Fortean Times
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John Brown Publishing (from 1991 to 2001), I Feel Good Publishing (2001 to 2005), Dennis Publishing (2005 to 2021), and Exponent (2021), as of December 2021 it is published by Diamond Publishing, part of Metropolis International.[2]
In December 2018, its print circulation was just over 14,800 copies per month.[3] This now appears to include digital sales.[verification needed] The magazine's tagline is "The World of Strange Phenomena". HistoryOriginThe roots of the magazine that was to become Fortean Times can be traced back to Bob Rickard's discovering the works of Astounding Science Fiction (as Analog was then titled), for example," writes Rickard, "encouraged many authors to expand Fort's data and comments into imaginative stories."[4]
In the mid-1960s, while Rickard was studying Dark They Were, and Golden-Eyed, and take a role in the day-to-day running of The Fortean Times).[4]
After reading an advertisement in the underground magazine Oz (in 1969) for the International Fortean Organization (INFO), an American group "founded in 1966... by Paul and Ronald Willis," who had acquired material from the original Fortean Society (started in 1931, but in limbo since the 1959 death of its founder Tiffany Thayer), Rickard began to correspond with the brothers, particularly Paul. Rickard was instrumental in encouraging the Willises to publish their own Fortean journal – the INFO Journal: Science and the Unknown began intermittent publication in spring, 1967 – and sent them many British newspaper clippings, although few came to print.[citation needed] Rickard later discovered that the production was fraught behind-the-scenes, as Ronald Willis had been seriously ill, Paul thus finding it difficult to "keep up with things" on his own.[4] Ultimately, the Willises were instrumental in inspiring Rickard to create his own periodical. Ron Willis succumbed to a brain tumour in March 1975.[4][5] Bearing a date of November 1973, the first issue of Rickard's self-produced and self-published The News was available directly from him. The News (1973–1976)The magazine which was to continue Fort's work documenting the unexplained was founded by Robert J. M. "Bob" Rickard in 1973 as his self-published, bimonthly, mail-order "hobbyish newsletter" miscellany The News — "A Miscellany of Fortean Curiosities".[4] The title is said to be "a contraction taken from Samuel Butler's The News from Nowhere",[4] (although Rickard may be conflating/confusing Butler's Erewhon and William Morris' News from Nowhere). The News had fairly regular bimonthly publication for 15 issues between November 1973 and April 1976. Debuting at 35p (£1.80/$4.50 for a year of six issues[6]) for 20 pages, The News was produced on Rickard's typewriter, with headings created with Letraset, during (as Rickard says in #2) the late-1970s blackouts. The first issue featured a cover (which would become briefly the unofficial logo of The News) drawn by Rickard from a Selfridges advertisement originally created by Bernard Partridge.[7] From the second issue, pictures and photographs from various newspapers were interpolated within the text. The price was raised slightly for #6 — which also had its page count upped to 24 pages — due in large part to rising postal and paper costs. Helping behind the scenes was IPC. The two found they had much in common, including a love of Chinese mysticism, and Moore helped inspire Rickard to publish The News.[4] The early issues featured some articles by different individuals, but were "largely the work of Bob Rickard, who typed them himself with some help from Steve Moore."[8]
Key News-peopleMoore and Paul Screeton (then editor of The Ley Hunter), both urged on the first few uncertain issues" and Moore frequently joined Rickard to "stuff envelopes and hand-write a few hundred addresses" to disseminate the early issues. Notable News contentOther early contributors included writer and researcher Nigel Watson (chairman of the Scunthorpe UFO Research Society), who wrote "Mysterious Moon" for The News #2. Watson later wrote a regular column of UFO commentary entitled Enigma Variations (from #29), and articles on the subject of Ley lines for #3, and Mary Caine, who revised an earlier article (from Gandalf's Garden) on The Glastonbury Zodiac for issue #4, which also had the debut of the "Reviews" section, beginning with comments on a book by John Michell, the Sphere reprint of Charles Fort's New Lands and John Sladek 's The New Apocrypha.
