Georges Clairin

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Georges Clairin
École des beaux-arts de Paris
MovementOrientalist

Georges Jules Victor Clairin (11 September 1843, Paris – Pouldu, Clohars-Carnoët 2 September 1919) was a French Orientalist painter and illustrator. He was influenced by Eastern imagery Moorish architecture, and visited North Africa many times, in particular Algeria, Morocco and Egypt. In Paris he led the life of a socialite, and befriended the glamorous actress Sarah Bernhardt, his friend for 50 years, and is today best known for his 'in costume' and informal intimate portraits of her.[1]

Life

Georges Clairin

Clairin was apprenticed in the workshops of

École des beaux-arts de Paris,[1] and in 1866 first displayed his work. He travelled to Spain with Henri Regnault and to Italy with François Flameng and Jean-Léon Gérôme. He met the Catalan painter Marià Fortuny in Morocco and they visited Tétouan together.[2] In 1895, he travelled to Egypt with the composer Camille Saint-Saëns
.

He is best known for his portraits of

Opéra Garnier
(1874) and the Le Trident, the theatre of Cherbourg.

He was the uncle of the painter Pierre-Eugène Clairin [fr].

Portrait de Sarah Bernhardt (1876), Musée du Petit Palais

Portrait of Sarah Bernhardt, 1876

Clairin's 1876 portrait of Sarah Bernhardt drew praise. Théodore Véron said of it:

The portrait of Mademoiselle Sarah Bernhardt is assuredly one of the most prominent of the Salon, as much for the originality of its composition as for the splendour of its colour.[3][4]

Monsieur Clarin shows us her wrapped in a long robe of white satin with a trailing train, she is resting on a luxurious divan of pink satin and leaning on a cushion of the same material draped in gold; to her right and in the depths of this Oriental apartment is a Venetian mirror surrounded by purple velvet curtains; to her left a tropical plant lowers its green leaves over the meditating actress and sculptress; at here feet a yellow hound of a large breed rests on its long legs and stretches out its proud and aristocratic head.[4][5]

Cabanel would paint."[6]

Works

  • A galant couple from c. 1919
    A galant couple from c. 1919
  • An Ouled Nail Tribal Dancer, 1895
    An Ouled Nail Tribal Dancer, 1895
  • On the Balcony, c. 1910
    On the Balcony, c. 1910
  • La Fête fleurie
    La Fête fleurie
  • Actress in the role of Ophelia
    Actress in the role of Ophelia
  • At the Opera, c. 1900
    At the Opera, c. 1900
  • Spanish Women on Balcony
    Spanish Women on Balcony
  • Sarah Bernhardt
    Sarah Bernhardt
  • Walk in the Woods, c. 1900
    Walk in the Woods, c. 1900
  • Frou Frou, 1882
    Frou Frou, 1882
  • À l'opéra, or At the Opera, c 1900
    À l'opéra, or At the Opera, c 1900
  • A lake with Naiads, c 1900
    A lake with Naiads, c 1900
  • The distant Princess, c 1900
    The distant Princess, c 1900
  • Young woman in the morning, 1909
    Young woman in the morning, 1909


Notes and references

  1. ^ a b "Georges-Jules-Victor Clairin". M.S. Rau Antiques, New Orleans. Retrieved 7 June 2014
  2. , p. 232.
  3. ^ Le portrait de Mme Sara Bernhardt est assurément une des œuvres les plus saillantes du Salon, tant par l'originalité de la composition que par la splendeur du coloris
  4. ^ a b Théodore Véron (1876). Le salon de 1876 : mémorial de l'art et des artistes de mon temps. Poitiers.{{cite book}}: CS1 maint: location missing publisher (link)
  5. ^ M. Clairin nous la représente enveloppée dans un long peignoir de satin blanc à queue traînante, elle est étendue sur un riche divan de satin rosé, et accoudée sur un coussin de même étoffe chamarrée d'or; à sa droite et dans le fond de cet appartement tout oriental, est une glace de Venise entourée de rideaux de velours violet; à sa gauche une plante tropicale abaisse ses larges feuilles vertes sur l'actrice et sculpteur en méditation; à ses pieds, un lévrier jaune de grande race repose sur ses longues pattes et allonge sa tête fière et aristocratique
  6. ^ Mlle Sarah Bernhard n'est pas jolie, mais elle a des traits fins et intelligents dont Clairin n'a su faire qu'un minois régulier et vulgairement sensuel tel que le peindrait un Cabanel "( Salon de 1876)

Bibliography

  • Christine Peltre, Dictionnaire culturel de l'orientalisme,

See also

External links