996[58]
  • Longing And Belonging: From The Faraway Nearby: Site Santa Fe, July 14 To October 8, 1995, Santa Fe, New Mexico, SITE Santa Fe, Santa Fe, New Mexico, 1995[59]
  • The Passions Of Natasha, Nokiko, Nicole, Nanette And Norma, Cantz Verlag, Stuttgart, 1993[60]
  • Never Odd Or Even. Verlag Silke Schreiber, Munich & The Carnegie Museum of Art, Pittsburgh, 1992[61]
  • De wooden en de beelden: tekst en beeld in de kunst van de twintigste eeuw, Utrecht Centraal Museum, Utrecht, 1991[62]
  • El Jardín salvaje, La Fundacion, Madrid, 1990[63]
  • Life size : a sense of the real in recent art, The Israel Museum, Jerusalem, 1990[64]
  • The Indomitable spirit : photographers and artists respond to the time of AIDS, Photographers + Friends United Against AIDS, New York, 1990[65]
  • The Reign of Narcissism. Wurtembergischer Kunstverein, The Serpentine Gallery, Kunsthalle Zurich, 1990[66]
  • The Readymade boomerang : certain relations in 20th-century art, Art Gallery of New South Wales, 11 April-3 June 1990, the eighth Biennale of Sydney, Art Gallery of New S. Wales, Sydney, 1990[67]
  • Assembled, Wright State University, Dayton, Ohio, 1990
  • Die Endlichkeit Der Freiheit Berlin 1990: Ein Ausstellungsprojekt In Ost Und West, Edition Hentrich, Berlin, 1990[68]
  • Ghost Writer, Passagen Verlag, Vienna, 1992 (original version DAAD Berlin, 1986)[69]
  • Picture This: Films Chosen By Artists, Hallwalls Contemporary Arts Center, Buffalo, New York, 1987[70]
  • Lost and Found, Gemeentemuseum Arnhem, Arnhem, the Netherlands, 1987[71]
  • Esprit de l’Escalier. Hallwalls, Buffalo, New York, 1986[72]
  • A Calendar on Travel and Tourism, Mart.Spruijt, Amsterdam, 1986[73]
  • Soundtrack to The French Diplomat’s Office. Bloom & Christian Marclay, BlumArts, NY, 1999[74]

Teaching

Bloom has held teaching positions at:

Art Institute of Boston at Lesley University; Columbia University-School of the Arts; Yale University- Graduate Department of Sculpture; School of Visual Arts, New York, Rijksakademie van Beeldende Kunsten, Amsterdam.[75]

