Couching
In
fabric and fastened in place with small stitches of the same or a different yarn.[1]
The couching threads may be either the same color as the laid threads or a contrasting color. When couching threads contrast with laid threads, patterns may be worked in the couching stitches.[2]
Applications
Laid work is one of two techniques used in the
stem stitch.)[3]
Underside couching of
Medieval England and was also used historically in Sicily and rarely in other parts of Italy and France.[4]
Couching is also characteristic of
suzani
work.
Another example of Beit Jalla; it was used for wedding dresses and formal wear.[5]
Variants
- In couching, one or more threads are laid on the fabric surface and sewn to the fabric at regular intervals.
- In couched filling, threads are laid on the surface in a trellis pattern and sewn to the fabric at the intersections.
- In laid work or Bayeux stitch, threads are laid side-by-side to fill a shape, then held in place with a thread at right angles to the laid threads. This crossing thread is then couched to the fabric to hold the laid threads in place.
- In Bokhara couching or Bokhara stitch, the couched threads are held in place with many tiny crossing stitches, which may be aligned from row to row to produce patterns.[6][7]
- In Roumanian stitch, long satin stitches are each held in place with a small diagonal stitch made in the center.
- In Roumanian couching, bundles of laid threads are held in place with Roumanian stitches.
- In underside couching, a heavy couching thread (historically, a stout linen) is brought up from the wrong side of the work, looped over the laid thread, and returned to the wrong side. The couching thread is then given a sharp pull which draws a small loop of laid thread through to the wrong side of the fabric. Underside couching has the advantages that the couching thread is completely concealed from the front and is not subject to wear.[8]
Gallery
-
Couching
-
Couched filling
-
Laid work
-
Bokhara couching
-
Roumanian stitch
-
Roumanian couching
-
Underside couching, front (left) and back (right)
Notes
- ISBN 0-442-22318-8.
- ^ Wilson, Erica (1973). Erica Wilson's Embroidery Book. New York: Scribner. pp. 84–86.
- ISBN 1-85177-126-3.
- ISBN 0-7134-8926-X.
- ISBN 0-7141-1597-5.
- ^ Enthoven, Jacqueline. The Creative Stitches of Embroidery. pp. 165–175.
- ISBN 0-89577-059-8.
- ISBN 978-0713489262.
References
- Caulfeild, S.F.A., and B.C. Saward, The Dictionary of Needlework, 1885.
- Enthoven, Jacqueline: The Creative Stitches of Embroidery, Van Norstrand Rheinhold, 1964, ISBN 0-442-22318-8
- Reader's Digest, Complete Guide to Needlework. The Reader's Digest Association, Inc. (March 1992). ISBN 0-89577-059-8
- Lemon, Jane, Metal Thread Embroidery, Sterling, 2004, ISBN 0-7134-8926-X
- Levey, S. M. and D. King, The Victoria and Albert Museum's Textile Collection Vol. 3: Embroidery in Britain from 1200 to 1750, Victoria and Albert Museum, 1993, ISBN 1-85177-126-3
- Weir, Shelagh Palestinian Costume. British Museum. ISBN 0-7141-1597-5.
- Wilson, Erica Erica Wilson's Embroidery Book, New York: Scribner, 1973. ISBN 978-0-684-10655-7