Barthel Bruyn the Elder

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"Barthel Bruyn" redirects here. For his son of the same name, see Barthel Bruyn the Younger.
Vanitas, Kröller-Müller Museum

Bartholomäus Bruyn (1493–1555), usually called Barthel Bruyn or Barthel Bruyn the Elder, was a German Renaissance painter active in Cologne. He painted altarpieces and portraits, and was Cologne's foremost portrait painter of his day.

Life

He was born in Wesel or Cologne.[1] His early works suggest that he received his artistic training in the Lower Rhine.[2] His earliest documented altarpiece is a Coronation of the Virgin (1515–1516) commissioned by Dr. Peter von Clapis, a professor at the University of Cologne.[1] Bruyn’s altarpieces of the 1510s and 1520s are influenced by the style of Jan Joest, to whom Bruyn was related, and often emulate Joest’s habit of illuminating his figures from below.[1]

By the time Bruyn painted the

Martin van Heemskerck.[1]

Bruyn is especially known for his portraits. He was the first important portrait painter in Cologne, and the founder of a prolific school of portraiture that was continued by his sons Arnt and Barthel Bruyn the Younger.[1] His subjects are usually portrayed at half-length against a flat background; the face is the center of attention, but costume details are crisply described, and prominence is given to the hands. Art historian Jean M. Caswell says Bruyn's depictions of the upper-middle-class citizens of Cologne are "lively and expressive, and they show no vain flattery".[1] Bruyn did not sign his portraits, and some of them have in the past been misattributed to Hans Holbein, whose influence is apparent in Bruyn's works after 1539.[1]

Barthel Bruyn was a respected citizen of Cologne and active throughout his life in civic affairs. He was elected to the City Council in 1549 and 1553, and died a wealthy man.[2] His works are in numerous public collections, including the National Gallery, London; the Metropolitan Museum of Art in New York; and the Louvre in Paris.[3] The Thyssen-Bornemisza Museum in Madrid owns a Nativity and two portraits by Bruyn.[4]

Gallery

  • Portrait of a Young Man with Gloves, oil on wood, Kunsthistorisches Museum, Vienna
    Portrait of a Young Man with Gloves, oil on wood, Kunsthistorisches Museum, Vienna
  • Altarpiece, Church of St. John the Baptist, Essen
    Altarpiece, Church of St. John the Baptist, Essen
  • Portrait of a Knight, 1531, oil on wood, Kunsthistorisches Museum, Vienna
    Portrait of a Knight, 1531, oil on wood, Kunsthistorisches Museum, Vienna
  • Anne of Cleves, ca. 1540s
    Anne of Cleves, ca. 1540s
  • Portrait of an academic, Mikhail Perchenko collection
    Portrait of an academic, Mikhail Perchenko collection
  • Elisabeth Bellinghausen and Jacob Omphalius, ca. 1538, Mauritshuis, The Hague. Elisabeth is holding a branch of bittersweet, symbol for fiancees.
    Elisabeth Bellinghausen and Jacob Omphalius, ca. 1538, Mauritshuis, The Hague. Elisabeth is holding a branch of bittersweet, symbol for fiancees.
  • Nativity, ca. 1520, Thyssen-Bornemisza Museum, Madrid.
    Nativity, ca. 1520, Thyssen-Bornemisza Museum, Madrid.
  • An aged Anne of Cleves by Bartholomaeus Bruyn the Elder
    An aged Anne of Cleves by Bartholomaeus Bruyn the Elder

References and sources

References
  1. ^ a b c d e f g Oxford Art Online
  2. ^ a b Lübbeke 1991, p. 405.
  3. ^ Murray and Murray 1997, p. 71.
  4. ^ "Bruyn, Bartholomäus". Museo Nacional Thyssen-Bornemisza. Retrieved June 7, 2020.
Sources
Wikimedia Commons has media related to Barthel Bruyn the Elder.
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