Issues #2 and #3 noted, The News was published "with an arrangement with INFO", this was revised from #4 to it being "affiliated to the International Fortean Organization". From #5, Mark A. Hall produced a section entitled "Fortean USA", continuing on from his earlier, discontinued, newsletter From My Files; issue #5 also had William Porter's article on Llandrillo printed, after being delayed from #4 for space constraints. Janet Bord contributed "Some Fortean Ramblings" alongside William R. Corliss's "The Evolution of the Fortean Sourcebooks" for #7, and issue #8 was the first issue of volume 2, after Rickard decided to end volume 1 with #7 (not #6 as fully bimonthly titles do), since that issue was dated November '74, thereby attempting to keep each volume aligned with a year.[9]
Issue #8 (or, volume 2, issue #1) got the special "Christmas present" of headings by Hunt Emerson, after Rickard was introduced to Emerson by Carol and Nick Moore, as Hunt was working on Large Cow Comix. Described by Rickard as "as much a disciple of Mad (Bill Elder and Wally Wood)" as Rickard was of Charles Fort, the two got on well, with Emerson producing not only a series of headings, but also later strips and covers for issues to the present.[4] The death of INFO co-founder Ron Willis was announced in #9, which described itself as providing "bimonthly notes on Fortean phenomena", and an index to the first year's issues (#1–7) became available. Colin Bord penned "Amazing Menagerie" for issue #10, while Paul Devereux and Andrew York compiled an exhaustive study of Leicestershire in "Portrait of a Fault Area", serialised in #11–12. Issue #11 featured Rickard and Emerson's first "Fortean Funnies" cartoon, while #12 had a price rise to 50p/$1.25, a logo change (from Selfridges' herald-on-horseback to the more descriptive Fort's face-encircled) and a tweaking of its tagline to "bimonthly news & notes on Fortean phenomena." Issue #14 first mentioned Rickard and Michell's then-in-production book Phenomena!, which would be more actively trailed from #18. Issue #15 — now with 28 pages — announced that Rickard had decided to bow to popular opinion and retitle his miscellany with a more descriptive title. Thus, with a subtitle of "Portents & Prodigies", Fortean Times was born.[10]
Fortean Times (since 1976)After 15 issues of The News, issue #16 (1976) had the magazine renamed Fortean Times, which "new title emerged from correspondence between Bob Rickard and Paul Willis" — the two having talked of creating a Fortean version of Issue #18 received a new semiregular feature entitled "Forteana Corrigenda", aimed at correcting "errors in the literature" that had crept into various Fortean works through misquotation or other difficulties. After 18 more-or-less solo-produced issues, long-term supporter and helper Steve Moore was credited as assistant editor for issues #19–21, becoming co-contributing editor (with Phil Ledger, Stan Nichols, and Paul J. Willis) on issues #22–26 and associate editor from issue #27. He was joined by contributing editor David Fideler, and subsequently (also as co-associate editor) by Gang of Four.[citation needed ]
Issue #21 had the debut of FT semiregular column "Strange Deaths" (later descriptively subtitled "Unusual ways of shuffling off this mortal coil"), while issue #22 updated FT's to include ( Paul Sieveking and FT's format changeIn 1978, mutual friend Ion Will introduced Rickard to Paul Sieveking, who recalls, "the Forteans used to meet every Tuesday afternoon above the science-fiction bookshop Dark They Were And Golden-Eyed in Soho to open post and interact. (Indeed, this was the semiofficial address of FT until that shop closed. With #35, Summer '81, the address was changed.) Sieveking joined the FT team with #28 as co-associate editor, and writes, highlighting the intrinsic early difficulties in printing FT that that issue "was printed by an Israeli entrepreneur in northern Greece and shipped to London."[15] That issue (#28), bearing a cover blurb of "Strange Phenomena", featured an early advertisement for the bookshop Dark They Were And Golden-Eyed, drawn by Bryan Talbot, while the editorial promised that the next issue would not only see the availability of Index 1976, but also be in a "larger and more professional format, typeset throughout, [with] better graphics, layout, and legibility."[16] Indeed, #29, under a cover by Hunt Emerson, Issue #30 announced that while "over the last couple of issues [the] subscriber list... nearly doubled," so too had the "printing, production, and postage bill," necessitating a price rise to 95p/$2.50 — albeit softened by another length increase, to 68 pages. Now published not merely by Rickard, but by Fortean Times Ltd, it was typeset by Warpsmith Graphics and printed by Bija Press. The cover was painted by Una Woodruff (whose Inventorum Natura was reviewed within) to illustrate Fish Fall of 1859", while Hunt Emerson produced the first cartoon strip under the title "Phenomenomix".[citation needed ]
Sieveking took over full editorial duties from Rickard with #43, helming the subsequent four quarterly issues (to #46) to give Rickard a chance to "revitalize",[20] which he did, returning with #46 to the position of co-editor. Moore, Dash, and Ian Simmons (and others) variously edited the magazine for the next 18+ years, and although main editorship passed from Rickard and Sieveking to David Sutton in 2002, they both continued to contribute. Sieveking semiretired at the end of 2019, handing most of the "Strange Days" news editor role to Christopher Josiffe. Sieveking continues to write the archaeology column, compile the "Extra, Extra" section, and edit the letters pages, also acting as the main quality-control proof-reader (as well as producing an occasional feature). Sieveking's wife Val Stevenson was book-review editor for several years, eventually passing this role on to David V. Barrett in 2019.[citation needed] During the 40+ years of its publication, Fortean Times has changed both format and publishers on a few occasions. Early issues (particularly of The News) were produced in black and white (for ease of photocopying), and the whole was largely produced by typewriter until #29. Colour, professional printing, and wider distribution followed, and a 6.5- x 4.5-in size held sway for several years before the magazine settled into its "normal" A4 (magazine) size in the 1980s, after which glossy covers followed. Several changes of logo and font have occurred throughout its life.[citation needed] General contentThe identification of correct original sources by contributors is a defining feature of the magazine, as it was for Charles Fort himself. However, the "objective reality" of these reports is not as important. The magazine "maintains a position of benevolent scepticism towards both the orthodox and the unorthodox" and "toes no party line". The range of subject matter is extremely broad, including:
