Christ's Entry Into Brussels in 1889

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Christ's Entry Into Brussels in 1889
French: L'Entrée du Christ à Bruxelles
Oil on canvas
Dimensions252.7 cm × 430.5 cm (99.5 in × 169.5 in)
LocationJ. Paul Getty Museum, Los Angeles

Christ's Entry Into Brussels in 1889 (

post-Impressionist work, parodying Jesus' triumphal entry into Jerusalem celebrated on Palm Sunday, is considered Ensor's most famous composition and a precursor to Expressionism. It has been held by the Getty Center in Los Angeles
since 1987.

Description

The monumental work measures 2.53 m × 4.31 m (8 ft 4 in × 14 ft 2 in). It was so large that Ensor was unable to work on the whole painting at the same time, nailing part to the walls and allowing the rest to drape on the ground. He used brushes,

pentimenti
. Some parts may be considered a coloured drawing, with Ensor colouring up to but not over the lines of his underdrawing

It depicts a crowded scene with a colourful carnival procession, ostensibly held to celebrate the arrival of Christ, but none of the surrounding figures pay any attention to the small figure of Christ – almost hidden at the centre, with yellow halo and red coat, riding on a donkey, with one hand raised in greeting or blessing – amid the grotesque clowns, a marching band, and other figures, many apparently wearing masks. Above is a red banner, with the words "Vive la sociale". To the right, another banner reads "Vive Jesus Roi de Bruxlles" beside the painters signature "J. Ensor" and the date, 1888. Some of the figures may be caricatures of real figures: for example, Christ resembles Ensor himself, and one figure has been identified as the Marquis de Sade.

History

Detail showing Christ

The painting was rejected by Les XX, and kept in the artist's house in Ostend, although it was shown at his studio in his lifetime.[1]

It was first exhibited in 1929 at the

Royal Museum of Fine Arts, Antwerp from 1947 to 1983, then the Kunsthaus Zürich from 1983 to 1987. It was shown at a retrospective in 1976 at the Art Institute of Chicago, and Guggenheim Museum.[2]

Frank sold the work to the Getty Museum in 1987, for €9 million. Despite protests in Belgium, the painting was exported, and it is on permanent exhibition at the Getty Center in Los Angeles.[3]

In their initial conservation work, the Getty removed the discoloured 1950s varnish, and left the cleaned painting unvarnished, as Ensor had left it. The 1950s lining and its deteriorated wax resin adhesive were also removed, and the work was relined to and mounted on a new aluminium stretcher. The gilding was removed from the simple frame, which was returned to its original white colour.

The Getty also holds a graphite and

Conté crayon
sketch, from 1885. Ensor also made an etching in 1898, which shows some details, such as the inscriptions on banners, which appear to have been painted out by Ensor in the prime work.

The painting is one of just three selected by Stefan Jonsson to explain the history of democracy and socialism over a period of two centuries, and how "the masses" are perceived.[4]

See also

References

  1. ^ "Christ's Entry into Brussels in 1889". Getty Museum. Archived from the original on February 6, 2012. Retrieved February 7, 2012.
  2. JSTOR 777458
    .
  3. ^ "Great Works: Christ's Entry into Brussels in 1889 1888". The Independent. 16 September 2011. Archived from the original on November 1, 2011. Retrieved February 7, 2012.
  4. ISBN 978-0-231-14526-8
    .

Further reading


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