Gwyneth Jones (soprano)

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Dame
Gwyneth Jones
DBE
Gwyneth Jones in Paris, 2002
Born (1936-11-07) 7 November 1936 (age 87)
Pontnewynydd, Monmouthshire
, Wales, UK
Education
OccupationDramatic soprano

Dame Gwyneth Jones

DBE (born 7 November 1936) is a Welsh dramatic soprano
, widely regarded as one of the greatest Wagnerian sopranos in the second half of the 20th century.

Early life and career

Jones was born in Pontnewynydd, Monmouthshire, Wales. Before becoming a professional singer, she worked as a secretary at the Pontypool foundry. She studied music at the Royal College of Music, London, the Accademia Musicale Chigiana (Siena) as well as the International Opera Studio (Zürich).

After making her professional debut in 1962 as a

Zurich Opera House. She discovered that her easy top range could enable her to sing soprano roles and she switched to the soprano repertoire from around 1964, her first major soprano role being Amelia in Verdi's Un ballo in maschera.[1]

Jones came to prominence in 1964 when she stood in for

Aïda, Leonore (in Fidelio), Desdemona (in Otello), Elisabeth (in Don Carlos), Donna Anna (in Don Giovanni), Cio-cio-san (in Madama Butterfly), Lady Macbeth (in Verdi's Macbeth), Santuzza (in Cavalleria rusticana), Octavian (in Der Rosenkavalier), Médée (in the Italian version) and Tosca.[2]

From these, she gradually proceeded to heavier roles such as Chrysothemis (in Elektra), Salome, the Marschallin (in Der Rosenkavalier), Eva (in Die Meistersinger von Nürnberg), Senta (in Der fliegende Holländer), Kundry (in Parsifal), both Venus and Elisabeth (in Tannhäuser), Helena (in Strauss's Die ägyptische Helena), Ariadne (in Ariadne auf Naxos) and Sieglinde, as well as Brünnhilde (in Die Walküre). She has appeared frequently at the Vienna State Opera, the Zurich Opera, the Royal Opera House, Covent Garden, the Bayerische Staatsoper, the San Francisco Opera, the Deutsche Oper Berlin, the Paris Opéra, the Teatro alla Scala, the Los Angeles Opera, the Metropolitan Opera, the Gran Teatre del Liceu, the Grand Théâtre de Genève, the Lyric Opera of Chicago, as well as many prominent opera and music festivals.

She made her debut at Teatro alla Scala as Leonora in

Il Trovatore on 4 April 1967. She returned to La Scala as the title role of Salome in January 1974. On 24 November 1972, she made her debut at the Metropolitan Opera House of New York as Sieglinde in Die Walküre. Until her last appearance at the Met on 22 April 1995 (as Kundry in Parsifal), she sang 11 parts in 10 operas for 93 times at the Met; the most frequent part was the Marschallin in Der Rosenkavalier
(20 times). In August 1979, she made her debut at Salzburg Summer Festival as the Marschallin.

Later career

Gwyneth Jones at the Bayreuth Festival as Brünnhilde in the Jahrhundertring, first shown in 1976 and filmed in 1980

Jones's large-scaled, powerful dramatic soprano voice, unusually robust vocal stamina, stage presence and acting abilities were widely admired.

One of her most noted achievements was her interpretation of Brünnhilde in the

Grammy
in 1983.

Her career at Bayreuth Festival is as below:[3]

  • 1966: Sieglinde in Die Walküre
  • 1968: Eva in Die Meistersinger von Nürnberg
  • 1969: Senta in Der fliegende Holländer, Kundry in Parsifal
  • 1970: Sieglinde in Die Walküre, Senta in Der fliegende Holländer, Kundry in Parsifal
  • 1971: Sieglinde in Die Walküre, Senta in Der fliegende Holländer
  • 1972: Elisabeth and Venus in Tannhäuser, Sieglinde in Die Walküre
  • 1973: Elisabeth and Venus in Tannhäuser, Sieglinde in Die Walküre
  • 1974: Elisabeth and Venus in Tannhäuser, Brünnhilde in Götterdämmerung
  • 1975: Brünnhilde in Der Ring des Nibelungen cycle
  • 1976: Brünnhilde in Der Ring des Nibelungen cycle (Jahrhundertring)
  • 1977: Brünnhilde in Der Ring des Nibelungen cycle, Elisabeth and Venus in Tannhäuser
  • 1978: Brünnhilde in Der Ring des Nibelungen cycle
  • 1979: Brünnhilde in Der Ring des Nibelungen cycle
  • 1980: Brünnhilde in Der Ring des Nibelungen cycle
  • 1982: Senta in Der fliegende Holländer

Later in her career (from 1980 onwards), she undertook the title role of

Jean Pierre Ponnelle, conducted by John Pritchard, with Walter Berry as the Dyer, Róbert Ilosfalvy as the Emperor, Siv Wennberg as the Empress, and Helga Dernesch as the Amme.[4]

Jones made roles that exemplify the Wagnerian or heavy dramatic soprano fach, such as Brünnhilde, Isolde, Elektra, the Dyer's Wife and Turandot, part of her core repertoire, and performed them throughout the 1980s and 1990s. She once famously undertook the roles of both Elisabeth and Venus in Götz Friedrich's production of Tannhäuser at the Bayreuth Festival in the 1970s, and has also been credited with the rare achievement of having performed all three major female roles in Elektra on stage.

