Source: Wikipedia, the free encyclopedia.
Painting by J. M. W. Turner
J. M. W. Turner, Dido building Carthage, or The Rise of the Carthaginian Empire , 1815
Dido building Carthage, or The Rise of the Carthaginian Empire is an oil on canvas painting by
in London since 1856.
The subject is a classical landscape taken from
Sychaeus
, on the right side of the painting, on the other bank of the estuary, foreshadows the eventual doom of Carthage.
The painting measures 155.5 centimetres (61.2 in) by 230 centimetres (91 in) with the top half of the painting dominated by an intense yellow sunrise, symbolising the dawn of a new empire. The
George Beaumont, who complained that it was "painted in false taste, not true to nature" and did not reach the heights of Claude Lorrain's works. Turner exhibited a companion piece,
The Decline of the Carthaginian Empire , at the summer exhibition in 1817.
In the first draft of his first will in 1829, Turner stipulated that he should be buried in the canvas of Dido building Carthage , but changed his mind to make a donation of the painting and The Decline of the Carthaginian Empire to the National Gallery, on condition that his two paintings should always be hung either side of Claude Lorrain's Tate Gallery in the early 20th century, but
Dido building Carthage and
Sun rising through Vapour remain at the National Gallery, shown with the Claudes; a few other selected works by Turner, including
Rain, Steam and Speed and
The Fighting Temeraire remain as examples of English painting at the National Gallery.
Claude's Landscape with the Marriage of Isaac and Rebecca , 1648
Turner's The Decline of the Carthaginian Empire , 1817
Turner's Sun Rising through Vapour, Fishermen Cleaning and Selling Fish , 1807
Turner's Crossing the Brook , 1815
See also
References
National Gallery
JMW Turner, the English Claude , The Guardian , 8 March 2012
J. M. W. Turner: The Making of a Modern Artist , Sam Smiles, pp. 42–44, 126–128
Academies, Museums, and Canons of Art , Gillian Perry, Colin Cunningham, pp. 183–185
Angel in the Sun: Turner's Vision of History , Gerald E. Finley, pp. 63–67
Cultivating Picturacy: Visual Art And Verbal Interventions , James A. W. Heffernan, pp. 129–131
Turner biography , Turner Society
Paintings
Interior of a Romanesque Church (c. 1795 –1800)
Landscape with Windmill and Rainbow (c. 1795 –1800)
Diana and Callisto (c. 1796 )
Fishermen at Sea (1796)
Interior of a Gothic Church (c. 1797 )
Limekiln at Coalbrookdale (c. 1797 )
Moonlight, a Study at Millbank (1797)
Aeneas and the Sibyl, Lake Avernus (c. 1798 )
Buttermere Lake, with Part of Cromackwater, Cumberland, a Shower (1798)
Caernarvon Castle (c. 1798 )
Morning amongst the Coniston Fells, Cumberland (1798)
Shipping by a Breakwater (1798)
Tivoli and the Roman Campagna (c. 1798 )
View of a Town (c. 1798 )
Dolbadarn Castle (1798–1799)
Self-Portrait (c. 1799 )
View in Wales: Mountain Scene with Village and Castle – Evening (c. 1799 –1800)
Welsh Mountain Landscape (c. 1799 –1800)
A Beech Wood with Gypsies round a Campfire (c. 1800 )
A Beech Wood with Gypsies Seated in the Distance (c. 1800 )
Landscape with Lake and Fallen Tree (c. 1800 )
View on Clapham Common (c. 1800 –1805)
The Shipwreck (1805)
London from Greenwich Park (1809)
The Fifth Plague of Egypt (1810)
High Street, Oxford (1810)
Snow Storm: Hannibal and his Army Crossing the Alps (1812)
Dido building Carthage, or, The Rise of the Carthaginian Empire (1815)
Dort or Dordrecht: The Dort packet-boat from Rotterdam becalmed (1818)
The Field of Waterloo (1818)
England: Richmond Hill, on the Prince Regent's Birthday (1819)
Rome, from the Vatican (1820)
The Battle of Trafalgar (1822)
Port Ruysdael (1826)
Chichester Canal (1828)
Ulysses Deriding Polyphemus (1829)
Funeral of Sir Thomas Lawrence (1830)
Childe Harold's Pilgrimage - Italy (1832)
The Fountain of Indolence (1834)
The Golden Bough (1834)
The Burning of the Houses of Lords and Commons, 16th October, 1834 (1835)
Rome, From Mount Aventine (1835)
Venice, from the Porch of Madonna della Salute (c. 1835 )
The Fighting Temeraire Tugged to Her Last Berth to Be Broken up (1838)
Modern Rome – Campo Vaccino (1839)
Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On) (1840)
Snow Storm: Steam-Boat off a Harbour's Mouth (1842)
The Blue Rigi (1842)
The Red Rigi (1842)
Peace – Burial at Sea (1842)
War. The Exile and the Rock Limpet (1842)
Light and Colour (Goethe's Theory) – The Morning after the Deluge – Moses Writing the Book of Genesis (1843)
Rain, Steam and Speed – The Great Western Railway (1844)
Sunrise with Sea Monsters (1845)
Norham Castle, Sunrise (c. 1845 )
Whalers (c. 1845 )
The Beacon Light (unknown)
Prints Museums Related
Characters Operas
Didone (1641, Cavalli)
Dido and Aeneas (1688, Purcell)
Didon (1693, Desmarets)
Didone abbandonata (1724, Metastasio)
Didone abbandonata (1724, Sarro)
Didone abbandonata (1724, Albinoni)
Didone abbandonata (1762, Sarti)
Didon (1783, Piccinni)
Dido, Queen of Carthage (1792, Storace)
Les Troyens (1863, Berlioz)
Plays Poetry Music Art Related
Characters
Deities Trojans Phoenicians Others
Film and TV Literature Opera Manuscripts Phrases Art Music Study Related