Immersion journalism
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Immersion journalism or immersionism is a style of journalism similar to gonzo journalism. In the style, journalists immerse themselves in a situation and with the people involved. The final product tends to focus on the experience, not the writer.
Overview
Like Gonzo, immersionism details an individual's experiences from a deeply personal perspective. An individual will choose a situation and immerse themselves in the events and people involved. Unlike Gonzo, however, it is less focused on the writer's life, and more about the writer's specific experiences. Proponents of immersion journalism claim this research strategy allows authors to describe the internal experience of external events and break away from the limiting pseudo-objectivity of traditional journalism.
Examples
Book-length examples of immersion journalism include
Film
Examples of immersionist film include the documentary Super Size Me and Heavy Metal in Baghdad and Fat, Sick and Nearly Dead.
Television and radio
Examples of immersionist programming include the various offerings of media company
Notable figures
Elizabeth Jane Cochrane
Elizabeth Jane Cochrane, known by her pseudonym Nellie Bly is seen as a "pioneer" of immersion journalism.[1] Cochrane made herself the center of the story when she was admitted to a mental asylum undercover to expose the abuse of female inmates at the Women's Lunatic Asylum on Blackwell's Island. The series, Ten Days in a Mad-House, was published in New York World in 1887. The legitimacy of her tactics as a form of credible journalism has been questioned, as she placed in Time's "Top 10 Literary Stunts"[2] which describes journalists who have "elevated the literary gimmick" of immersing themselves in atypical scenarios.
Jon Franklin
Jon Franklin earned a Pulitzer Prize for an article he wrote for the Evening Sun in 1979.[3] Franklin followed a woman through her brain surgery. Unexpectedly, the woman died, and he instead focused his piece on the surgeon, Dr. Ducker.[4] The article includes the details of the doctor's emotionally draining career and the suspense of Mrs. Kelly's operation.
Criticism
Immersion journalism has been criticized for being too subjective and partial to the journalist's opinion. By immersing oneself in the subject for extended periods of time, the credibility of the writer's neutrality weakens. A
Robin Hemley's book A Field Guide for Immersion Writing: Memoir, Journalism, and Travel describes David Shields' book Black Planet which observed white fans' "fascination" with black basketball players.[1] Shield "exaggerated and conflated a few things" but was not untruthful. Hemley says that he received scathing reviews, which was a hidden success, since it proved that Shields "hit a nerve."
Practicality also becomes a central issue opposing immersion journalism. A complete work of immersion journalism has flexible deadlines, which not all news sources can afford. The
See also
References
- ^ a b Hemley, R. (2012). A Field Guide for Immersion Writing: Memoir, Journalism, and Travel. Athens: University of Georgia Press.
- ^ Staff, TIME (12 April 2009). "Top 10 Literary Stunts". Time – via content.time.com.
- ^ Franklin, Jon (12 December 1978). "Terrifying journey through tunnels of the brain: Tales from the gray frontier". Evening Sun. PDF The article is also known as Mrs. Kelly's Monster.
- ^ a b c Weinberg, S. (1998). "Tell It Long Take Your Time Go In Depth". Columbia Journalism Review. Vol. 36, no. 5. pp. 56–61.
- ^ Kurtz, H. (Jan 15, 1992). "The beef over quayle". The Washington Post. ProQuest 140642080.
- ^ McKinley, J. (Aug 15, 2003). "The actor's life for me, fringewise". New York Times. ProQuest 92624159.