She also performed in concerts and

Wagner, in which she played the first Isolde, Malvina Schnorr von Carolsfeld. She has also devised for herself a couple of music-theatrical shows – Oh Malvina![5] and Die Frau im Schatten – which are inspired by real historical characters, namely, Malvina Schnorr von Carolsfeld and Pauline de Ahna (wife of Richard Strauss). The soprano part in the Symphony No. 9, titled "Vision of Eternity", of Welsh composer Alun Hoddinott
was written for, and premiered by, her.

Later activities

In 2003, Jones made her debut as director and costume designer in a stage production of Der fliegende Holländer in Weimar, Germany. She has also given master-classes for young singers at notable venues and colleges of music, and acted as an adjudicator in international vocal competitions, including the 2009 BBC Cardiff Singer of the World competition and, more recently, the 2017 season of the reality operatic singing competition on the Russia-Kultura TV Channel, "The Big Opera" (the whole series of competition now being available for viewing on YouTube).

In June 2007, she created the role of the Queen of Hearts in the world premiere of Unsuk Chin's new opera, Alice in Wonderland, at the Bavarian State Opera. In February 2008 she returned to the Mezzo-soprano repertoire singing the role of Herodias in Stephen Langridge's production of Richard Strauss' Salome at Malmö Opera in Sweden. She repeated this role in August 2010, alongside the Salome of Deborah Voigt, in a concert performance at the Verbier Festival in Verbier, Switzerland, and performed the part on stage at the Vienna State Opera in May 2012. She took part in a piece of musical theatre about the women of the Wagner clan and their influences on the Bayreuth Festival entitled Wagnerin. Ein Haus der Kunstmusik, directed by Sven Holm at the 2012 Munich Opera Festival, playing Cosima Wagner.

In March 2016, she made her debut as the Countess in Tchaikovsky's The Queen of Spades in a new production of the opera at the Staatstheater Braunschweig, Germany. In April 2017, she took on the speaking part of the Narrator in Richard Strauss' Enoch Arden in a concert in Landsberg.

Jones makes a guest appearance in Quartet, a film by Dustin Hoffman, based on the comedy by Ronald Harwood about several retired opera singers planning to put on a concert to celebrate Verdi's birthday. She takes on the role of Anne Langley, a former operatic rival to Jean Horton, played by Dame Maggie Smith. The film was premiered to largely favourable reviews on 9 September at the 2012 Toronto International Film Festival, and Jones's performance was critically acclaimed.

She was made

Verdienstkreuz 1. Klasse of the Federal Republic of Germany, the Golden Medal of Honour in Vienna, the Austrian Cross of Honour First Class, the Shakespeare Prize
and the Puccini Award.

She is a Kammersängerin at both the

L'Ordre des Arts et des Lettres in France. She has been conferred honorary doctorates by the University of Wales and the University of Glamorgan. She has been the President of the Wagner Society
of Great Britain since 1990.

Recordings

Complete opera recordings (commercially released):

References

  1. ^ Duffie, Bruce. "Dame Gwyneth Jones: A Conversation". bruceduffie.com. Retrieved 5 May 2019.
  2. ^ Korniej, Andrew. "Dame Gwyneth Jones is…". parterre.com. Retrieved 24 June 2019.
  3. ^ "Aufführungsdatenbank". Bayreuther Festspiele (in German). 16 January 2020. Retrieved 27 June 2021.
  4. ^ Die Frau ohne Schatten (in German). Cologne Opera. 16 March 1980.
  5. ^ Millington, Barry. Oh Malvina! Covent Garden Festival at Freemasons' Hall, London, 21 May. Opera, July 1995, Vol. 46 No.7, p863-4.
  6. ^ "Review | SIBELIUS. Luonnotar, Op. 70*. En Saga— Tone Poem, Op. 9. Night Ride and Sunrise—Symphonic Poem, Op. 55. Oceanides—Tone Poem, Op. 73. Lon- don Symphony Orchestra conducted by Antal Dorati with *Gwyneth Jones (soprano). HMV ASD2486 (43s. 9d.). | Page 50 - January 1970 - Gramophone Archive". 23 October 2009. Archived from the original on 23 October 2009. Retrieved 20 September 2023.{{cite web}}: CS1 maint: unfit URL (link)

Further reading

  • Liese, Kirsten, Wagnerian Heroines. A Century Of Great Isoldes and Brünnhildes, English translation: Charles Scribner, Edition Karo, Berlin, 2013.
    OCLC 844683799

External links

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