Estadio Chile (poem)

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Estadio Chile
by Víctor Jara
The eponymous stadium, where Jara wrote the poem and died
TranslatorJoan Jara
Written1973
LanguageSpanish

There are five thousand of us here
in this small part of the city.
We are five thousand.
I wonder how many we are in all
in the cities and in the whole country?
...
How hard it is to sing
when I must sing of horror.
Horror which I am living,
horror which I am dying.
To see myself among so much
and so many moments of infinity
in which silence and screams
are the end of my song.

Víctor Jara, "Estadio Chile"
(translated from Spanish)[1]

"Estadio Chile", or "Somos Cinco Mil", is the common name of an untitled poem and song credited to Víctor Jara and penned in the days prior to his death. Jara was tortured and killed by the Chilean Army over several days in Santiago's Estadio Chile (renamed Estadio Víctor Jara in 2004) during the 1973 Chilean coup d'état.

History

Víctor Jara was detained in

Estadio Chile among thousands of others during the 1973 Chilean military coup against the Unidad Popular government, of which Jara was an icon.[1] Jara, a popular folksinger, sang for the other detainees to maintain morale.[1] Along with Andean and Chilean folk songs, he sang a "manifesto" composed his second night there.[1] The militia recognized him for his song and fame and removed him from the crowd.[1] The guards tore off his nails, smashed his hands, and ordered him to play the guitar.[2]

He was found dead a week later with signs of brutal treatment and gunshot wounds.[1] The "manifesto" survived through both the detainees who memorized the song and the scraps of paper containing Jara's handwritten lyrics.[1] Jara's wife, Joan, presented her research into her husband's final days in her essays[3] and 1984 memoir An Unfinished Song.[1] The poem stretches the entrance to the Museum of Memory and Human Rights in Santiago.[4]

Interpretation

In The Meaning of Human Suffering, Dr. Joel Gajardo-Velasquez compares the final line of the poem to the message of the cross: that Jara was able to see "the new that will be born in spite of, and probably especially because of, his personal tragedy", as "suffering without hope is death without resurrection".[5]

Response

Naín Nómez placed the poem as the first in a series of semi-anonymous works distributed by hand and designed to challenge the new Chilean state of affairs after the 1973 coup.

Auschwitz' on artistic expression".[8] Valerie Alia wrote in Media Ethics and Social Change that Jara's poem itself told the story of the coup and Jara's own unbroken spirit before his death.[9]

See also

References

  1. ^
    ISBN 9780292781405
    .
  2. ISBN 9789562824910
    .
  3. JSTOR 4414433
    .
  4. ^ Watts, Jonathan; Franklin, Jonathan (10 September 2013). "Agony of Chile's dark days continues as murdered poet's wife fights for justice". The Guardian. Archived from the original on 8 October 2013. Retrieved 5 October 2013.
  5. ISBN 978-0-89885-011-6
    . Retrieved 5 October 2013.
  6. JSTOR 23288687
    .
  7. ^
    JSTOR 25676969
    .
  8. ISBN 9780838756751
    .
  9. ISBN 9780415971997
    .
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