Herman Grimm

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Herman Grimm
Born(1828-01-06)6 January 1828
Died16 June 1901(1901-06-16) (aged 73)
Spouse
Jakob Grimm
(uncle)
Ludwig Emil Grimm (uncle)

Herman Grimm (6 January 1828 in Kassel – 16 June 1901 in Berlin) was a German academic and writer.

Family and education

Grimm's father was

Berlin and Bonn
.

Career

In 1857 he visited

Meyer Madonna" debate concluding against the sound reasoning of the "Holbein convention" of eminent scholars, that the Dresden
version was the autograph one.

He accepted the chair in the newly created discipline of history of art (Lehrstuhl für Kunstgeschichte) in Berlin in 1872 and remained there the rest of his life. Grimm published the first (though incomplete) edition of his Das Leben Raphaels in 1872. Grimm's art history writing is characteristic of the period consolidation of standards following the unification of

Goethe's aesthetic taste of some fifty years before, Grimm, the spokesman for the Gründerzeit, took it personally, refuting Waagen effectively point by point. Grimm's Beiträge zur deutschen Culturgeschichte, essays about important cultural personalities, appeared in 1897. Throughout his life his biographies passed through numerous editions. At his death he was succeeded by Heinrich Wölfflin. His students included Alfred Lichtwark; Julius Meier-Graefe
studied under him but did not receive a degree.

Reputation

Grimm's reputation is that of the arch-Romantic, Gründerzeit art historian. He viewed himself as the intellectual successor of Goethe. His approach to art history was through the "Great Masters", and arranging significance of art through a biographical account of art history. His tastes both typified and led German and continental bourgeois taste.

Nazis
, who saw to it that new and repackaged versions of his writings, such as Vom Geist der Deutschen (1943), appeared up until the war's end.

Sources

  • Bazin, Germain. Histoire de l'histoire de l'art: de Vasari à nos jours. Paris: Albin Michel, 1986, pp. 158, 530–531
  • Dilly, Heinrich. Kunstgeschichte als Institution: Studien zur Geschichte einer Diziplin. Frankfurt am Main: Suhrkamp, 1979, p. 41 mentioned
  • Kultermann, Udo. The History of Art History. New York: Abaris, 1993, pp. 126–27, 147
  • Metzler Kunsthistoriker Lexikon: zweihundert Porträts deutschsprachiger Autoren aus vier Jahrhunderten. Stuttgart: Metzler, 1999, pp. 130–133
  • Schlink, Wilhelm. "Herman Grimm (1828–1901): Epigone und Vorläufer." In Osinski, Jutta and Saure, Felix, eds. Aspekte der Romantik: zur Verleihung des „Brüder Grimm-Preises“ der Philipps-Universität Marburg im Dezember 1999. Kassel: Brüder-Grimm-Gesellschaft, 2001 pp. 73–93.
  • Schuchhardt, Wolfgang, ed. Vom Geist der Deutschen, Gedanken von Herman Grimm: ein Brevier. Berlin: F. A. Herbig, 1943
  • Wölfflin, Heinrich. Heinrich Wölfflin, 1864–1945: Autobiographie, Tagebücher und Briefe. Joseph Ganter, ed. 2nd ed. Basel: Schwabe & Co., 1984, p. 492

Bibliography

  • Die Cartons von Peter von Cornelius in den Sälen der Königl. Akademie der Künste zu Berlin. Berlin: Hertz, 1859
  • Leben Michelangelo's. 2 vols. Hanover: Carl Rümpler, 1860–1863 [and Berlin: Gustav Schade], English, Life of Michael Angelo. Boston: Little, Brown, 1865
  • "Ist die moderne Kunstgeschichte eine auf solider Grundlage ruhende Wissenschaft? Gründe warum nicht. Notwendigkeit einer änderung." In Über Künstler und Kunstwerke 1 (1864): 4–8
  • Die Venus von Milo. Rafael und Michel Angelo: Zwei Essays von Herman Grimm. Boston: De Vries, Ibarra & Co., 1864, partially translated into English, The Venus de Milo. Boston: J. J. Hawes, 1868, collected and republished as, Zehn ausgewählte Essays zur Einführung in das Studium der Neuern Kunst. Berlin: Dümmler, 1871
  • Über Künstler und Kunstwerke. 2 vols. Berlin: F. Dümmler's Verlagsbuchhandlung, 1865–1867
  • Albrecht Dürer. Berlin: C. G. Lüderitz, 1866
  • [Meyer Madonna opinion] "Die Holbein'sche Madonna." Preussische Jahrbücher 28 (1871): 418–31
  • Das Leben Raphaels von Urbino: italienischer Text von Vasari übersetzt und Commentar. Berlin: F. Dümmler, 1872, [first complete edition, 2nd, 1886, 3rd ed., 1896 contains the chapter on Rezeptionsgeschichte of Raphael], English, The Life of Raphael. Boston: Cupples and Hurd, 1888
  • The Destruction of Rome: a Letter. Boston: Cupples, Upham, 1886
  • Beiträge zur deutschen Culturgeschichte. Berlin: W. Herts, 1897
  • Fragmente. Berlin: W. Spemann, 1900