Guidobaldo II della Rovere
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Guidobaldo II | |
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Eleonora Gonzaga |

Guidobaldo II della Rovere (2 April 1514 – 28 September 1574) was an Italian condottiero, who succeeded his father Francesco Maria I della Rovere as Duke of Urbino from 1538 until his death in 1574. He was a member of the House of La Rovere. Guidobaldo was an important patron of the arts in general, and of Titian in particular, commissioning his own portrait, and buying Titian's Venus of Urbino.
Early life
Guidobaldo was the son of
Guidobaldo and Giulia had a child, Virginia Varana della Rovere, who married Frederico Borromeo.[4]
Career

In 1546, he received a condotta as military leader (Governatore) by the Republic of Venice, for which his father had been a valiant commander during the Italian Wars. He employed the artist and armourer Bartolomeo Campi, who made him a suit of armour.[5]
After the death of his first wife, Giulia, in 1548 he married
In 1559, he was hired by the
On 1 January 1573, a revolt rose against Guidobaldo in Urbino, due to the excessive tax burden that he was exerting over his state. He reacted by bloodily suppressing the riot.
Personal life
Guidobaldo and Vittoria had:
- Francesco Maria II, who succeeded him as Duke of Urbino, married Lucrezia d'Este[4]
- Isabella, wife of Niccolò Bernardino Sanseverino, 6° Prince of Bisignano.
- Lavinia, married Alfonso Félix de Ávalos Aquino y Gonzaga, Marquis del Vasto.
After falling ill during a voyage to Ferrara and Pesaro, he died in the latter town in 1574.
Ancestry
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References
- ^ Reiss 2013, p. 177.
- ^ a b Robin 2007, p. 277.
- ^ Brigden 2013, p. 227.
- ^ a b c Ammannati 2006, p. 344.
- ^ Armour of Guiobaldo della Rovere, by Bartolomeo Campi, 1546, Real Armería, Madrid
- ^ Setton 1984, p. 601.
Sources
- Ammannati, Laura Battiferra degli (2006). Laura Battiferra and Her Literary Circle: An Anthology: A Bilingual Edition. Translated by Kirkham, Victoria. University of Chicago Press.
- Brigden, Susan (2013). "Henry VIII and the Crusade against England". In Betteridge, Thomas; Lipscomb, Suzannah (eds.). Henry VIII and the Court: Art, Politics and Performance. Ashgate.
- Reiss, Sheryl E. (2013). "A Taxonomy of Art Patronage in Renaissance Italy". In Bohn, Babette; Saslow, James M. (eds.). A Companion to Renaissance and Baroque Art. Wiley-Blackwell.
- Robin, Diana (2007). Publishing Women: Salons, the Presses, and the Counter-Reformation in Sixteenth-Century Italy. The University of Chicago Press.
- Setton, Kenneth Meyer, ed. (1984). The Papacy and the Levant, 1204-1571. Vol. IV: The Sixteenth Century. American Philosophical Society.601