Internationale Maifestspiele Wiesbaden

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Internationale Maifestspiele Wiesbaden
Aerial view of Hessisches Staatstheater Wiesbaden, the festival's main venue
GenreInternational theatre: opera, play, ballet and others
Beginsaround 1 May
Endsaround 31 May
Frequencyannual
Location(s)Hessisches Staatstheater Wiesbaden
Inaugurated1896; 128 years ago (1896)
Organised byHessisches Staatstheater Wiesbaden
Websiteenglish.staatstheater-wiesbaden.de/international-may-festival/home/

The Internationale Maifestspiele Wiesbaden (International May Festival, IMF) is a theater festival in Wiesbaden, Germany. Established in the late 19th century after the Bayreuth Festival, the festival is one of the most distinguished international theatre and music festivals in the world. It is presented annually in May at the Hessisches Staatstheater Wiesbaden, the State Theatre of Hesse in the capital Wiesbaden. The festival currently features performances of operas, ballets, plays and musicals. Visiting companies, mostly from European theaters, present their recent productions along with performances of the Theater Wiesbaden. Concerts from a wide array of music genres are featured as well as artistic circus acts and modern dance presentations. Lectures, recitals, cabaret performances, art showings and readings are also part of the program.

Kaiserfestspiele

In 1896, the festival was established as "Kaiserfestspiele" (Imperial Festival) by Georg von Hülsen, director of the theater in Wiesbaden.[1] He wanted to create a festival to compare with the successful Bayreuth Festival. A festival in Spring was supposed to coincide with the emperor's regular stay at the spa to create a cultural event. The director also wanted to improve the status of his "Neues königliches Hoftheater" (New Royal Court Theatre), which relied mostly on productions from the Royal theater in Berlin. The first festival was presented from 6 to 19 May 1896, with the German emperor William I and the empress Augusta of Saxe-Weimar-Eisenach in attendance.[2] The posters and programs showed "Festspiele auf allerhöchsten Befehl!" (Festival by the very highest order!), referring to the emperor's demand.[3] In the beginning the focus was on the works of Richard Wagner as in Bayreuth, but different from Bayreuth works of other composers were also performed, such as Carl Maria von Weber's Oberon in 1900. The festival closed for the duration of World War I.[3]

Mai-Festwoche

In 1928, the first festival after the war was staged by the director Paul Bekker and called "Mai-Festwoche" (Festival week in May). It presented on 6 May the premiere of three short operas by Ernst Krenek, Der Diktator, Das geheime Königreich and Schwergewicht, oder Die Ehre der Nation.[4] In 1929, the festival was called "Festwochen im Mai" (Festive Weeks in May). His main concern was to stress the achievement of the Wiesbaden theatre. From 4 to 21 May 1929, the festival presented the opera Die ägyptische Helena of Richard Strauss, which had premiered the year before at the Semperoper.[3][5]

Under Nazism, the festival was held until 1939 as part of the Gaukulturwochen. The director was Carl von Schirach.

Internationale Maifestspiele

Hessisches Staatstheater Wiesbaden, from the park

In 1950, the first festival after World War II was the first with an international approach, reflected in the new name. The festival was held annually since then. Traditionally the festival was opened by a new production of the Wiesbaden theatre.

Les Ballets de Monte Carlo and the Nederlands Dans Theater.[2] Young audiences have been addressed by the series of plays "Junge Woche" (Young Week). Due to restricted funding in recent years the program was reduced, shifting to younger and more experimental performers.[3]

Performances

In 1955. the stage version of Hans Vogt's so-called Oratorische Oper (oratorio opera) Die Stadt hinter dem Strom after the novel of Hermann Kasack was premiered.

In 1962, the Opera Warsaw presented as the first visiting company from Eastern Europe the opera

Le sacre du printemps and Oedipus rex and Arthur Honegger
's Judith.

At the 1989 festival, the Deutsche Oper Berlin visited with three productions, the opening night was Verdi's Rigoletto, staged by Hans Neuenfels and conducted by Silvio Varviso, followed by Janáček's Katja Kabanowa and the ballet Der Blaue Engel. Hartmut Haenchen conducted Handel's opera Giustino in a production of the Komische Oper Berlin staged by Harry Kupfer, with Jochen Kowalski in the title role. The Bolshoi Theatre presented Borodin's Prince Igor and Mussorgsky's Khovanshchina, both conducted by Alexander Lazarev.[6]

In 2008, the

Teatro Regio Torino visited with Verdi's Rigoletto.[7]

In 2009, Theater Wiesbaden opened with

The opening performance in 2010 was Alban Berg's

Merce Cunningham Dance Company
.

Facts

The Maifestspiele 2010 had 20,700 visitors, 90.4% of the available seating capacity was sold. The budget for 2011 comprises €1,432,200.

References

  1. ^ "Internationale Maifestspiele Wiesbaden" (in German). Deutsches Musikinformationszentrum. 2010.
  2. ^ a b "International May Festival". staatstheater-wiesbaden.de. Archived from the original on 19 July 2011.
  3. ^ a b c d e Achim Thorwald. "Hessisches Staatstheater Wiesbaden" (in German). European Business Network. Retrieved 27 April 2011.
  4. ^ "Maifestwoche des Staatstheaters in Wiesbaden, 6. Mai 1928" (in German). lagis-hessen.de. Retrieved 6 May 2017.
  5. ^ "Die Mai-Festwochen in Wiesbaden"[permanent dead link], Wiesbadener Bade-Blatt, 8 Mai 1928, p. 1 (for all the cast) PDF
  6. ^ Internationale Maifestspiele Wiesbaden. IMF. 1989.
  7. ^ "Orchestra of the Teatro Regio". Teatro Regio. 2011.
  8. ^ a b "Start mit skandalumwitterter Frau" (in German). Hessischer Rundfunk. 18 February 2011.[permanent dead link]
  9. ^ "Auf der Stehparty". Frankfurter Rundschau (in German). 23 May 2009.
  10. ^ "Rodion Shchedrin: Lolita". Schott. 2011.
  11. ^ Volker Milch: Oper Lolita – Deutschlandpremiere bei den 115. Maifestspielen in Wiesbaden Archived 9 August 2011 at the Wayback Machine, Wiesbadener Tagblatt, 1 May 2011 (in German)

External links