In This Skin
In This Skin | ||||
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Studio album by | ||||
Released | August 19, 2003 | |||
Recorded | 2002–2003 | |||
Genre | ||||
Length | 41:57 | |||
Label | Columbia | |||
Producer |
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Jessica Simpson chronology | ||||
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Alternative cover | ||||
Singles from In This Skin | ||||
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In This Skin is the third
The album spawned four singles, including two top 20 hits worldwide, "With You" and "Take My Breath Away," which peaked at number fourteen and twenty on the Billboard Hot 100 respectively. "Sweetest Sin" and "Angels," the lead and final single, both failed to make an impact on charts.[5] Simpson performed songs from In This Skin on a number of occasions. In middle 2004, she embarked on her second headlining tour, titled the Reality Tour, to promote the album.[6][7]
Background
After the release of her 2001 album Irresistible, Simpson stated she wanted to write songs for her third record. In an interview with MTV in October 2002, her then-husband, Nick Lachey, revealed that Simpson was in the studio, working on a new record. Lachey said, "She's finally writing her own music, which I've told her she could do forever but she's been shy about stepping out there and doing it. But she's an incredible writer, and she's doing stuff that's really from the heart." About the album's sound, he said, "It's a much more organic record and it's more true to herself ... There's all live instrumentation and it's very musical as opposed to the pop thing that was happening before for her. I think she finally feels like this is her record and her chance to do exactly what she wants."[8] In March 2003, Simpson revealed that her third album would be called In This Skin.[9]
Production and development
I was always shy about expressing my own point of view, but now, I think I have things figured out as a woman, and I want to give fans a piece of my heart and soul. Making this record was a great experience — not to mention wonderful therapy.[10]
—Simpson about making the record.
Simpson said in an interview with Billboard, "I wanted to make a romantic, organic album, there are songs that say something that I hope will move or inspire people." Billboard's Chuck Taylor compared the record to her first album, saying, "Simpson's soaring vocals give 'In This Skin' a smooth touch, as it sways between spirited midtempo melodies and her signature ballads."[10]
Originally, the album was planned to be primarily produced by American rapper Missy Elliott, while the sole featured appearance was to be made by Nick Lachey.[11] However, the pair's contributions never made the final cut of the album. About the recording process, Simpson said that A&R executive Teresa LaBarbera Whites "had the incredible idea of creating a songwriting camp. I would go from room to room with one songwriter after another... We would sit there for two or three hours—write an entire song—and then go in and record it in 90 minutes. It was so refreshing."[10] Much of the album was recorded in Nashville and Los Angeles, with the help of established writers and producers.[10]
"Sweetest Sin," the album's first single, was written by Diane Warren and is about losing one's virginity.[12] MTV described the song as a "sweet track."[13] In an interview with Billboard, Simpson said the song was "nothing negative, it's all about love."[10] About the second single, "With You," Simpson said, "It's cool for me just because it's my personality ... Nick loves me with nothing but a T-shirt on so that's where the song idea came from."[14]
Billboard cited "I Have Loved You" and "Underneath" as the most expressive tracks from the album, citing the latter as "a four-month period where Simpson and Lachey called it quits, then-in the wake of Sep. 11, 2001 ... realized the value of making a relationship work." The magazine described the title track as "a plucky pop anthem about self-acceptance." About the song, Simpson said, "I was 102 pounds and people at the record label were telling me that I needed to lose weight. The song is saying that I am worthy to feel beautiful in my skin. It's something that every woman experiences in one way or another."[10]
