Ich will den Kreuzweg gerne gehen

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Ich will den Kreuzweg gerne gehen
TWV 1:884
Occasion21st Sunday after Trinity
Writtenc. 1700
Textby Erdmann Neumeister
LanguageGerman
Composed1710s
Scoring
  • violin
  • continuo
  • TWV 1:884, for bass, violin and continuo for the 21st Sunday after Trinity. He used a text by Erdmann Neumeister
    .

    History

    Barfüßerkirche

    Telemann composed the cantata while he was church musician in

    Katharinenkirche, beginning in 1712. When he applied for the post he described his voice as not tenor, not bass. Many of his church cantatas are written for a high bass, possibly written for himself, including Ich will den Kreuzweg gerne gehen.[2]

    Weissenfels.[3][4] Although the entire cycle was set by several composers, only a few isolated cantatas with a text from the cycle survive. All of Krieger's settings are lost, and from Telemann, who likely also set the entire cycle, only seven cantatas on its librettos are extant. Other than that, the only surviving settings of the cycle's librettos are a few by Johann Kuhnau, and a single one by Emanuel Kegel.[3]

    The cantata text of Ich will den Kreuzweg gerne gehen, as used by Telemann, was printed in 1705.

    critical edition by Deutscher Verlag für Musik, Leipzig, now distributed by Breitkopf, edited by Walter Heinz Bernstein and Wolf Hobohm.[3][10]

    Music

    Telemann structured the composition in five movements, alternating arias and recitatives:[7]

    1. Aria "Ich will den Keuzweg gerne gehen"
    2. Recitative "Ach, wer die Frucht des Kreuzes nur bedachte"
    3. Aria "Ich küsse die Rute mit freudigem Mute"
    4. Recitative "Und zwar, was sag ich weiter"
    5. Aria "Ach, mein Heiland, würd ich doch morgen"

    In the first aria, the singer is ready to take part in the way of the

    Cross. The German Kreuzweg means specifically the Stations of the Cross, but more generally a path following Jesus. The recitative, "Ah, whoever reflected the fruit of the Cross", expands that being Christian is connected to bearing hardship. A line from the hymn "Was Gott tut, das ist wohlgetan
    " is quoted in text and melody.

    The central aria, in a major key, begins with an exalted acceptance of hardship and punishment, "I kiss the whip with joyful courage". It claims that the "myrrhs of the pains are sugar to the heart".[7] The second recitative expresses the hope that the "cross is my ladder to heaven".[7] The concluding aria turns to longing for death as a way to Heaven, "Ah, my Saviour, if only I would [be lifted to Heaven] tomorrow". The singer expects "yes" ("Ja") to the question if the hour of departure will be soon. For this final line, the music is lively, and the hoped-for "yes" is repeated several times, the last time after a rest, and in low register.[7]

    Performances and recordings

    Performance in a cantata service at the Dreikönigskirche, Frankfurt, by Johannes Hill and the Telemann Ensemble, on 21 March 2021 during the COVID-19 epidemic

    The cantata was first recorded in 2009[2] by bass Klaus Mertens with the ensemble Accademia Daniel conducted by Shalev Ad-El from the keyboard,[7] in a collection of five church cantatas by Telemann titled Passion Cantatas.[2][7][11] Peter Kooy was the soloist, with the ensemble L'Armonia Sonora, for a recording in 2017 as part of the album Telemann: Die stille Nacht of solo cantatas, arias and chamber music by Telemann.[12] The cantata was performed in a series of cantata services at the Dreikönigskirche, Frankfurt on 21 March 2021 during the COVID-19 epidemic, with Johannes Hill as the singer and the Telemann Ensemble Frankfurt.[13]

    References

    Sources

    External links