Bill Clifton
Bill Clifton | |
---|---|
Riderwood, Maryland, U.S.[1] | |
Genres | Bluegrass, folk |
Occupation(s) | Musician, guitarist, singer, songwriter |
Instruments | Guitar, autoharp |
Years active | 1952–present |
Labels | Blue Ridge, Starday, Mercury, County, Elf Records |
Bill Clifton (born William August Marburg; April 5, 1931)[1] is an American bluegrass musician and singer who is credited with having organized one of the first bluegrass festivals in the United States in 1961.[2]
Early life
Born and raised on a farm in
Early music career
His education spans private schools from New England to Florida. Eventually, he enrolled at the University of Virginia in 1949 where his love for country music expanded to folk music through fellow students, Paul Clayton and Dave Sadler. While still in college, Clifton, Clayton, and Sadler formed the Dixie Mountain Boys together and began playing professionally at small radio stations in central Virginia. Because his family was opposed to his musical activities, he took the stage name "Bill Clifton". With the help of his friends and bandmates, Clifton produced his first recording in 1952 that included an array of old-time, bluegrass, and folk revival repertoire.[3][4] Clifton met banjo player Johnny Clark through Sadler and soon formed a band that began playing on many local radio stations (including WWVA). In 1953, the band signed with Blue Ridge Records and began playing traditional bluegrass.[3] They soon appeared on the Wheeling Jamboree radio barn dance show on AM station WWVA. Clifton published a songbook in 1955 called 150 Old Time Folk and Gospel Songs, which soon became one of the most influential songbooks of its time. His songbook included many songs such as "Little Maggie", "I'll Be All Smiles Tonight", "Long Journey Home", and "Little Whitewashed Chimney". Because of the popularity of Clifton's songbook, these songs quickly became recognizable standards in the bluegrass world.[5] During this time, Clifton met and played music with artists such as A.P. Carter, The Stanley Brothers, and Woodie Guthrie, to name just a few. He had many connections throughout old-time, bluegrass, country, and folk music - which reflected his unique repertoire and sound.[3] His singing style was deemed to have more of a folk revivalist influence rather than a "hillbilly" sound - which was the popular sound of the previous years. Because the instrumental style of his band had more of a "contemporary bluegrass" sound along with his "folk revivalist" vocals, he was deemed one of the first "city-billies" in bluegrass music.[3]
Later music career
After enlisting for two years in the Marine Corps, in 1956, Clifton re-entered the music business.[3][4] The Stanley Brothers introduced Clifton to Dee Kilpatrick, who was Mercury's A&R man located in Nashville, and he invited Clifton to record for Mercury Records. However, by the time Clifton was ready to record, Kilpatrick had moved on from Mercury Records in order to take over WSM Artists' Service Bureau manager position. Therefore, he referred Clifton to Pierce who was interested, but said that Mercury-Starday would not finance the recording. With the help of Ralph Stanley and two of the Clinch Mountain Boys, Clifton put together his own studio band. In 1956, Clifton paid for the recording time in RCA studios to cut four songs with this band.[3] In 1957, Clifton released two of these songs to Starday, who issued them on a "trial basis". The overall record sold very well and received a lot of exposure from WWVA. The success of his release helped Clifton to be moved to Mercury-Starday for his next session in Nashville of April 1957. [3]
On July 4, 1961, Clifton organized one of the first bluegrass festivals at Oak Leaf Park in
Selected discography
- Mountain Folk Songs – Starday Records (1960)
- Carter Family Memorial Album – Starday Records (1961)
- Bluegrass Sound Of – Starday Records (1962)
- Soldier, Sing Me a Song – Starday Records (1963)
- Code of the Mountains – Starday Records (1964)
- Mountain Bluegrass Songs – Nashville Records (1964)
- Wanderin' – Hillbilly Records (1964)
- Bluegrass in the American Tradition – Nashville Records (1965)
- Are You from Dixie – Bear Family Records (1971)
- Getting Folk – Bear Family Records (1972)
- Blue Ridge Mountain Blues – County Records (1973)
- Come by the Hills – County Records (1975)
- Bluegrass Session 1952 – Bear Family Records (1975)
- Going Back to Dixie – Bear Family Records (1975)
- Another Happy Day – Bear Family Records (1976)
- Are You from Dixie – Bear Family Records (1977)
- Clifton & Company – County Records (1977)
- Autoharp Centennial Celebration – Elf Records (1981)
- Beatle Crazy – Bear Family Records (1983)
- Where the Rainbow Finds Its End – Elf Records (1991)
- The Early Years 1957–1958 – Rounder Records (1992)
- River of Memories – Elf Records (1994)
- Around the World to Poor Valley – Bear Family Records (2001)
- Alive – Elf Records (2001)
- Playing Where the Grass Is Greener – Elf Records (2003)
- Mountain Laurel – Elf Records (2004)
Citations
- ^ ISBN 0-85112-726-6.
- ^ a b c Wolff, Duane 2000, p. 209.
- ^ OCLC 61133521.
- ^ a b c d Bogdanov, Woodstra, Erlewine 2003, p. 153.
- ^ "Bill Clifton: America's Bluegrass Ambassador to the World". Bluegrass Unlimited. July 1, 2017. Retrieved November 14, 2019.
- ^ "Hall of Fame | IBMA Awards | International Bluegrass Music Association | IBMA.Org". Archived from the original on July 26, 2011. Retrieved 2010-10-01.
General references
- Bluegrass Unlimited (2017), "Bill Clifton: America's Bluegrass Ambassador to the World"
- Bogdanov, Vladimir; Woodstra, Chris; Erlewine, Thomas (2003). All Music Guide to Country: The Definitive Guide to Country Music
- Rosenberg, Neil V. (2005). Bluegrass: A History. University of Illinois Press.
- Wolff, Kurt; Duane, Orla (2000). Country Music: The Rough Guide
External links
- Bill Clifton at AllMusic
- Bill Clifton discography at Discogs