Hugo de Lantins
Hugo de Lantins (
Franco-Flemish composer of the late Medieval era and early Renaissance. He was active in Italy, especially Venice, and wrote both sacred and secular music; he may have been a relative of Arnold de Lantins
, another composer active at the same time in the same area.
Little is known about his life, except that he was probably in
Dufay, since both composers wrote music for some of the same events, and Dufay mentioned him in the text to one of the compositions he wrote during his stay in Rimini
with the Malatesta family (1420–1424).
Hugo's music is more forward looking than that of Arnold, making use of imitation, which was to become the prevailing musical device for the next hundred years and more; indeed, imitation is more prevalent in the music of Lantins than in the music of any other composer of the early 15th century. Most of Hugo's music is for three voices, though occasionally he added a fourth.
Several sections of
family).Media
References and further reading
- Pièces polyphoniques profanes de provenance liégeoise (XVe siècle), ed. C. van den Borren. Bruxelles, 1950 (edn. of all secular compositions)
- Schoop, Hans (1980). "Lantins, de: (5) Hugo de Lantins". In Sadie, Stanley (ed.). The New Grove Dictionary of Music and Musicians. Vol. x (1st ed.). London: Macmillan. pp. 457–458.
- Allsen, J. Michael. L. Macy (ed.). Lantins, de: (5) Hugo de Lantins. Grove Music Online. Retrieved 29 October 2010. (subscription required)
- ISBN 0-393-09530-4
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