The album was subsequently reissued with three new recordings: an acoustic version of "With You" and two covers. The Berlin cover "Take My Breath Away" is Simpson and Lachey's love theme, she said, "because it was playing the first time Nick kissed me."[15] Simpson also said that she had "been obsessed with 'Take My Breath Away' for a very long time." Another cover on the album was Robbie Williams' "Angels." Simpson described the recording session for the two songs as difficult because she had to do both songs in one day. Lachey helped produce the vocals for both songs, and Simpson credited him with helping her get in the right mood by keeping his hand in her back pocket "and being right there" during the recording session.[16][17]
Critical reception
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
Entertainment Weekly | C−[18] |
Rolling Stone | [19] |
Slant Magazine | [20] |
Stylus Magazine | D+[21] |
Initial critical response to In This Skin was mixed. Sal Cinquemani of Slant Magazine gave the album 2.5 stars and criticized it as "glossy, ever-so-slightly over-produced ... weighed down by soggy, overwrought pop ballads" and "sickeningly sweet" lyrics. However, he praised "Forbidden Fruit," comparing it to Madonna's single "Music," and "Loving You," which he described as "a seductively contrived reminder that, with teen pop long dead, Simpson should be aiming to recapture the club audience that helped launch her career with 'I Wanna Love You Forever.'"[20]
Stephen Thomas Erlewine from AllMusic also gave the album 2.5 stars in a mixed review, writing, "The problem with In This Skin is that its heart is in the mature middle of the road but its sound is still pitched too young, making [it] a record that satisfies neither audience."[1]
Jon Caramanica of Rolling Stone gave the album 2 stars, criticizing Simpson's lack of vocal "subtlety." However, he added, "Her powerful voice is done a disservice by insipid songwriting and arrangements — as on the loathsome club track 'Forbidden Fruit' and the uncomfortably stately ballad 'You Don't Have to Let Go' — that consistently get in the way of her pipes."[19]
Commercial performance
In This Skin debuted at number 10 on the Billboard 200 albums chart with 64,000 copies sold.[22] Within five months of release, the album had sold 565,000 copies.[23] In March 2004, the album was re-released and it jumped from number 16 to number two, selling 160,000 copies in that week and seeing a 205% increase in sales.[24] It was her highest weekly sales at the time, beating the sales of her sophomore album Irresistible, which debuted at number six with 120,000 copies.[24] On August 19, 2004, it was reported that after a year of release, In This Skin had sold over 2.4 million copies in the US.[25] As of February 2009, it has sold 2.9 million copies, according to Billboard.[26] In total the album charted on the Billboard 200 for 75 consecutive weeks.[27] Towards the end of 2004 In This Skin was ranked at number 14 on Billboard's year-end albums chart.[28] In December 2004, the album was certified triple platinum by the RIAA for shipments of three million copies.[29]
In
Singles
"
Promotion
Simpson performed "Sweetest Sin" live at the
The Reality Tour
The
During an interview with the Associated Press, the singer said she wanted the concerts to focus on her music and her personality.[44] Onstage, Simpson was joined by a seven-piece band, with no dancers or choreography for the show. Simpson would perform songs from her three current albums, while providing anecdotes about her life and the songs. Unseen footage from her reality series and variety show (titled The Nick and Jessica Variety Hour) were included in the show as well. Each night, the singer dedicated "I Have Loved You" to the American armed forces and conducted a Q&A session with contest winners.[45]
Before the tour commenced, Simpson performed at several radio-sponsored music festivals including Your Show,[46] Wango Tango,[47] Summer Music Mania,[48] Zootopia,[49] Kiss Concert,[50] and Play Safe in the Park.[51]
The tour began in
Track listing
Original release
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | "Sweetest Sin" | Diane Warren | 3:14 | |
2. | "With You" |
|
| 3:12 |
3. | "My Way Home" |
| Elliott | 3:13 |
4. | "I Have Loved You" |
| 4:45 | |
5. | "Forbidden Fruit" |
| Fitzgerald | 3:30 |
6. | "Everyday See You" |
|
| 4:18 |
7. | "Underneath" |
| Keith Thomas | 4:02 |
8. | "You Don't Have to Let Go" |
| Harmon | 3:43 |
9. | "Loving You" |
| Elliott | 3:31 |
10. | "In This Skin" |
| Fusari | 4:18 |
11. | "Be" |
|
| 4:11 |
Total length: | 41:57 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
12. | "Fly" | Simpson | Mann | 3:32 |
13. | "My Love" | Simpson | Mann | 4:09 |
Total length: | 54:23 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | "Take My Breath Away" | Mann | 3:15 | |
