Everest (opera)

Edit links
Source: Wikipedia, the free encyclopedia.
Everest
Opera by Joby Talbot
Summit of Mount Everest from southwest
LibrettistGene Scheer
LanguageEnglish
Premiere
January 30, 2015 (2015-01-30)
Dallas Opera

Characters

Everest is a one-act opera by Joby Talbot to an English-language libretto by Gene Scheer. It was composed in 2014 and premiered on January 30, 2015, at the Margot and Bill Winspear Opera House of Dallas Opera.[1] The content deals with a real event, the 1996 Mount Everest disaster, in which several mountaineers died after a severe storm hit during their summit bids. It is based on interviews with survivors and shows in two strands the deaths of Rob Hall and Doug Hansen and the emotional world of Beck Weathers.

History

Everest was commissioned by Dallas Opera in 2014. At the world premiere on 30 January 2015 in Dallas[2] Sasha Cooke (Jan Arnold), Julia Rose Arduino (Meg Weathers), Andrew Bidlack (Rob Hall), Craig Verm (Doug Hansen), Kevin Burdette (Beck Weathers), John Boehr (Guy Cotter) and Mark McCrory (Mike Groom) sang.[3] The musical direction was by Nicole Paiement. The production was directed by Leonard Foglia,[4] the set design by Robert Brill (Betty Award),[5] costume design by David C. Woolard[6] and projection design by Elaine J. McCarthy (Betty Award)[5]

On 5 May 2017, on the occasion of the Opera America Conference 2017, there was a concert performance at the Winspear Opera House under the direction of Emmanuel Villaume.[7] In November 2017, the original staging of the opera was performed by the Lyric Opera of Kansas City at the Kauffman Center for the Performing Arts[8] and again in 2019 at Calgary Opera.[9]

The European premiere took place on 5 May 2018 at the

Andrew Irvine.[13]

Plot

May 10, 1996: On the

base camp
by radio to get help and oxygen.

The scene shifts back to Weathers' hallucination of his daughter Meg playing jumprope. Not recognizing his daughter, Weathers takes the jumprope from Meg and straps himself to the rope. Back to consciousness, he realizes that the rest of the group has not returned. It begins to snow and the sunset is approaching. Mike Groom, another expedition member, finds Weathers and urges him to descend just as a storm breaks out. Meanwhile, Jan realizes her husband may be in trouble and she makes contact with the base camp. Mountain guide Guy Cotter, reporting from the camp, urges Hall to leave Hansen behind and save himself.

The members of the expedition discover the confused Weathers. While Jan waits for the next call, Hall tries to bring Hansen to safety. He is too late and Hansen joins the chorus, which represents those who have died climbing Mt. Everest. Hall reports Hansen's death to the base camp via radio and asks for Cotter's help in establishing telephone contact with Jan.

At 2:00 AM on May 11, the other members of the expedition begin to leave one by one. Hall contacts his wife. They agree on the name "Sarah" for their unborn child and assure themselves of their love just before Hall dies, joining Hansen in the chorus. Weathers, still hallucinating, hears his daughter calling for him in the distance and finally reaches the base camp.

Structure

The authors stated they did not wish the opera to be a standard "heroic epic."[4] Thus, the plot is composed of individual report fragments and flashbacks, rather than being told in a linear fashion, and the characters' motivations are deliberately left unclear.[14][15]

The music sounds contemporary modern, but is nevertheless based on traditional harmonics and emotionally shaped.[15] In the vocal parts, Talbot refers to traditional forms by means of indications such as "aria" or "quartet."[13] The orchestral sound fabric ties in with minimal music that is akin to that of John Adams.[16][4] At the same time, there are references to Giacomo Puccini, Leonard Bernstein, Benjamin Britten or Igor Stravinsky. There is a focus on rhythm and the spectrum of timbres, with numerous sound effects such as the crackling radio or the howling of the wind.[13][17] The mountain itself has its own voice, produced by the low wind instruments and percussion,[15] and inspired by the slow cracking movements of glacial masses over rocky ground.[18]

Elements of dance music were particularly considered in the 2018 Hagen production.[13]

Instrumentation

The instrumentation consists of:[2]

References

  1. ^ Waleson, Heidi (February 3, 2015). "Tragedy Makes for the Peak of Drama". The Wall Street Journal. Retrieved November 12, 2019.
  2. ^ a b c Production information at Music Sales Classical, accessed July 6, 2018.
  3. ^ Womack, Catherine (February 2, 2015). "With Everest, The Dallas Opera Looks Forward". D Magazine. Retrieved November 12, 2019.
  4. ^ a b c Heidi Waleson, Marc Staudacher (Übersetzung): "Fragmente der Verzweiflung", review of the premiere in Dallas, 2015, in: Opernwelt, March 2015, p. 44.
  5. ^ a b Hobson, Louis B. (June 24, 2019). "Billy Elliot en pointe with Five Betty Awards". Calgary Herald. Retrieved November 12, 2019.
  6. ^ Kucharski, Joe. "The Costumes of Dallas Opera's Everest". Tyranny of Style. Retrieved November 12, 2019.
  7. ^ Cantrell, Scott (May 6, 2017). "Dallas Opera's 'Everest' is revived in semi-staged form with a new Prelude for national opera conference". The Dallas Morning News. Retrieved November 12, 2019.
  8. ^ Portner, Alan (November 13, 2017). "BWW Review: EVEREST at Lyric Opera f Kansas City". BroadwayWorld. Retrieved November 12, 2019.
  9. ^ Rankin, Bill (February 7, 2019). "Hardy Opera Buffs Cheer Climbers in Harrowing Everest". Classical Voice North America. Retrieved November 12, 2019.
  10. Theater Hagen
    : Everest, program booklet Nr. 10, 2017/2018 season.
  11. ^ Yvonne Hinz: "Oper Everest lässt Hagener Theaterbesucher frösteln", announcement of the 2018 Hagen production, in: Westfalenpost, April 28, 2018, accessed July 7, 2018.
  12. ^ Uwe Schweikert: "Kampf gegen den Absturz", review of the 2018 Hagen staging, in: Opernwelt, July 2018, p. 71.
  13. ^
    Theater Hagen
    : Everest, program booklet Nr. 10, 2017/2018 season, pp. 11–13.
  14. ^ Weuste, David (February 2015). "Everest Brings Dallas Opera to New Heights". OperaPulse. Retrieved November 12, 2019.
  15. ^ a b c Rudolf Hermes: "Muß man gesehen haben...", review of the 2018 staging in Hagen 2018, in: Der Opernfreund, May 6, 2018, accessed July 6, 2018.
  16. ^ Fred Cohn: "Everest & La Wally" Archived 2018-07-07 at the Wayback Machine, review of the premiere in Dallas 2015, in: Opera News, January 30, 2015, accessed July 6, 2018.
  17. ^ Andreas Falentin: "Magic Mountain" Archived 2018-07-07 at the Wayback Machine, review of the 2018 staging in Hagen, in: Die Deutsche Bühne May 7, 2018, accessed July 6, 2018.
  18. Theater Hagen
    : Everest, program booklet Nr. 10, 2017/2018 season, pp. 9–10.

Further reading

External links

Retrieved from "https://en.wikipedia.org/w/index.php?title=Everest_(opera)&oldid=1217227048"