Dalí·Jewels

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Dalí·Jewels (

precious stones from the old Owen Cheatham collection, two jewels made later, and the twenty-seven drawings and paintings on paper that Salvador Dalí
made in designing the jewels. The whole forms an extensive collection of works carried out by the artist between 1941 and 1970, providing a perfect illustration of the various phases of his artistic development.

With the consultancy and supervision of the Spanish Gemmology Association, the collection was acquired by the Gala-Salvador Dalí Foundation from a Japanese organisation in 1999. Since that time, the association's experts, in collaboration with technicians from the foundation's Conservation Department and the Dalí Study Centre, have been cataloguing each of the pieces and designing a permanent exhibition for them.

History

The history of these jewels started in 1911. The first 22 were acquired by the US millionaire

Henry Heydenryk, Jr. and Alemany, created special settings and illuminated frames for a traveling exhibition of the jewels sponsored by the Cheatham Foundation. The collection of jewels had already been exhibited temporarily at the Dalí Theatre-Museum in Figueres during the months of August and September 1973, a year before the museum was inaugurated and while the Master was still alive. In 1981 the collection was acquired by a Saudi multimillionaire, and later by three Japanese entities, the last of which agreed to sell it to the Gala-Salvador Dalí Foundation
.

Collection

All the pieces in the collection are unique items, and the combination of materials, dimensions and shapes used by Salvador Dalí make this a one-off set in which the artist managed to express in a unique way the wealth of his singular iconography. Gold,

anthropomorphic
forms.

As well as designing the forms of the jewels, Salvador Dalí personally selected each of the materials used, not only for their colours or value but also for their meaning and the symbolic connotations of each and every one of the previous stones and noble metals. Some of the jewels that form part of this collection, such as The Eye of Time (1949), Royal Heart (1953), or The Space Elephant (1961), have become key works and are considered to be as exceptional as some of his paintings.

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