Ercole amante
Appearance

Ercole amante (Hercules in Love, French: Hercule amoureux) is an
Tuileries
in Paris.
Background
entrées and intermèdes by Isaac de Benserade with music Jean-Baptiste Lully were inserted, mostly at the ends of Cavalli's acts, to cater to French taste. These were not merely diversions but also served to further the plot,[1]
and in the event they met with greater approval from the audience than Ercole amante itself, helping boost Lully's position at the French court.
Performance history
After its premiere the opera was given another seven times: 14 and 18 February; 18, 22, 25, and 29 April; and 6 May. The theatre was built specifically to present the opera, and if the construction costs of the theatre are included, it was the most expensive of the French court's theatrical productions mounted up to that point.[2]
Roles
Role | Voice type | Premiere cast, 7 February 1662[3] |
---|---|---|
Cinzia, prologue | soprano castrato | Giuseppe Meloni |
Ercole | bass | Vincenzo Piccini |
Deianira, Ercole's wife | soprano | Leonora Ballarini |
Hyllo, son of Ercole | tenor | Giuseppe Agostino Poncelli |
Iole | soprano | Anna Bergerotti |
La bellezza | soprano | Anne de La Barre |
Giunone | soprano castrato ( en travesti )
|
Antonio Rivani |
Mercurio | tenor | Signor Tagliavacca |
Nettuno | bass | Paolo Bordigone[4] |
Venere | soprano | Hylaire Dupuis |
Tevere | bass | Signor Beauchamps |
Shade of Eutyro | bass | Paolo Bordigone |
Licco | contralto castrato | Giuseppe Chiarini |
Shade of King Laomedonte | tenor | Signor Vulpio |
Shade of Bussiride | contralto castrato | Signor Zanetto |
Shade of Queen Clerica | soprano | Anne de La Barre |
Pasithea | soprano | Signora Bordoni |
Sonno | silent actor | |
Paggio
|
soprano |
Recordings
Audio
- 1980: Yvonne Minton (Giunone), Felicity Palmer (Jole), Patricia Miller (Dejanira), Colette Alliot-Lugaz (Venere, Bellezza), Ulrik Cold (Ercole), Keith Lewis (Hyllo), Richard Cassinelli (Licco), John Tomlinson (Tevere, Nettuno) with the English Bach Festival Chorus & Baroque Orchestra, conducted by Michel Corboz. Audio CD: Erato[5][6]
Video
- 2009:
- 2019: Nahuel di Pierro (Ercole), Francesca Aspromonte (Iole), Anna Bonitatibus (Giunone), Krystian Adam (Hyllo), Giuseppina Bridelli (Deianira), Dominique Vissi (Licco), Eugène Lefebvre (Pasitea, Clerica), Giulia Semenzato (Venere, Bellezza, Cinzia), Luca Tittoto (Nettuno, Eutyro) with the ensemble Pygmalion, conducted by Raphaël Pichon. Recorded live, Opéra-Comique, Paris, 6 and 8 November 2019; stage directors: Valérie Lesort, Christian Hecq. Blu-ray: Naxos.[9][10]
References
Notes
- ^ Clinkscale 1992; Coeyman 1998, p. 55
- ^ Coeyman 1998, p. 55.
- ^ Casaglia, Gherardo (2005). "Ercole amante, 7 February 1662". L'Almanacco di Gherardo Casaglia (in Italian).
- ^ An alternative spelling is Bordigoni, according to the Großes Sängerlexikon.
- OCLC 954346914.
- ^ David Fallows, "Cavalli. Ercole amante [review]", Gramophone, October 1980, p. 533.
- OCLC 658079891.
- ^ Mike Ashman, "Cavalli, Ercole amante: An action-packed early French opera that is a riot of colour and creativity", Gramophone, June 2010, pp. 100–101.
- OCLC 1224482311
- ^ David Vickers, "Cavalli, Ercole amante [review of 2019 production by Pygmalion]", Gramophone, May 2021, pp. 74–75.
Sources
- Clinkscale, Martha Novak (1992). "Ercole amante". In ISBN 0-333-73432-7.)
{{cite book}}
: CS1 maint: location missing publisher (link - Coeyman, Barbara (1998). "Opera and Ballet in Seventeenth-Century French Theatres: Case Studies of the Salle des Machines and the Palais Royal Theater". In Radice, Mark A. (ed.). Opera in Context: Essays on Historical Staging from the Late Renaissance to the Time of Puccini. Portland, Oregon: Amadeus Press. pp. 37–71. ISBN 9781574670325.
External links
- L'Ercole: Scores at the International Music Score Library Project