References

  1. ^ "Barbara Bloom". FRONT International. Archived from the original on 2019-03-02. Retrieved 2019-03-02.
  2. ^ Douglas Eklund, "The Pictures Generation, 1974-1984", Metropolitan Museum of Art, 2009
  3. ^ "Barbara Bloom". Foundation for Contemporary Arts. Retrieved 12 April 2016.
  4. ^ "Barbara Bloom :: Foundation for Contemporary Arts". www.foundationforcontemporaryarts.org. Retrieved 2019-03-02.
  5. ^ "Barbara Bloom", Tracy Williams, Ltd., 2013
  6. ^ "As it were ... So to speak: A Museum Collection in Dialogue with Barbara Bloom" Archived 2014-01-05 at the Wayback Machine, The Jewish Museum, Spring/Summer 2013
  7. ^ Tallman, Susan (April 2011). "Artist Project: Barbara Bloom". Frieze (138). Retrieved 2017-04-11.
  8. ^ Susan Tallman, The Collections of Barbara Bloom, 2008, p.183
  9. ^ Vicky A. Clark, "Never Odd or Even", 1992
  10. ^ a b "Barbara Bloom". Foundation for Contemporary Arts. Retrieved 12 April 2016.
  11. ^ Gilsdorf, Bean (November 2018). "Riddles for Minds and Bodies" (PDF). David Lewis Gallery.
  12. ^ Vicky A. Clark, "Never Odd or Even", 1992
  13. ^ Susan Tallman, The Collections of Barbara Bloom, 2008, p.183
  14. ^ "Barbara Bloom :: Foundation for Contemporary Arts". www.foundationforcontemporaryarts.org. Retrieved 2020-10-12.
  15. ^ "Barbara Bloom :: Foundation for Contemporary Arts". www.foundationforcontemporaryarts.org. Retrieved 2017-02-22.
  16. ^ "Barbara Bloom (American, 1951)". www.mutualart.com. Retrieved 2017-02-22.
  17. ^ "Barbara Bloom :: Foundation for Contemporary Arts". www.foundationforcontemporaryarts.org. Retrieved 2017-02-22.
  18. ^ "Barbara Bloom :: Foundation for Contemporary Arts". www.foundationforcontemporaryarts.org. Retrieved 2020-10-12.
  19. ^ "The Louis Comfort Tiffany Foundation". louiscomforttiffanyfoundation.org. Archived from the original on 2013-10-22. Retrieved 2017-02-22.
  20. ^ "Barbara Bloom Biography – Barbara Bloom on artnet". www.artnet.com. Retrieved 2017-02-22.
  21. ^ "A creative laboratory". wexarts.org. Retrieved 2017-02-22.
  22. ^ "Barbara Bloom (American, 1951)". www.mutualart.com. Retrieved 2017-02-22.
  23. ^ "Barbara Bloom :: Foundation for Contemporary Arts". www.foundationforcontemporaryarts.org. Retrieved 2017-02-22.
  24. ^ "Barbara Bloom". www.wnewhouseawards.com. Retrieved 2017-02-22.
  25. ^ "Barbara Bloom :: Foundation for Contemporary Arts". www.foundationforcontemporaryarts.org. Retrieved 2017-02-22.
  26. ^ "The Pictures Generation, 1974–1984". The Metropolitan Museum of Art, i.e. The Met Museum. Retrieved 2018-03-01.
  27. ^ "Barbara Bloom: Framing Wall | MoMA". The Museum of Modern Art. Retrieved 2018-03-01.
  28. ^ "Just Past: The Contemporary in MOCA\'s Permanent Collection, 1975-96". The Museum of Contemporary Art, Los Angeles. Retrieved 2018-03-01.
  29. ^ "Barbara Bloom: The Reign of Narcissism". Serpentine Galleries. Retrieved 2018-03-01.
  30. ISSN 0362-4331
    . Retrieved 2018-03-01.
  31. ^ "Artists of the East End". artists.parrishart.org. Archived from the original on 2018-03-02. Retrieved 2018-03-01.
  32. ^ "A creative laboratory". wexarts.org. Retrieved 2018-03-01.
  33. ^ "The Collections of Barbara Bloom". International Center of Photography. 2016-02-23. Retrieved 2018-03-01.
  34. ^ "'The Collections of Barbara Bloom' at the Martin Gropius Bau Museum • Online • Afterall". www.afterall.org. Retrieved 2018-03-01.
  35. ^ "The Jewish Museum". thejewishmuseum.org. Retrieved 2017-04-26.
  36. ^ "Barbara Bloom", Tracy Williams, Ltd., 2013
  37. ^ "The Rendering_Barbara Bloom". www2.oberlin.edu. Retrieved 2019-03-02.
  38. ^ "David Lewis - 88 Eldridge Street". David Lewis. Retrieved 2018-06-27.
  39. ^ "Capitain Petzel | Capitain Petzel | Capitain Petzel". www.capitainpetzel.de (in German). Retrieved 2018-06-27.
  40. ^ "Galleria Raffaella Cortese". www.galleriaraffaellacortese.com. Retrieved 2018-06-27.
  41. ^ Köln, Studio Orange. "Galerie Gisela Capitain - Home". www.galeriecapitain.de (in German). Retrieved 2018-06-27.
  42. ^ "Safe • Pérez Art Museum Miami". Pérez Art Museum Miami. Retrieved 2023-06-27.
  43. ^ "CU Art Museum Collections Database". Retrieved 2017-03-03.
  44. ^ "Barbara Bloom", Tracy Williams, Ltd., 2013
  45. ^ "Barbara Bloom "A Picture, A Thousands Words" David Lewis 2017 - David Lewis". David Lewis. Retrieved 2018-06-27.
  46. OCLC 80149387
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  74. ^ "Barbara Bloom" Archived May 21, 2014, at the Wayback Machine, Galleria Raffaella Cortese, 2013

External links