Chinese intellectualism
The current status of Chinese
were both participants in and critics of the government. As Confucian scholars, they were torn between their loyalty to the emperor and their obligation to "correct wrong thinking" when they perceived it.Then, as now, most intellectual and government leaders subscribed to the premise that ideological change was a prerequisite for political change. Historically, Chinese intellectuals rarely formed groups to oppose the established government. Rather, individual intellectuals or groups of intellectuals allied themselves with cliques within the government to lend support to the policies of that clique.
Background
With the abolition of the civil service examination system in 1905 and the end of the last imperial dynasty in 1911, intellectuals no longer had a vehicle for direct participation in the government. Although the absence of a strong national government would have been expected to provide a favorable situation for maximum intellectual independence, other inhibiting factors - such as the concentration of intellectuals in foreign controlled treaty ports, isolated from the mainstream of Chinese society, or in universities dependent on government financing - remained. Probably the greatest obstacle to the development of an intellectual community free of outside control was the rising tide of nationalism coupled with the fear of being accused of selling out to foreign interests.
In 1927 the newly established
When the
In mid-1956 the Chinese Communist Party felt secure enough to launch the Hundred Flowers Campaign soliciting criticism under the classical "double hundred" slogan "Let a hundred flowers bloom, let the hundred schools of thought contend." "Let a hundred flowers bloom" applied to the development of the arts, and "let the hundred schools of thought contend" encouraged the development of science. The initiation of this campaign was followed by the publication in early 1957 of Mao Zedong's essay "On the Correct Handling of Contradictions among the People," in which he drew a distinction between "constructive criticisms among the people" and "hateful and destructive criticism between the enemy and ourselves."
In August 1957, when it was clear to the leadership that widespread criticism of the party and party cadres had gotten out of hand, the Anti-Rightist Campaign was launched to suppress all divergent thought and firmly reestablish orthodox ideology. Writers who had answered the party's invitation to offer criticisms and alternative solutions to China's problems were abruptly silenced, and many were sent to reform camps or internal exile. By the early 1960s, however, a few intellectuals within the party were bold enough to again propose policy alternatives, within stringent limits.
Cultural Revolution
When the Cultural Revolution began in 1966, party functionaries assumed positions of leadership at most research institutes and universities, and many schools were closed or converted to "soldiers', workers', and peasants' universities." Intellectuals, denounced as the "stinking ninth category," either were purged or had their work heavily edited for political "purity", which severely hampered most serious research and scholarship.
Following the fall of
Post-Mao Zedong development
The Third Plenum of the Eleventh National Party Congress Central Committee in December 1978 officially made the
The first serious challenge to the more tolerant policy toward intellectuals came in 1980, as
A commentary in the April 18, 1981, issue of Jiefangjun Bao (Liberation Army Daily) accused Bai Hua of violating the four cardinal principles and described the screenplay as an example of "bourgeois liberalism." The commentary was reprinted in the next month's issue of Jiefangjun Wenyi (Liberation Army Literature and Art), along with other articles critical of "Bitter Love." Over the next few months the criticism was taken up by most civilian newspapers, and acting minister of culture, Zhou Weizhi, singled out "Bitter Love" for attack in a speech delivered to the Twentieth Session of the Fifth National People's Congress Standing Committee in September.
Finally, Bai Hua yielded to the
Although the "Bitter Love" controversy caused considerable anxiety in the intellectual community, it is as noteworthy for what it did not do as for what it did. Unlike previous campaigns in which writers and all of their works were condemned, criticism in this case focused on one work, "Bitter Love." Neither Bai Hua's other works nor his political difficulties in the 1950s and 1960s were part of the discussion. In fact, as if to emphasize the limited nature of the campaign, at its height in May 1981, Bai was given a national prize for poetry by the Chinese Writers' Association.
Campaign against 'spiritual pollution'
After a mild respite in 1982 and most of 1983, opposition to "antibourgeois liberalism" returned in full force in the short-lived campaign against "
Because of the campaign against spiritual pollution, intellectuals (including scientists and managerial and technical personnel) and party and government cadres were hesitant to take any action that could expose them to criticism. Peasants, whose production had greatly increased under the
Because of these adverse results, the central leadership reevaluated the campaign and limited it to
Following the campaign's failure, and perhaps because of it, the position and security of intellectuals improved significantly. In 1984 the party and government turned their attention to promoting urban
Writers and other intellectuals were heartened by a speech delivered by
"Ten Changes in Contemporary Chinese Economic Research"
These limits, still poorly defined, were tested once again when
In May 1986 the editor of Gongren Ribao, writing in another economic journal, summed up the controversy. He termed the criticism of the article of far greater significance than the article itself and commended the "related departments" for handling the "Ma Ding incident very prudently" and "relatively satisfactorily," but he expressed the hope that "more people in our country, particularly leaders," would join in "providing powerful protection to the theoretical workers who are brave enough to explore."
In 1986 there were numerous calls for a new Hundred Flowers Campaign, and there were indications that these calls were being orchestrated from the top. At a May 1986 conference to commemorate the thirtieth anniversary of the original Hundred Flowers Campaign, Zhu Houze, new head of the party's Propaganda Department, sounded the keynote when he said, "Only through the comparison and contention of different viewpoints and ideas can people gradually arrive at a truthful understanding...." Qin Jianxian, editor of Shijie Jingji Daobao (World Economic Journal), carried this theme further when he called for "unprecedented shocks to political, economic, and social life as well as to people's ideas, spiritual state, lifestyle, and thinking methods."
In a July 1986 interview with Beijing Review, Wang Meng, the newly appointed minister of culture, held out great expectations for a new Hundred Flowers Campaign that he said "could arouse the enthusiasm of writers and artists and give them the leeway to display their individual artistic character." During the summer of 1986, expectations were raised for a resolution to come out of the Sixth Plenum of the Twelfth National Party Congress Central Committee in September, a resolution that General Secretary Hu Yaobang promised would have a "profound influence on the development of spiritual civilization." The actual document, however, was a watered-down compromise that fell far short of expectations. It became clear that intellectual policy was not a matter to be easily resolved in the short-term but required lengthy debate.
See also
References
This article incorporates text from this source, which is in the public domain. Country Studies. Federal Research Division. [1]