Folquet de Lunel

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Folquet de Lunel (1244 – c. 1300) was a troubadour from Lunel (in the modern Hérault) in the Languedoc. He left behind nine recorded lyric poems, including five cansos, two partimens, and two sirventes. He also wrote one longer work, the Romans de mondana vida. Folquet's birth date can be known precisely because he tells us in his Romans, written in 1284, that he was forty years old at the time.

Folquet's earliest datable work is a partimen with Guiraut Riquier, dated to between 1264 and 1270. He presents Guiraut with a tricky question:

Guirautz, don'ab beutat granda
tota sol'aiatz
en un lieg, e selh que.l platz
jatz n'en autre, ses demanda
que l'us a l'autre no fai,
et amo.s de cor verai:
si.l cavaliers se lev'a lieys jazer
o ilh ab lui, cal li deu mais plazer?

Folquet, along with fellow troubadours

Guelphs), and lends support to Aragones political ambitions in Italy. Like both his contemporaries Cerverí de Girona and Paulet de Marselha, Folquet had nothing but praise for Peter, James his father, and the Aragonese. The metre of the sirventes is copied from the work Bel m'es ab motz leugiers a far by Sordello
. Cerverí in his Cobla en sis lengatges copied the same metre, either from Sordello or Folquet.

At some point during the ongoing Guelph-Ghibelline conflict Folquet travelled into Lombardy, where he heard firsthand of the popularity of Alfonso:

Qu'entre.ls lombartz ausi contar
que l'alaman e.l bromanso
e.l roman, ses contrastar,
volon a lui la lectio
de l'Emperi; e Milan e Pavia,
Cremona et Ast e ginoes an gran
cor quel bon rey castellan recebran
a gran honor, si ven en Lombardia.
When among the Lombards I heard
that the Germans and the Brabançons
and the Romans, without disagreement,
wish for his election
to the Empire; and Milan and Pavia,
Cremona and Asti and the Genoese have a great
desire the good Castilian king to receive
in grand honour, if he ever comes to Lombardy.

Folquet had returned to Lunel by 1274. There he entered into relations with

tornadas of both his religious and his (two) courtly love songs. Scholarship is divided over whether the intended count was Hugh IV
, indicating that the songs are a product of Folquet's youth, or Henry II, making them a product of his maturity.

Sources

  • Riquer, Martín de
    . Los trovadores: historia literaria y textos. 3 vol. Barcelona: Planeta, 1975.