Crime and Dissonance
Crime and Dissonance | ||||
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Compilation album by | ||||
Released | October 18, 2005 | |||
Genre | Film music | |||
Length | 1:41:52 | |||
Label | Ipecac | |||
Producer | Alan Bishop, Mike Patton, Greg Werckman | |||
Ennio Morricone chronology | ||||
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Crime and Dissonance is a 2005 compilation album of Italian composer Ennio Morricone's film score work. Intended as a follow-up to two earlier Morricone compilations assembled by Dagored, the album was put together by Alan Bishop and released by Ipecac Recordings. Crime and Dissonance features work ranging from the later 1960s to the early 1980s, and contains scores taken from films of several different genres.
The collection focuses on Morricone's lesser-known soundtrack work, with Ipecac founder Mike Patton consciously wishing to distance it from similar compilations. Released on October 18, 2005, Crime and Dissonance has been met with favorable reviews by critics. The album has attracted comments on Morricone's experimental and innovative compositional style, often in contrast to the spare-sounding westerns he is known for.
Production
Crime and Dissonance, a collection of
Patton, founder of Ipecac Recordings, has described his admiration for Morricone's writing, feeling that the composer turned "what could be banal, surface-style pop into really deep, orchestrated, tense and compelling music".[5] Patton considers Morricone to be one of his favorite composers, and wanted the compilation to serve as a fitting tribute. He felt it was "imperative" for Crime and Dissonance to focus on Morricone's lesser-known work, as it had to compete with a large back catalogue of similar compilations.[1] To this end, Patton and Bishop focused on Morricone's more experimental work, which Patton has compared to the music of Brazilian tropicália group Os Mutantes. Patton has praised Bishop's work on the project, calling him "a big Morricone scholar", and has described Crime and Dissonance as one of the Ipecac releases he is most proud of.[6]
Crime and Dissonance features liner notes written by composer
Track listing
All tracks are written by
No. | Title | Film | Length |
---|---|---|---|
1. | "Trafelato" | Un uomo da rispettare | 11:39 |
Total length: | 50:15 |
Reception
Review scores | |
---|---|
Source | Rating |
Pitchfork Media | (8.0/10)[10] |
Stylus Magazine | A−[7] |
Tiny Mix Tapes | [4] |
Crime and Dissonance was released on October 18, 2005, through the Ipecac Recordings label,[8] although it has previously been scheduled for release on September 6 of the same year.[1]
The album has garnered mostly positive reviews from critics. Writing for
The A.V. Club's Andy Battaglia rated the compilation an A−, noting its dissimilarity to Morricone's more well-known work. Battaglia complimented the arrangement of the tracks, feeling that they flowed into one another well, and noted the range of genres the collection represented.[9] Danny Fasold of The Roanoke Times has commented on the wide variety of styles the collection contains, adding that it proves "Morricone always delivered something interesting".[12] Stylus Magazine's Cameron Macdonald rated the album an A−, finding that the "kitsch" mass-market appeal of Morricone's better-known western scores made Crime and Dissonance a more "relevant" record. However, Macdonald felt that album's second disc was the weaker of the two, finding that the "slapstick" nature of some of its pieces seemed out of place.[7] Dave Gurney of Tiny Mix Tapes rated Crime and Dissonance three-and-a-half out of five, calling it "a group of Morricone's most uncompromising works".[4] However, Gurney questioned the target audience of the collection, believing that it would not be likely to appeal to casual listeners while not presenting much new material for dedicated Morricone collectors.[4] An anonymous review for The Stranger described the album as proof that "there's much more to the maestro than his revered spaghetti-western work for Sergio Leone".[13] The review highlighted the range of genres present in the collection, calling the end result a "deluge of otherworldly, endlessly fascinating sounds".[13]
See also
Footnotes
- ^ a b c d e "Ennio Morricone Gets Compiled by Ipecac". Billboard. Prometheus Global Media. July 28, 2005. Retrieved July 31, 2012.
- Allrovi. Retrieved August 18, 2012.
- Allrovi. Retrieved August 18, 2012.
- ^ a b c d e Gurney, Dave (January 28, 1996). "Ennio Morricone – Crime and Dissonance | Music Review". Tiny Mix Tapes. Retrieved August 5, 2012.
- ^ Florino, Rick (March 29, 2010). "Interview: Faith No More's Mike Patton on Mondo Cane". Artistdirect. Archived from the original on April 4, 2010. Retrieved July 31, 2012.
- ^ Mastrapa, Gus (July 17, 2008). "Mike Patton | Music | Interview". The A.V. Club. Retrieved July 31, 2012.
- ^ a b c d e Macdonald, Cameron (November 29, 2005). "Ennio Morricone – Crime and Dissonance – Review". Stylus Magazine. Archived from the original on May 10, 2012. Retrieved August 5, 2012.
- ^ Allrovi. Retrieved July 31, 2012.
- ^ a b Battaglia, Andy (February 1, 2006). "Music In Brief 4205 | Music". The A.V. Club. Retrieved July 31, 2012.
- ^ Pitchfork Media. Retrieved July 31, 2012.
- ^ a b Klein, Joshua (December 4, 2005). "Film Maestro Ratchets Up the Suspense". The Washington Post. Archived from the original on October 18, 2016. Retrieved July 31, 2012. (subscription required)
- ^ Fasold, Danny (January 24, 2006). "WUVT's Top Spins". The Roanoke Times. Archived from the original on January 25, 2013. Retrieved July 31, 2012.
- ^ a b "Ennio Morricone; Crime and Dissonance". The Stranger. December 15, 2005. Archived from the original on January 25, 2013. Retrieved August 18, 2012. (subscription required)