2. | "With You" (acoustic version) |
| Mann | 3:16 |
3. | "Angels" | Billy Mann | 4:05 | |
Total length: | 52:15 |
Reissue
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | "Angels" | Billy Mann | 4:05 | |
2. | "With You" |
| 3:11 | |
3. | "Take My Breath Away" | Mann | 3:15 | |
4. | "My Way Home" |
| Elliott | 3:12 |
5. | "Sweetest Sin" | Diane Warren | 3:19 | |
6. | "I Have Loved You" |
| 4:45 | |
7. | "Forbidden Fruit" |
| Fitzgerald | 3:29 |
8. | "Everyday See You" |
|
| 4:17 |
9. | "Underneath" |
| Thomas | 4:01 |
10. | "You Don't Have to Let Go" |
| Harmon | 3:40 |
11. | "Loving You" |
| Elliott | 3:28 |
12. | "In This Skin" |
| Fusari | 4:18 |
13. | "Be" |
|
| 4:09 |
14. | "With You" (acoustic version – bonus track) |
| Mann | 3:16 |
Total length: | 52:15 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
15. | "I Think I'm in Love with You" |
|
| 3:18 |
16. | "I Wanna Love You Forever" |
| 4:24 | |
17. | "Irresistible" |
|
| 3:13 |
Personnel
Credits adapted from AllMusic.[58]
- J.D. Andrew – digital editing, engineer
- Jim Annunziato – assistant engineer, mixing assistant
- Romeo Antonio – electric guitar
- Rich Balmer – engineer
- Greg Barnhill – producer
- Charlie Bisharat – violin
- Dan Bucchi – mixing assistant
- Pat Buchanan – electric guitar
- Julian Bunetta – engineer, string arrangements, strings
- Darryl Bush – production coordination
- John Catchings – cello
- Earl Cohen – tracking
- J. T. Corenflos – electric guitar
- Chad Cromwell – drums
- Neil Devor – engineer
- Tony Duran – photography
- Damon Elliott – keyboards, percussion, producer, programming
- Greg Fitzgerald – producer
- Rob Fusari – producer
- James Ginnetti – keyboards
- Chris Goercke – acoustic guitar
- Franne Golde – piano, producer, vocals, background vocals
- Kara DioGuardi – background vocals
- Trina Harmon – piano, producer, string arrangements, strings
- Carlos Henderson – bass
- Dan Hetzel – digital editing, engineer, mixing
- Hooshik – collage
- Jun Ishizeki – assistant engineer
- Richie Jones – producer, programming
- Jennifer Karr – background vocals
- Anthony Kilhoffer – assistant engineer
- Brendan Kuntz – assistant engineer, mixing assistant
- Eric Kupper – acoustic guitar, keyboards
- Holly Lamar – producer
- Victor Lawrence – cello
- Kasia Livingston – producer, background vocals
- Billy Mann – arranger, drum programming, engineer, electric guitar, producer
- Lee Mars – mixing, vocal producer
- Andy Marvel – arranger, drum programming, engineer, midi guitar, keyboard programming, producer
- Tony Maserati – mixing
- Dave Matthews – engineer
- Mary Maurer – art direction
- Bart Migal – tracking
- Nick Moroch – acoustic guitar
- Pablo Munguia – engineer, vocal engineer
- David Munk – vocal producer
- Dave Pensado – mixing
- Alison Prestwood – bass
- Greg Price – assistant engineer
- Mark Russell – production coordination
- Dave Scheuer – digital editing, engineer
- Jaime Sickora – engineer, vocal engineer
- Jessica Simpson – primary artist, vocals
- Matt Snedecor – mixing assistant
- Michael Spriggs – acoustic guitar
- Keith Thomas – arranger, bass, keyboards, mixing, producer, programming
- Luz Vasquez – assistant engineer, mixing assistant
- John LeVasseur – engineer, Mellotron
- Rick Wake – producer
- Bill Whittington – mixing
- Andrew Williams – engineer, instrumentation, producer
- Ethan Willoughby – assistant
- Patrick Woodward – mixing
- Chris Yoakum – digital editing, MIDI technician
- Jonathan Yudkin – strings
Charts
Weekly charts
|
Year-end charts
Decade-end charts
|
Certifications and sales
‹See Tfd›‹See Tfd›Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA)[71] | Platinum | 70,000^ |
Canada (Music Canada)[72] | Gold | 50,000^ |
Japan ( RIAJ )
|
— | 10,000[73] |
South Korea ( GAON )
|
— | 3,003[74][75] |
United Kingdom (BPI)[76] | Silver | 60,000‡ |
United States (RIAA)[77] | 3× Platinum | 3,000,000^ |
Summaries | ||
Worldwide | — | 7,000,000[4] |
^ Shipments figures based on certification alone. |
Release history
Region | Date | Edition | Label | Format(s) | Catalog | Ref. |
---|---|---|---|---|---|---|
Canada | August 19, 2003 | Standard | Sony Music
|
CD
|
CK 86560 | [78] |
United States | Columbia | 86560 | [79] | |||
Japan | August 27, 2003 | Sony Music | SICP 425 | [80] | ||
Canada | March 2, 2004 | Collector's |
|
CK 91876 | [81] | |
Europe |
|
[82][83] | ||||
United States | Columbia | CK 92041 | [84] | |||
United Kingdom | April 19, 2004 | Standard | Sony Music | CD | 512499000 | [85] |
Australia | September 4, 2004 | 5124399000 | [86] |
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