Gilles Joye

Source: Wikipedia, the free encyclopedia.

Portrait of Gilles Joye by Hans Memling, c. 1472

Gilles Joye (1424 or 1425 – 31 December 1483) was a

Burgundian school
, he was known mainly for his secular songs which were in a lyrical and graceful style.

Life

He may have come from

Cleves in 1453 and at St. Donatian in 1459.[1]

Between 1454 and 1459 no record of his activities survives in the Low Countries; based on his composition of an Italian ballata on a poem by a contemporary Florentine, it has been suggested that he spent some time in Italy, as did so many other Franco-Flemish composers of his and succeeding generations. By 1459 he was back at St. Donatian in Bruges.[1]

In 1462 he was hired as a singer by the Burgundian court chapel, a position he retained officially until 1471, although he had ceased to perform his duties in 1468. Between 1465 and 1473 he was also a rector at Delft. After 1471 he most likely returned to St. Donatian. He died in Bruges, and was buried in the church of St. Donatian.[1]

A portrait of Joye has survived, possibly painted by

Sterling and Francine Clark Art Institute in Williamstown, Massachusetts
.

Music

All of Joye's surviving music is vocal and secular, and for three voices only. Four of his works are

O rosa bella have been attributed to Joye for stylistic reasons; in addition, the similarity of O rosa bella to the name of his favorite prostitute, along with the general irreverent character evident in his life and other work, may support this hypothesis.[1]

Joye is one of the composers mentioned in Guillaume Crétin's famous poem Déploration sur le trépas de Jean Ockeghem written on the death of Johannes Ockeghem in 1497; in it he is one of the angels welcoming Ockeghem into Heaven. The composers mentioned by Crétin have long been used as a list of those considered most famous in the late 15th century, thus indicating Joye's reputation, in spite of the small number of his works which have survived.[2]

Works

  1. Ce qu'on fait a catimini (3 voices, rondeau, in French)
  2. Mercy mon dueil je ne supplied (3 voices, rondeau, in French)
  3. Non pas que je veuille penser (3 voices, rondeau, in French)
  4. Textless rondeau, also for three voices
  5. Poy ché crudel Fortuna et rio Distino (3 voices, ballata, in Italian)

Notes

  1. ^ a b c d e f Fallows, Grove online
  2. ^ Reese, p. 115

References

  • Fallows, David. L. Macy (ed.). Gilles Joye. Grove Music Online. Retrieved 29 October 2010. (subscription required)
  • "Gilles Joye," The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ltd., 1980.
  • ISBN 0-393-09530-4 (Note: Reese makes the claim that Joye was also a theologian and poet; this derives from the biographical compilation by J. F. Foppens
    in 1731, Compendium chronologicum episcoporum brugensium (Bruges, 1731), but a more recent study by F. Van Molle (1960) refutes this, showing that Foppens confused Joye with someone else.)