Constant structure
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In
functional and nonfunctional chords provides cohesiveness while producing a free and shifting tonal center.[1][2]
For example, the progression Fmaj7–A♭maj7–D♭maj7–G♭maj7–C13sus4 of F major except the first.
In contrast, the vi–ii–V–I or
circle progression from classical theory contains four chords of two or three different qualities: major, minor, and possibly a dominant seventh chord
; all of which, however, are diatonic to the key. Thus diversity is achieved within a stable and fixed tonal center.
See also
- Parallel harmony
- Side-slipping
References
- ^ ISBN 0-634-08678-2.
- ^ Schmeling, Paul (1 June 2001). "Reharmonization with Constant Structure Chords". Berklee Today. Retrieved 25 September 2021.
- ISBN 1-55122-034-2.