Edith Mathis

Source: Wikipedia, the free encyclopedia.

Edith Mathis
Mathis in 1969
Born
11 February 1938 (1938-02-11) (age 86)

Lucerne, Switzerland
OccupationSoprano
Spouse
(divorced)
Awards
  • Mozart Medal of the International Mozarteum Foundation Salzburg (1976)
  • Hans-Reinhart-Ring (1978)
  • Kunst- und Kulturpreis der Stadt Luzern (1978)
  • Bayerische Kammersängerin (1980)[6]
  • Buxtehude-Preis des Lübecker Senats (1981)
  • Prix Mondial du Disque (Montreux)

Edith Mathis (born 11 February 1938) is a Swiss soprano and a leading exponent of the works of Wolfgang Amadeus Mozart worldwide.[1] She is known for parts in Mozart operas, but also took part in premieres of operas such as Henze's Der junge Lord.

Her voice was featured in a key scene of the film The Shawshank Redemption, joining with that of Gundula Janowitz in a duet from Le Nozze di Figaro, "soar[ing] over a prison yard, signifying joy and hope in a world of despair," as described in a 2014 article in The New York Times.[2]

Career

Mathis was born and studied in

Opéra de Paris
.

In addition to her operatic career, Mathis made numerous concert tours in Lieder recitals, including tours to Japan, the US, Australia, Russia, and Israel. She recorded Mahler's Second Symphony several times under Rafael Kubelik and Klaus Tennstedt, and the Fourth Symphony, singing the Finale's "The Heavenly Life" with the Vienna Philharmonic under Leonard Bernstein (1972) and the Berlin Philharmonic under Herbert von Karajan (1979), both for Deutsche Grammophon.

Mathis also became a sought-after teacher.[3][4]

Repertory

External videos
video icon Susanna in The Marriage of Figaro (1967), YouTube video

Mozart roles were among her specialities, including Cherubino in Le nozze di Figaro, Zerlina in Don Giovanni, Despina in Così fan tutte and Pamina in Die Zauberflöte. She recorded the latter role in 1980, opposite Karin Ott and Janet Perry, under Herbert von Karajan. Other roles she sang include Sophie and the Marschallin in Der Rosenkavalier by Richard Strauss and Agathe and Ännchen in Weber's Der Freischütz.

Mathis also sang in the premieres of Gottfried von Einem's Der Zerrissene, Henze's Der junge Lord,[5] Heinrich Sutermeister's Le roi Berénger, and Menotti's Help, Help, the Globolinks! She was also a singer of oratorios and Lieder. Her Lieder recordings include Volume 21 of the complete songs of Franz Schubert for Hyperion Records. She recorded Mahler's Symphony No. 4 under Karajan in 1979, and was also filmed in 1972 in a performance with the Vienna Philharmonic and Leonard Bernstein.

Her most notable recorded Mozart roles include Susanna in Le nozze di Figaro for the Deutsche Oper Berlin with Karl Böhm conducting, and Ilia in Idomeneo with the Staatskapelle Dresden. A re-released recording of Don Giovanni with the Vienna Philharmonic and Karl Böhm from the 1977 Salzburg Festival features her in one of her best-known roles, Zerlina. A performance by Mathis as Cherubino is available on a DVD from the Salzburg Festival of 1966, with the Vienna Philharmonic under Böhm, where she sings alongside Ingvar Wixell, Claire Watson, Reri Grist, and Walter Berry.

Mathis' Susanna in "

Sull'aria...che soave zeffiretto", a duet from The Marriage of Figaro, with the Austrian soprano Gundula Janowitz, features prominently in the film The Shawshank Redemption
.

Personal life

Mathis was married to conductor and pianist Bernhard Klee, with whom she often performed. She lives in her native Switzerland.

Awards

Discography

See also

References

  1. ^ "South African soprano Pumeza Matshikiza takes the world stage". Surry Hills, New South Wales, Australia: The Australian, 24 August 2016.
  2. ^ Tommasini Anthony, Zachary Woolfe and David Allen. "Onward, Elektra, Ariadne and Octavian". New York, New York: The New York Times, 25 December 2014.
  3. ^ Biography on the Bach Cantata website
  4. ^ Edith Mathis, in "Marilyn Horne Leads Carnegie Hall's 'The Song Continues' Series in Final Season as Artistic Advisor". New York, New York and Los Angeles, California: BroadwayWorld and OperaWorld, 23 January 2018.
  5. ^ Andrew Porter, "Reports from Abroad: Berlin – Henze's New Opera" (June 1965). The Musical Times, 106 (1468): pp. 453–55.
  6. OCLC 62309181
    .

External links