Hierotopy
Hierotopy (from
According to the hierotopic approach,
The topics of hierotopic study cover a broad span of interests and range, for example, from the role played by light in church architecture [7] to the study of religious ceremonies, feasts[8] and folk customs.[9] The comparison of hierotopic models at work in different cultures is another focus of interest.[10][11]
Six international symposia (2004, 2006, 2009, 2011, 2014, 2017) have been organized on hierotopic subjects.
Spatial icons
The concept of the
Transfer of sacred spaces
The transfer of sacred spaces is an important form of hierotopic creativity. While an original sacred space often appears as the result of a
Image-paradigms
The perception of sacred spaces has been analyzed by Lidov in terms of image-paradigms.
References
- ^ A. Lidov. "Hierotopy. The creation of sacred spaces as a form of creativity and subject of cultural history" in Hierotopy. Creation of Sacred Spaces in Byzantium and Medieval Russia, ed. A.Lidov, Moscow: Progress-Tradition, 2006, pp. 32-58
- ^ A. Lidov. "The Creator of Sacred Space as a Phenomenon of Byzantine Culture" in L’artista a Bisanzio e nel mondo cristiano-orientale, ed. Michele Bacci, Pisa, 2003, pp.135-176
- ^ Sh. Tsuji. "Creating an Iconic Space. The Transformation of Narrative Landscape" in Spatial icons. Performativity in Byzantium and Medieval Russia, Moscow: Indrik, 2011, pp. 627-642
- ^ G. Zelenskaya. "New Jerusalem near Moscow. Aspects of the Conception and New Discoveries" in: New Jerusalems. Hierotopy and iconography of sacred spaces, Moscow: Indrik, 2009, pp. 745-773
- ^ E. Kirichenko. "The Church and the City: on the Symbolic and Structural Unity of the Russian Sacred Space" in Hierotopy. Comparative studies of sacred spaces, Moscow: Indrik, 2009, pp. 292-322
- ^ V. Petrukhin. "Hierotopy of the Russian Land and the Primary Chronicle" in Hierotopy. Creation of Sacred Spaces in Byzantium and Medieval Russia, Moscow, 2006, pp. 480-490
- ^ A. Godovanets. "The Icon of Light in the Architectural Space of Hagia Sophia" in Spatial icons. Performativity in Byzantium and Medieval Russia, ed. A. Lidov, Moscow: Indrik, 2011, pp. 119-142
- ^ L. Beliaev. "The Hierotopy of the Orthodox Feast: on the National Traditions in the Making of Sacred Spaces" in: Hierotopy. Comparative studies of sacred spaces, ed. A. Lidov, Moscow: Indrik, 2009, pp. 270-291
- ^ A. Moroz. "Sacred and Horrible Places. Creation of Sacred Spaces in Traditional Culture" in: Hierotopy. Comparative studies of sacred spaces, ed. A. Lidov, Moscow: Indrik, 2009, pp. 259-269
- ^ N. Isar. "Vision and Performance. A Hierotopic Approach to Contemporary Art", in Hierotopy. Comparative studies of sacred spaces, ed. A. Lidov, Moscow: Indrik, 2009, pp. 341-375
- ^ M. Chegodaev. "The Hierotopy of the Ancient Egyptian Sarcophagus" in Hierotopy. Comparative studies of sacred spaces, ed. A. Lidov, Moscow: Indrik, 2009, pp. 18-37
- ^ A. Lidov. "Hierotopy: Spatial icons and Image-Paradigms in Byzantine Culture", Moscow: Theoria, 2009, Ch. 2. Spatial Icons. The miraculous performance with the Hodegetria of Constantinople. pp. 39-70, 311-316
- ^ M. Flier. "The Image of the Tsar in the Muscovite Palm Sunday Ritual" in Spatial icons. Performativity in Byzantium and Medieval Russia, ed. A. Lidov, Moscow: Indrik, 2011, pp.533-562
- ^ A. Lidov. "The Byzantine World and Performative Spaces" in Spatial icons. Performativity in Byzantium and Medieval Russia, ed. A. Lidov, Moscow: Indrik, 2011, pp. 17-26.
- ^ A. Lidov. "New Jerusalems. Transferring of the Holy Land as Generative Matrix of Christian Culture" in New Jerusalems. Hierotopy and iconography of sacred spaces, ed. A. Lidov, Moscow: Indrik, 2009, pp. 8-10.
- ^ A. Lidov. "Image-paradigms as a category of visual culture. Hierotopic approach to the art history", Russian Journal of Art History(Iskusstvoznanie), 2011, No 3-4, pp.109-122
- ^ A. Lidov. "Image-Paradigms as a Notion of Mediterranean Visual Culture: a Hierotopic Approach to Art History" in Crossing Cultures. Papers of the International Congress of Art History. CIHA-2008, Melbourne, 2009, pp.177-183
- ^ A. Lidov. "Hierotopy: Spatial icons and Image-Paradigms in Byzantine Culture", Moscow: Theoria, 2009. Ch. 10, Image-Paradigms as a New Notion of Visual Culture, pp. 293-305, 335-337.
- ^ H. L. Kessler. "Seeing Medieval Art", Broadview Press, 2004, ch.5, Church, pp. 109-110
Further reading
- Hierotopy. Christian Sacred Spaces. Cambridge Dictionary of Christianity. Cambridge, 2010, pp. 512–515 (see bibliography in [1])
- Hierotopy: The Creation of sacred spaces in Byzantium and medieval Russia, ed. A. Lidov. Moscow: Indrik, 2006 [2]
- New Jerusalems: Hierotopy and iconography of sacred spaces, ed. A. Lidov. Moscow: Indrik, 2009,910 pp. [3]
- A. Lidov. Hierotopy: Spatial Icons and Image-Paradigms in Byzantine Culture, Moscow: Theoria, 2009, 352 pp.
- Bissera V. Pentcheva. The Sensual Icon. Space, Ritual, and the Senses in Byzantium, Pennstate Press, 2009. abstractsample chapter
- Holy Water in the Hierotopy and Iconography of the Christian World. Moscow: Theoria, 2017, 760 pp.
- Icons of space. Advances in hierotopy. London&NY, 2021, 422 pp. (ed. J. Bogdanovich)