E. Krishna Iyer

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E Krishna Iyer
Born(1897-08-09)9 August 1897
Madras, Tamil Nadu, India

E. Krishna Iyer (9 August 1897 – January 1968) was an Indian lawyer, freedom-fighter, classical artist and activist. He was the follower of traditional Isaivellalar practitioners of Sadir, also known as Bharatanatyam.

Early life

Krishna Iyer was born on 9 August 1897 in a

Madras Law College[1] and practised as a lawyer at the Madras High Court
till 1943.

Krishna Iyer joined the Indian independence movement and was an active member of the

Subrahmanya Bharathy
.

Association with art

On completion of his graduation, he entered a drama troupe in which he enacted female parts. He developed an avid interest in classical arts and also studied carnatic music during this time.[1]

The Bharatanatyam revival movement

Krishna Iyer's involvement with the Bharatanatyam revival movement began when he joined a theatrical company called Suguna Vilasa Sabha and learnt sadir, a sensuous and less respectful form of Bharatnatyam practised by

Indian Express, Dinamani and Kalki
.

Coining of the term Bharatanatyam

In the late 1920s and the early 1930s, attempts were made to abolish the devadasi system due to the efforts of

Madras Legislative Council. She also desired to do away with sadir due to its association with the devadasi system and condemned nautch performances in the Presidency.[1] Krishna Iyer vehemently protested against Muthulakshmi Reddy's attitude towards sadir in a series of letters published in the Madras Mail and sought to give the dance form a measure of respect by proposing a resolution at a 1932 meeting of the Madras Music Academy to rename it as "Bharatanatyam" or Indian dance.[2]

While strongly condemning the devadasi system, Krishna Iyer tried to sever the dance's association with the practice by encouraging Brahmin girls to learn and practice the art and by eradicating expressions and movements that conveyed sexually-explicit meanings in cooperation with Rukmini Devi Arundale.[2] The stigma associated with Bharatanatyam, however, did not disappear altogether until the passing of the Devadasi Dedication Abolition Act in 1947.[3]

Awards

Death

Krishna Iyer died in 1968 at the age of 71.

Notes

  1. ^ a b c d e f g Weidman, Pg 119
  2. ^ a b Weidman, Pg 120
  3. ^ Weidman, Pg 121

References

  • Amanda J. Weidman (2006). Singing the classical, voicing the modern: the postcolonial politics of music in South India. Duke University Press. .
  • Krishnangini — Neeraja Nagarajan. "The Transition from temples to auditorium". Chennai Online. Archived from the original on 1 September 2009. Retrieved 17 April 2009.