Edward Loder
Edward James Loder (10 July 1809 – 5 April 1865)[1] was an English composer and conductor. His best remembered work is perhaps the 1855 opera Raymond and Agnes,[2] though his most successful opera during his lifetime was The Night Dancers.
Biography
Loder was born in Bath, Somerset. He was the son of John David Loder (1788–1846),[2] a violinist and musical director of the Theatre Royal, Bath,[3] and his wife Rosamund, née Mills (1787–1856), a step-daughter of the comedian John Fawcett. Edward Loder's twin brother John Fawcett Loder (1809–1853) was a violinist, and a younger brother William Sowerby Loder (1812–1851) was a cellist who married the soprano Emily Woodyatt. His cousins included the composer and conductor George Loder (1816–1868)[2] and George's sister, composer and pianist Kate Loder.[4]
Loder's family sent him to Frankfurt in 1826 to study under
On 10 November 1831, Loder married Elizabeth Mary Watson (c.1813–1880) at Bristol.[7][8] It appears they were separated within a few years, as in 1861 he stated that his wife was Louisa Alice Foster, born c. 1838.[7] He appears to have fathered a son (Edward Loder Garside 1850–1940) with the actress Clara Garside Neville (1827–1869) during his marriage to Louisa.[7] Tributes at the time of his death state that he was a bachelor.[7]
He died in London in 1865.[2]
Works
- Incidental music for the melodrama Black-Eyed Susan, or All in the Downs by Douglas William Jerrold (18 November 1830, Theatre Royal, Bath)
- Nourjahad, grand opera by Samuel James Arnold (21 July 1834, Lyceum Theatre, London)
- The Widow Queen, historical drama by Thomas James Serle (9 October 1834, English Opera House, London)
- The Covenanters, Scottish ballad opera by Thomas John Dibdin (10 August 1835, English Opera House, London)
- The Dice of Death, melodrama by John Oxenford (14 September 1835, English Opera House, London)
- The Foresters, or Twenty-Five Years Since, drama by Thomas James Serle (19 October 1838, Covent Garden Theatre, London)
- Francis the First, opera by McKinlan (6 November 1838, Drury Lane Theatre, London)
- The Deer Stalkers, or The Outlaw's Daughter, Scottish operatic drama by Mark Lemon (12 April 1841, English Opera House, London)
- The Wilis, or The Night Dancers, romantic drama by George Soane (28 October 1846, Princess's Theatre, London)
- The Sultana, comedietta, adaptation from Isaac Bickerstaffe's The Sultan, or a Peep into the Seraglio[9] (8 January 1848, Princess's Theatre, London)
- The Andalusian, or the Young Guard, operetta by George Soane (20 January 1848, Princess's Theatre, London)
- Robin Goodfellow, or the Frolics of Puck, ballad opera by Edward Loder (6 December 1848, Princess's Theatre, London)
- The Island of Calypso, operatic masque by George Soane (14 April 1852, Exeter Hall, London)
- Dick Whittington and His Cat, burletta by Mark Lemon based on the English legend (December 1852, Theatre Royal, Manchester)
- Balcony Courtship, farce by Edward Loder (6 May 1853, Theatre Royal, Manchester)
- Raymond and Agnes, romantic opera by Edward Fitzball (14 August 1855, Theatre Royal, Manchester)
- Never Judge by Appearances, operetta by Henri Drayton (7 July 1859, Adelphi Theatre, London)
- Saved by a Song, operetta by Henry Robert Addison (21 December 1868 (posthumous), Princess's Theatre, London)
References
- ^ Although Grove and other sources give 1813 as Edward Loder's year of birth, there are parish records giving his birth as 10 July 1809 at his christening on 3 July 1811 at St Swithin, Walcot, Bath.
- ^ ISBN 0-333-60800-3.
- ISBN 0-333-60800-3.
- ISBN 0-333-60800-3.
- ISBN 978-0313298356.
- ISBN 978-0754661375.
- ^ a b c d "Edward James Loder". Rootsweb. Retrieved 4 February 2012.
- ISBN 978-0-226-47009-2.
- ^ "Provincial: Liverpool". The Musical World. XXIII (13). William Spencer Johnson at the Nassau Steam Press: 204. 25 March 1848. Retrieved 9 May 2009.
The performance concluded with the afterpiece of the Sultana which was altered from Isaac Bickerstaff's Sultan and adapted especially for Mdme. Thillon at the Princess's Theatre
Further reading
- Brown, James D. (1897). British Musical Biography. Chadfield & Son, Ltd. p. 252. ISBN 978-1-4067-5614-2.
- Nicoll, Allardyce (1930). A History of Early Nineteenth Century Drama 1800–1850. Cambridge: Cambridge University Press.
- ISBN 978-1-78327-078-1.