Clémentine-Hélène Dufau

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Clementine-Hélène Dufau
Self-portrait (1911)
Born(1869-08-18)18 August 1869
Quinsac, Gironde, France
Died18 March 1937(1937-03-18) (aged 67)
Paris, France
NationalityFrench
Known forPainting

Clementine-Hélène Dufau (18 August 1869,

decorative artist, poster designer and illustrator.[1]

Biography

Her father was an entrepreneur of

Basque
ancestry who made a fortune during a trip to Cuba and married the daughter of a vineyard owner when he returned. That vineyard, Le Château de Clauzel, is still in business.

She was in poor health as a girl and had to spend many hours in bed, during which she began to draw. After her sisters were all married, she wanted to study art. Her parents decided to sell their interest in the vineyard and moved to Paris with her in 1888.

She enrolled at the

Salon des Artistes Français and was awarded a prize for her painting, L'Amour de l'Art. As a result, she began to receive orders for advertising posters, beginning with one for the Bal des Increvables at the Casino de Paris, followed by one to announce the launching of La Fronde, a journal founded by Marguerite Durand in 1897. The following year, she became a member of the Société des Artistes Français
and obtained a scholarship to study in Spain.

By 1905, she was a well-established artist; working with

homosexual
. This tormented relationship lasted for several years.

Later career

Her career continued to expand. She received a commission from the government for decorations at new additions to the Sorbonne and portraits of numerous personalities. In 1911, she built a villa in Basque Country, but had to sell it in 1926 when her financial situation began to deteriorate. She set up a studio in Antibes, facing the sea. It was later occupied by other artists; notably Nicolas de Staël and the sculptor, Abel Chrétien [fr], both of whom died there.

She became an adept of René Guénon and a passionate admirer of the young Krishnamurti. In 1932, she wrote Les Trois Couleurs de la Lumière, in which she expounded her esoteric vision of art. In addition to Guénon, she was inspired by the theories of the aesthetician, Charles Henry, and the gnostic, Paul-François-Gaspard Lacuria (1806-1890), author of The Harmonies of Being. Her work was also part of the painting event in the art competition at the 1932 Summer Olympics.[2]

She was finally forced to leave Antibes and rent her workshop. She returned to Paris and exhibited at the Salon of the

Société des femmes artistes modernes [fr]. In 1937, she died of stomach cancer and was buried at the Cimetière parisien de Thiais
, in the section for indigents. It is only since the 1990s that her work has been rediscovered.

Selected works

  • Portrait of Maurice Rostand
    Portrait of
    Maurice Rostand
  • Intimate Vision
    Intimate Vision
  • Bargemen's Children
    Bargemen's Children
  • Poster for the Casino-de-Paris
    Poster for the
    Casino-de-Paris
  • Advertising poster for "La Fronde" (1898)
    Advertising poster for "La Fronde" (1898)
  • Madame Pol Neveu, 1910, Museum of Fine Arts, Reims
    Madame Pol Neveu, 1910, Museum of Fine Arts, Reims

Sources

  1. ^ "Clémentine-Hélène Dufau (1869-1937)". Data.bnf.fr. Retrieved 11 September 2017.
  2. ^ "Clémentine-Hélène Dufau". Olympedia. Retrieved 2 August 2020.

Further reading

External links