Fortean Times also frequently covers the Ig Nobel Prizes, as well as unusual aspects of mainstream science and research. Current contentThe magazine's current regular contents include:
Praise and criticismMost of the articles in Fortean Times are written in the style of hoax the moon landing photos?". The article outraged many readers and led to the magazine's most vigorous postbag up to that time.[citation needed] In August 2000, the magazine's cover headline was "UFO? The shocking truth about the first flying saucers". The article in question, by James Easton, proposed a mundane explanation for Kenneth Arnold's sighting — American white pelicans. This suggestion so outraged ufologists that many of them still use the term "pelican" or "pelicanist" as a pejorative term for a debunker.[21]
Most Fortean researchers contribute articles, criticism, or letters to the magazine. It has also attracted more widespread coverage and praise. Fortean Times #69 claims, "extracts from FT have featured in at least three publications used for teaching English as a foreign language." Lynn Barber of UnConventionThe magazine has organised an "UnConvention" (or UnCon), most years since 1994 (the "missing" years being 2001, 2005, and 2009), at various venues in London (the Commonwealth Institute, and in recent years, Friends House). Many "hot topics" of the day have been discussed, such as the Ray Santilli "alien autopsy" film at the 1996 UnCon, and the death of Diana, Princess of Wales at the 1998 event, which also saw Lynn Picknett and Clive Prince discussing Templar conspiracies and hidden symbolism in the paintings of Leonardo da Vinci, years before these were turned into mass-media subjects by The Da Vinci Code. Besides the formal lecture programme, UnCon normally features exhibits by organizations such as the Association for the Scientific Study of Anomalous Phenomena and the Centre for Fortean Zoology. The event often ends with a panel discussion, as was the case in 2002, when the subject was "Is Ufology Dead?". This was widely reported in the British media as an "official" statement by Fortean Times that "Ufology is Dead".[24]
Related projectsFortean Studies, the magazine's more academic sister publication published yearly volumes in the late 1990s. The seventh and last issue was published in 2001. Its website tracks Fortean news stories and holds a small archive of articles and photographs. For many years, it also supported a busy GDPR legislation in 2018, this forum was moved to the website of the Charles Fort Institute.
The magazine has also occasionally published both academic and lighthearted books on various aspects of Forteana. Collections and spin-off booksMany of the earliest issues of FT were collected in book format in the early 1990s. In recent years, the print volumes have been overtaken by digital files, available on CD. In addition, several smaller collections have been compiled on various themes and sold, or given away as 'free gifts' with the magazine. A more academic journal, Fortean Studies, has also been printed and is an ongoing venture. In the late 1990s Polygram Spoken Word released an audio version of several Fortean stories, written and produced by Steve Deakin-Davies and featured Brian Cant and Joanna Bowen amongst its actors, this project was licensed from John Brown Publishing.( (c) 1997 Polygram Record operations ltd, Speaking Volumes no: 5361444) Fortean TomesStarting in the very early 1990s, Fortean Times produced a number of facsimile editions collecting the earliest issues of the magazine, in their entirety, including advertisements. These collections, prepared and edited for print by Paul Sieveking (including hand corrections to early typographic errors) are now out-of-print. Although demand was such to warrant reprints of several volumes, after collecting up to #77 FT decided that the previous volumes had not sold well enough to continue completely up to date. (Concern over the likely cost of reprinting issues in the new full colour format led to a publishing decision to stockpile 500 unbound run-on copies of each number to provide the basis of future reprint editions, and this project resulted in one further collection — Snakes Alive!, collecting #93–97 — but the in-between issues #78–92 have not yet been collected in trade format.) (The early collections, like the earliest magazines, were published in smaller, 6.5 x 4.5in format)
(The later collections were of a larger — A4 — size)
CDsAround 2005, FT began to release a series of digital archives. Beginning with more recent issues (presumably for reasons of ease — more recent issues would be more readily available as digital files), they have also begun to re-release the earliest issues — apparently the digital archive CD format has taken over from print collections.
Fortean StudiesA sister publication, Fortean Studies, began in the mid-1990s and was edited by Steve Moore. In the words of frequent contributor Neil Nixon, it "compiled serious research and opinion on a range of paranormal and conspiracy-related issues", and was a more academic counterpart to FT.
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