Huon de Méry

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historiated initial
shows Huon at work on his story.

Huon de Méry (fl. 1200–1250) was the author of Li Tournoiemenz Anticrit (modern French: Le Tornoiement de l'Antechrist, "The Tournament of the Antichrist"), a 3,546-line Old French poem written in octosyllables.[1]

Life

Huon's life is a matter of conjecture based on references in his work. He seems to have been a

.

The Tournament of the Antichrist

Published around 1234–1240, Li Tournoiemenz Anticrit is a

pagan gods, and peasants fight for the Antichrist.[1]

Huon articulates a view of courtly love that distinguishes between love sanz vilanie ("without wrongdoing") and fornication: "Love is born of courtesy" (C'amours nest de courtoisie).[4] While Huon introduces courtly figures into the conventional battle of Vices and Virtues, love is not the poem's primary preoccupation.[5] During the battle, the narrator is wounded in the eye by Cupid's arrow and seeks refuge in a monastery.[1]

Li Tournoiemenz is contemporary with the Roman de la Rose, and contains allusions to the Yvain of Chrétien de Troyes and the Songe d'enfer of Raoul de Houdenc.[1] It enjoyed an "ample" manuscript tradition.[6] Huon self-consciously acknowledges literary precedent, and views the Arthurian world as bygone and thoroughly explored by his poetic masters.[7] At the same time, he asserts his own inventiveness with his distinctive conjointure of material.[8]

References

  1. ^ a b c d e f William W. Kibler, Medieval France: An Encyclopedia (Garland, 1995), p. 467.
  2. ^ Keith Busby, Codex and Context: Reading Old French Verse Narrative in Manuscript (Rodopi, 2002), p. 577.
  3. ^ Keith Busby, "Hunbaut and the Art of Medieval French Romance," in Conjunctures: Medieval Studies in Honor of Douglas Kelly (Rodopi, 1994), p. 49.
  4. ^ Douglas Kelly, Medieval Imagination: Rhetoric and the Poetry of Courtly Love (University of Wisconsin Press, 1978, 1981), p. 15.
  5. ^ Kelly, Medieval Imagination, p. 95.
  6. ^ Busby, Codex and Context, pp. 577–578, with a fairly detailed survey.
  7. ^ Beate Schmolke-Hasselmann, The Evolution of Arthurian Romance: The Verse Tradition from Chrétien to Froissart (Cambridge University Press, 1998), p. 35.
  8. ^ Douglas Kelly, The Conspiracy of Allusion: Description, Rewriting, and Authorship from Macrobius to Medieval Romance (Brill, 1999), pp. 218–220.

External links