Blues ballad
The term blues ballad is used to refer to a specific form of popular music which fused Anglo-American and Afro-American styles from the late 19th century onwards. Early versions combined elements of the European influenced "native American
Structure and variations
The blues ballad often uses the
Popular blues ballads
The first blues ballads tended to deal with active protagonists, often anti-heroes, resisting adversity and authority, often in the context of industrialisation. They usually lacked the strong narrative common in European ballads, and emphasised instead individual character.
Blues ballads in other genres
From the late 19th century the term ballad began to be used for sentimental songs with their origins in the early ‘Tin Pan Alley’ music industry.[5] As new genres of music, including the blues, began to emerge in the early 20th century the popularity of the genre faded, but the association with sentimentality meant led to this being used as the term for a slow love song from the 1950s onwards.[3]
Today the term is used to describe a song that uses a blues format with a slow tempo, often dealing with themes of love and affection.[5] Examples include songs such as B. B. King's "Blues on the Bayou",[6] Fats Domino's "Every Night About This Time",[7] The blues ballad format is also popular in rock, jazz, and country music, such as Janis Joplin's version of "Cry Baby"[8] and country singer Crystal Gayle's " Don't It Make My Brown Eyes Blue".[9]
References
- ^ ISBN 978-1-59884-241-8
- ISBN 978-0-87484-862-5. "[32-bar form] is sometimes called ballad form because so many of our popular ballads, middle-of-the-road popular songs, and Country Western songs use this form."
- ^ ISBN 9780313328725
- ISBN 9781604732542
- ^ ISBN 978-0674011632
- ISBN 9780634099274
- ISBN 978-0306815317
- ^ "Janis Joplin: Biography". Archived from the original on 2016-12-16. Retrieved 2017-04-05.
- ISBN 978-0823082896.
External links
- Blues Ballad's real beauty comes through with Staton, a review by Chicago Tribune writer Larry Kart of performances by Dakota Staton.