Double O Seven, James Bond, A Report
Double O Seven, James Bond, A Report (1964), by
A lifelong devotee of British thriller writers, Snelling was a professional antiquarian working in the Hodgson auction house, where he met Ian Fleming, who had gone there to do research. In the course of writing James Bond, A Report, he learned that novelist Kingsley Amis also was writing a like study, so, Snelling worked quickly to ensure that his book would be published first. He succeeded; Amis's scholarly, literary, critical study, The James Bond Dossier (1965), was published in late 1965. Since then, the books are compared; some aficionados consider Snelling's book the superior contribution to the field of critical literary studies of James Bond. In Britain, Panther Books reprinted Double O Seven, James Bond, A Report in paperback; it was translated to and published in French, Dutch, Portuguese, Japanese, and Hebrew editions. In the U.S., the New American Library, Fleming's North American publishers, issued it in 1965.
Literary critique
O.F. Snelling's literary criticism of agent 007 is a five-part report. First, “His Predecessors”, observes the similarities among the upper-class “
The final page of Double O Seven, James Bond, A Report is an in-joke, between writer and reader, a reproduction of the watermark Snelling noticed in his typing paper: “64 Mill Bond — Extra Strong”.
Revised edition
Decades after original publication in 1964, O. F. Snelling hoped to publish Double O Seven: James Bond Under the Microscope a revised and updated edition including proper discussions of You Only Live Twice (1964) and
In 1980, he wrote “Apropos Double O Seven” a preface to Double O Seven: James Bond Under the Microscope, but the revised, updated, and re-titled book went unpublished until 2007, when Ronald Payne, his literary executor, published it online; it includes a collection of Snelling–Payne correspondence. In the preface and the writer–executor correspondence, Snelling stresses his preference for the literary 007, because he felt the film series’ interpretation, especially Roger Moore’s entries, abandoned the adult secret agent character Ian Fleming created; ultimately, O. F. Snelling lost interest in all things Bond.
See also
Notes
- ^ Britton, Wesley Ronald Payne Interview Untold Stories of 007 (Part I): Writer Ronald Payne Shares Some Secrets
External links
- Interview on Snelling https://web.archive.org/web/20130927015549/http://www.spywise.net/untold1.html